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Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

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114 NOTHING MAT(T)ERS<br />

opposing discourses” (1989, p. 1). The American umpire; but what has become<br />

known as French feminism is largely psychoanalytic, so the opposition is<br />

already…“mediated”. 18 Discontent requiring appeasement: a pluralist equalization <strong>of</strong><br />

desires, contexts, is to be healed by a textual intervention—discourse. Textual play,<br />

textual surgery and operations—but who is the patient Whose body is being cured,<br />

what language must it learn The pretext <strong>of</strong> feminist psychoanalytic theory has<br />

shifted from using Freud’s theory <strong>of</strong> sexuality to look at gender, to a practice <strong>of</strong><br />

positions until the right methodology for feminist psychoanalytic theory can be<br />

announced, an experiment in relationship, mood, attitude, style, appearance, and<br />

packaging. The feminist psychoanalytic pr<strong>of</strong>ession: What form will it take How can<br />

it succeed the Father Standing before the closet, not a Thing to wear. Self-situated<br />

on the fence between a discourse <strong>of</strong> “dissatisfied” feminism and patriarchy defined<br />

as melancholic discourse, it awaits discursive silence while practicing the<br />

organization <strong>of</strong> consent, and the disp<strong>ers</strong>ion <strong>of</strong> dissent.<br />

Discontented Discourses: where does the misery come from Who’s unhappy<br />

with what <strong>Feminist</strong> psychoanalytic critics want to be happy with the path they have<br />

chosen, content with the course <strong>of</strong> psychoanalytic theory’s history and future. Of<br />

course, the original feminist content and method <strong>of</strong> sexual politics will have to<br />

change for this to be realized. This is the education to deference which is part <strong>of</strong> the<br />

pr<strong>of</strong>essionalization <strong>of</strong> women (Brodribb: 1988a); woman being a career now open to<br />

men. Edited by Marleen Barr and Richard Feldstein, Discontented Discourses is<br />

organized as follows: “In each <strong>of</strong> the essays presented here, feminism and<br />

psychoanalysis intercede to mediate between a patriarchal discourse (named by each<br />

chapter’s title) and a feminist discourse (named by each chapter’s subtitle)” (Barr<br />

and Feldstein: 1989, p. 1). Such a traditional police v<strong>ers</strong>ion <strong>of</strong> a “dysfunctional<br />

family” or domestic dispute is wilfully ignorant <strong>of</strong> the history <strong>of</strong> feminist thought<br />

(Spender, p. 1983) and the masculine practice <strong>of</strong> abuse. This domestic dispute is then<br />

to be judged by the “synthesis” <strong>of</strong> this abuse, feminist psychoanalytic theory or the<br />

Athena that claimed to be father born.<br />

Feminism and Psychoanalysis (1989), co-edited by Richard Feldstein and Judith<br />

Ro<strong>of</strong>, poses feminism and psychoanalysis as symmetrical Mother/Father discourses.<br />

If female psychoanalytic critics do not always question the role <strong>of</strong> men, is it because<br />

they do not deeply question their own role in psychoanalytic theory To question the<br />

role <strong>of</strong> men would be to question their own pr<strong>of</strong>essionalization as women, and to<br />

suspect their own phallocentric tendencies. The series <strong>of</strong> “feminism and<br />

psychoanalysis” books, begun by Juliet Mitchell’s (1975) Psychoanalysis and<br />

Feminism, consents to psychoanalysis for feminism and argues that with a little<br />

manipulation it can satisfy. The appearance is created <strong>of</strong> psychoanalytic theory as<br />

imperfect but modifiable, malleable —the best and only source <strong>of</strong> knowledge <strong>of</strong> self<br />

18. In “Woman’s liberation: the tenth year,” Christine Delphy (Duchen: 1987) documents the antifeminist<br />

theory and practice <strong>of</strong> the group Psychanalyse et politique which copyrighted the name <strong>of</strong><br />

the women’s liberation movement in France. Collette Guillamin (Duchen: 1987) takes issue with the<br />

psychoanalytic writing by Luce Irigaray, Hélène Cixous and Julia Kristeva in “The question <strong>of</strong><br />

difference.” What has been published and translated <strong>of</strong> French feminist texts is largely<br />

psychoanalytic, unlike the work <strong>of</strong> Delphy and Guillamin.

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