CSI in the News - CSI Today
CSI in the News - CSI Today
CSI in the News - CSI Today
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Movement.” It was largely shot on Staten Island and will screen<br />
here after hav<strong>in</strong>g taken a top prize at <strong>the</strong> Boston International Film<br />
Festival.<br />
“I had to th<strong>in</strong>k about not only who’s go<strong>in</strong>g to laugh at it locally, but<br />
how it was go<strong>in</strong>g to affect audiences universally,” says <strong>the</strong> 29-year<br />
-old Concord resident.<br />
THE 5TH ANNUAL SINY FILM<br />
FESTIVAL<br />
Presented by <strong>the</strong> Richmond County<br />
Sav<strong>in</strong>gs Foundation & <strong>the</strong> Staten<br />
Island Economic Development<br />
Corporation.<br />
When: Screen<strong>in</strong>gs cont<strong>in</strong>ue June 3-5.<br />
Where: St. George Theatre, 35 Hyatt St.;<br />
Granted, you’ve probably never heard of most of this fest’s 85-plus<br />
films — o<strong>the</strong>r than maybe “Bobby Did It,” a new short by Wu-Tang<br />
Clan godfa<strong>the</strong>r RZA. Still, AWE — and film fest jurists across <strong>the</strong><br />
country — believe many of <strong>the</strong> SINY selections are worth seek<strong>in</strong>g<br />
out.<br />
and <strong>the</strong> College of Staten Island, 2800<br />
Victory Blvd., Willowbrook.<br />
How much: Tickets are $10 for one block<br />
of films; $15 for all-day screen<strong>in</strong>g passes;<br />
$45 for all-screen<strong>in</strong>gs passe and $150 for<br />
“super passes” which provide access to all<br />
Plus, unlike <strong>the</strong> Tribeca Film Festival — notorious for surprise soldout<br />
screen<strong>in</strong>gs, especially if you’ve been wait<strong>in</strong>g <strong>in</strong> l<strong>in</strong>e for an hour<br />
— you don’t have to buy tickets weeks <strong>in</strong> advance.<br />
film screen<strong>in</strong>gs and parties; available on<br />
TicketWeb.com. (Free all-screen<strong>in</strong>g passes<br />
for groups of four may be available <strong>in</strong> <strong>the</strong><br />
offices of S.I. elected officials and select<br />
Hence, AWE presents, <strong>in</strong> no particular order, <strong>the</strong> 10 films we are<br />
most excited to see June 3-5 (Note: check <strong>the</strong> accompany<strong>in</strong>g<br />
<strong>in</strong>fobox for screen<strong>in</strong>g locations and ticket details).<br />
bus<strong>in</strong>esses. Supplies are limited.)<br />
More <strong>in</strong>formation: Visit<br />
SIFilmFestival.org or call 718-477-1400<br />
for details.<br />
“WARRIOR CHAMPIONS”<br />
The story of severely wounded soldiers as <strong>the</strong>y fight to turn<br />
nightmares of war <strong>in</strong>to Olympic dreams. As little as a year after los<strong>in</strong>g limbs, Iraq War veterans Kortney<br />
Clemons, Scott W<strong>in</strong>kler, Melissa Stockwell and Carlos Leon set out to compete <strong>in</strong> <strong>the</strong> 2008 Paralympic<br />
Games <strong>in</strong> Beij<strong>in</strong>g. This uplift<strong>in</strong>g testament to perseverance has been mak<strong>in</strong>g <strong>the</strong> festival rounds, earn<strong>in</strong>g<br />
spots <strong>in</strong> <strong>the</strong> prestigious Cleveland International and Newport Beach film fests, among o<strong>the</strong>rs. “People call<br />
you a hero because you lost a leg, but I’ve done more <strong>in</strong> my life with one leg, than I ever would have done<br />
with two,” says Stockwell, a competitive swimmer who lost her left leg above <strong>the</strong> knee <strong>in</strong> a roadside bomb.<br />
(1 hour, 20 m<strong>in</strong>utes, WarriorChampions.com). “Warrior Champions” screens June 2 at 6 p.m. <strong>in</strong> <strong>the</strong><br />
St. George Theatre and June 5 at 1 p.m. <strong>in</strong> <strong>CSI</strong>’s Williamson Theatre.<br />
“RISING UP! THE STORY OF THE ZOMBIE RIGHTS MOVEMENT”<br />
A fictional account of a 1960s civil rights movement. With deadpan comedic style, “Ris<strong>in</strong>g Up” chronicles how<br />
“voiceless” zombies were exploited as crashtest dummies and abused by cosmetics companies, f<strong>in</strong>d<strong>in</strong>g allies<br />
<strong>in</strong> long-haired beatniks. Kev<strong>in</strong> Allison (MTV’s “The State”) portrays a zombie historian while Phil La-Marr<br />
(“Family Guy,” “K<strong>in</strong>g of <strong>the</strong> Hill”) lends his familiar voice, serv<strong>in</strong>g as <strong>the</strong> narrator. Director Laura Moss, of<br />
Brooklyn, co-wrote <strong>the</strong> script with her husband Brendan O’Brien, a producer, after hatch<strong>in</strong>g <strong>the</strong> idea as part<br />
of a bar bet. “While some see zombies as terrify<strong>in</strong>g. I see <strong>the</strong>m as relentless, unstoppable kittens,” she says.<br />
“They are helpless, and need <strong>the</strong> support and organizational skills of human facilitators.” (28 m<strong>in</strong>.) “Ris<strong>in</strong>g<br />
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