Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
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LACAN AND IRIGARAY: ETHICAL LACK AND ETHICAL PRESENCE 105<br />
<strong>of</strong> voluptuous pleasure Useless, except as that which designates a place: the<br />
place itself <strong>of</strong> uselessness, at least usually. Serving neither conception nor<br />
jouissance strictly. Mystery <strong>of</strong> feminine identity (1984, p. 24, italics in<br />
original).<br />
Like the cross, the archetype <strong>of</strong> Between, the feminine lips, two vertical, two<br />
horizontal, permit going beyond limits without risking the abyss. Because <strong>of</strong> the<br />
fertility <strong>of</strong> the porous, “each finds himself [sic] in that which cannot be said but<br />
which makes the suppleness <strong>of</strong> the soil <strong>of</strong> life, and <strong>of</strong> language” (1984, p. 25) where<br />
a communion subtly crosses the intimacy <strong>of</strong> the mucous. Where the alliance is not<br />
symbolized by a child, but by the life or death that lov<strong>ers</strong> give to one another.<br />
Irigaray asks:<br />
And if the divine is there as the mystery <strong>of</strong> that which animates this copula,<br />
the is and to be in sexual difference, can the force <strong>of</strong> desire overcome the<br />
avatars <strong>of</strong> genealogical destiny How would it accommodate that With what<br />
power Remaining nevertheless incarnated. Between the idealistic fluidity <strong>of</strong><br />
the unborn body, unfaithful to its birth, and genetic determinism, how can we<br />
find the measure <strong>of</strong> a love that will make us pass from the condition <strong>of</strong> mortals<br />
to immortals Certain figures <strong>of</strong> gods become man, <strong>of</strong> God made man, and the<br />
doubly-born, indicate one path <strong>of</strong> love (1984, p. 25).<br />
As une grande amoureuse, Irigaray is part <strong>of</strong> the mystic tradition criticized by de<br />
Beauvoir in The Second Sex. The feminine sex is an aporia, a mystery, a miracle<br />
which is yet to come. The Father, Son and the Holy Ghost are in the shadows <strong>of</strong><br />
Irigaray’s mystery, as is Dionysus, the doubly-born one. This erotic symbolism <strong>of</strong><br />
the divine bypasses the procreativity <strong>of</strong> the body, and sees love as an angelic<br />
dialectic. Love points the way to delirium, rapture, the way out <strong>of</strong> the cage <strong>of</strong><br />
heredity, the body, and history.<br />
Irigaray’s rejection <strong>of</strong> procreation is again articulated in her essay on Plato’s<br />
Symposium. Here she applauds Diotima’s lecture on love to Socrates, and<br />
especially the “original” theory <strong>of</strong> the dialectic. According to Irigaray, Diotima’s<br />
dialectic has at least four terms: the two poles <strong>of</strong> the here (the below), love (the<br />
intermediary) is the pathway and the conductor, the mediator par excellence, to the<br />
there: the above, the divine. “Never completed, always evolving” (1984/1989, p. 33),<br />
love as mediation is never absorbed in a synthesis, but it permits a meeting, and a<br />
transvaluation <strong>of</strong> two, which returns to a greater perfection in love. Diotima<br />
“presents, uncov<strong>ers</strong>, unveils the existence <strong>of</strong> a third that is always there and that<br />
permits progression: from poverty to wealth, from ignorance to wisdom, from<br />
mortality to immortality” (1984/1989, p. 32).<br />
Irigaray makes central Diotima’s answer to the question <strong>of</strong> love’s existence: “This<br />
action is engendering in beauty, with relations both to body and to soul…. The union<br />
<strong>of</strong> a man and a woman is, in fact, a generation; this is a thing divine; in a living<br />
creature that is mortal, it is an element <strong>of</strong> immortality, this fecundity and generation”<br />
(1984/1989, p. 37). According to Irigaray, this pronouncement has never been<br />
und<strong>ers</strong>tood, and even Diotima disappoints Irigaray, as we shall see. But first, in