The Saga of Vanadís, Völva and Valkyrja

Frigg of having had affairs with Óðinn’s brothers while he was away in war. The former
has to do with Óðinn using the “un-manly” art of seiður; the latter is from the story of
Óðinn’s brothers taking Frigg as their wife, while he was away on long war-journeys.
This could refer to Frigg having the position of hofgyðja (high priestess), and when the
brothers took the place of the king in his absence, she became their Lady automatically. It
is interesting that it is Freyja who takes the role of responding to Loki on behalf of Frigg.
She reminds him of the fact that Frigg knows the örlög of all things, although she doesn’t
talk about them.
Loki is not in any way a representative of moral judgment. To him nothing is
sacred or forbidden. He is a thief, a liar, a murderer and he has had sexual encounters
with all kinds of beings of both genders. He is the mother of Óðinn’s magical eight-
legged horse, Sleipnir, and he is the father of the Underworld goddess Hel. He is the
androgynous goð of creation and the Underworld, the chaotic forces of nature. Óðinn and
Loki are blood brothers, - which could mean that they are two sides of one goð -, and the
Æsir make use of him when it’s convenient, they assimilate him into their pantheon, but
finally bind him in fetters. It is Skaði who then puts a venomous snake over his head, so
the poison drips into his face. When this same Skaði will not make truce with the Æsir
unless they can make her laugh, Loki ties one end of a rope to the beard of a goat and the
other to his own testicles. The goat and Loki each pull the rope until they’re both
screaming for mercy and he falls into Skaði’s lap. The angry and sad giantess, whose
father the Æsir have just killed, because of one of Loki’s tricks, cannot control herself
and laughs 99 . He is the great trickster, voicing the moral of others in Lokasenna, but
mostly mocking their morality, in order to be funny and scandalous. He manages to shock
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