Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
Nothing Mat(t)ers: A Feminist Critique of Postmodernism
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NEUTRALITY AND DE/MEANING 85<br />
The essential strategy <strong>of</strong> Derridean “undoing” <strong>of</strong> Western metaphysics and dualism<br />
is the negation <strong>of</strong> presence and in particular, that <strong>of</strong> woman and mother. 20 In his<br />
study <strong>of</strong> Rousseau’s Confessions in Of Grammatology, he consid<strong>ers</strong> Rousseau’s<br />
Mamma and Thérèse. Of the two women he says: “in what one calls the real life <strong>of</strong><br />
these existences ‘<strong>of</strong> flesh and bone’…there has never been anything but writing”<br />
(1976, p. 159). This reading <strong>of</strong> Mamma and Thérèse is the foundational moment <strong>of</strong><br />
Derrida’s new science <strong>of</strong> writing:<br />
[T]here have never been anything but supplements, substitutive significations<br />
which could only come forth in a chain <strong>of</strong> differential references, the “real”<br />
supervening, and being added only while taking on meaning from a trace and<br />
from an invocation <strong>of</strong> the supplement, etc. And thus to infinity, for we have<br />
read, in the text, that the absolute present, Nature, that which words like “real<br />
mother”, name, have always already escaped, have never existed; that what<br />
opens meaning and language is writing as the disappearance <strong>of</strong> natural<br />
presence (1976, p. 159; italics in original).<br />
Différance, the dangerous supplement, and all Derrida’s readings repeat as Barbara<br />
Johnson does: “our very relation to “reality’ already functions like a text…. <strong>Nothing</strong>,<br />
indeed can be said to be not a text” (1981a, p. xiv; italics in original).<br />
Derrida shows how writing and masturbation are both supplements for a presence,<br />
for real intercourse/discourse. Same difference as Plato’s structure <strong>of</strong> desire, or<br />
Socrates debate with Agathon on the question <strong>of</strong> love in The Symposium. Socrates<br />
asked: “Does Love desire the thing that he is love <strong>of</strong>, or not” “Of course he does,”<br />
answered Agathon. “And does he desire and love the thing that he desires and loves<br />
when he is in possession <strong>of</strong> it or when he is not” “Probably when he is not,”<br />
Agathon replied. “If you reflect for a moment, you will see that it isn’t merely<br />
probable but absolutely certain that one desires what one lacks, or rather that one<br />
does not desire what one does not lack…. Love will be love <strong>of</strong> beauty…then, if Love<br />
lacks beauty, and what is good coincides with what is beautiful, he also lacks<br />
goodness” (Plato: 1956, pp. 76, 78). The dangerous supplements, writing or<br />
masturbation, are supplements for a dangerous presence. Rousseau fears that a<br />
perfectly fulfilled heterosexual desire would annihilate him: “If I had ever in my life<br />
tasted the delights <strong>of</strong> love even once in their plenitude, I do not imagine that my frail<br />
existence would have been sufficient for them. I would have been dead in the act”<br />
(Derrida: 1976, p. 155). Rousseau’s desire for a woman he called “Mamma” was<br />
threatened by her presence: “I only felt the full strength <strong>of</strong> my attachment to her<br />
20. He also “takes on” the role <strong>of</strong> the mother: in Glas (1986), Derrida searches for the mother; in<br />
“The Law <strong>of</strong> Genre” he plays in a mother/daughter role. Thus, he mimics the mother as much as<br />
Nietzsche. My interpretation goes against the grain <strong>of</strong> Hélène Cixous’ Derridean reading <strong>of</strong> Derrida<br />
and dualism. In “Sorties,” a section <strong>of</strong> The Newly Born Woman, Cixous (1986) does speak very<br />
briefly <strong>of</strong> masculine dreams <strong>of</strong> motherless filiation, but she does not recognize misogyny in Derrida.