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Achieving Reliable Print Output from Adobe ... - Adobe Partners

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Artifacts on the margins<br />

This graphic shows how adjoining atomic regions<br />

can, under certain circumstances, exhibit differences<br />

in appearance, sometimes known as stitching artifacts.<br />

Font conversion during flattening<br />

If text is involved in transparency, the Flattener often needs to rasterize or outline some of the<br />

glyphs in the text. The Flattener uses the font information contained in the font files that are<br />

present on the computer where the flattening is taking place. Because the Flattener only flattens<br />

text in areas affected by transparency, it’s possible that some glyphs will be flattened while others<br />

remain unaffected. In most instances, you will not be able to detect a difference between the flattened<br />

and normal text in the final output.<br />

As illustrated in the following graphic, in some cases, the Flattener must convert portions of text<br />

to outlines as in the case of text that is beneath a drop shadow (left). Note in the wire-frame view<br />

(right) that the Flattener has outlined a portion of the text, but a portion remains rendered as a<br />

font. The difference in the way the characters are created can cause visible differences in apparent<br />

weight because the outlined text does not have PostScript font hinting applied. In such cases,<br />

by selecting the Convert All Text to Outlines flattener option, you can help make all of the text<br />

uniform in weight.<br />

Text converted to outlines by the Flattener<br />

The Flattener has outlined a portion of the text that<br />

appears under a drop shadow, but a portion remains<br />

rendered as a font.<br />

Host and RIP font mismatch<br />

In some situations, a font loaded on your computer is replaced by a similar font that is loaded<br />

on a printer’s RIP. For example, the font Helvetica is one of the standard fonts that is included<br />

in all PostScript RIPs. In the PostScript printer description file (PPD) for a PostScript printer,<br />

Helvetica is listed as being resident in the printer. When you print a job in which you use<br />

Helvetica, the PostScript file generated by the application will not include the version of<br />

Helvetica on your local system—the RIP’s version is used instead. If the version of a font in the<br />

RIP differs <strong>from</strong> the version used on your computer, the flattened text may look different than<br />

the text the RIP printed by using its version of the font. When printing <strong>from</strong> InDesign 2 or CS,<br />

you can avoid this issue by choosing Download PPD Fonts in the Graphics panel of the <strong>Print</strong><br />

dialog box.<br />

Color management during flattening<br />

If you use color management in your workflow, colors involved in transparency may be transformed<br />

earlier than you expected and may not match the actual press conditions after being flattened.<br />

In applications like Illustrator CS, this transformation can happen if you haven’t correctly<br />

chosen the working space profile for the document. In InDesign CS—which supports working in<br />

multiple color spaces—the transparency blending space must also be properly set.<br />

Conversion of spot colors<br />

Certain blending modes, such as Difference, Exclusion, Saturation, and Luminosity, can introduce<br />

unexpected process colors or convert spot colors to process. Be sure to use the Separation<br />

Preview available in InDesign CS and Acrobat 6 Professional to confirm your expectations prior<br />

to output.<br />

<strong>Achieving</strong> reliable print output <strong>from</strong> <strong>Adobe</strong><br />

applications when using transparency<br />

14

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