12.11.2012 Views

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Not
all
respondents
agreed
with
the
emphasis
placed
on
incentives
to
attract
commercial
radio.
Kevin
<br />

Griffiths,
 Claremorris
 Community
 <strong>Radio</strong>
 among
 others,
 argued
 that
 investment
 in
 digital
 would
<br />

ultimately
be
a
commercial
decision
which
if
it
was
to
their
commercial
advantage,
companies
should
<br />

pay
<strong>for</strong>.
What
is
required,
though,
is
‘some
element
of
Government
support
that
protects
interests
of
<br />

non‐profit
broadcasters’.

<br />

The
 question
 of
 incentives
 to
 encourage
 industry‐wide
 participation
 in
 a
 new
 digital
 roll‐out
 is,
<br />

however,
 only
 part
 of
 the
 equation.
 The
 UK
 experience
 of
 incentives
 such
 as
 automatic
 licence
<br />

renewals
was
in
that
in
many
cases
it
did
not
lead
to
any
new
content.
The
need
to
create
a
culture
of
<br />

innovation,
there<strong>for</strong>e,

within
the
proposed
digital
radio
policy
was
raised
by
a
number
of
respondents
<br />

including
 ComReg,
 the
 <strong>BCI</strong>,
 the
 Department
 of
 Communications,
 RTÉ
 and
 Dusty
 Rhodes,
 Managing
<br />

Director
of
<strong>Digital</strong>
Audio
Productions.

For
Dusty
Rhodes,
lessons
needed
to
be
learned
from
previous
<br />

strategies
 that
 had
 attempted
 to
 transition
 a
 whole
 sector
 by
 migrating
 existing
 services
 to
 new
<br />

plat<strong>for</strong>ms:
 ‘There's
 no
 point
 in
 saying
 
 if
 you
 simulcast
 on
 DAB,
 we'll
 extend
 your
 licence
‐
 because
<br />

there
is
no
point
in
only
simulcasting
on
DAB.
It
should
be
if
you
simulcast
on
DAB
and
do
X,
Y
and
Z
to
<br />

actually
improve
the
service
to
the
listener,
then
we'll
extend
your
licence.
Simulcasting
alone...What's
<br />

the
point?’

<br />

This
point
was
echoed
by
John
Doherty
of
ComReg
who
argued
that
additionality,
bringing
something
<br />

new,
would
be
central
to
developing
the
business
case
<strong>for</strong>
digital
radio:
‘I
think
that
the
UK
experience
<br />

would
seem
to
demonstrate
that
it's
a
quite
difficult
business
case,
even
<strong>for</strong>
the
incumbent
operator…
<br />

[it’s]
difficult
<strong>for</strong>
commercial
operators
to
build
a
strong
business
case
around…
you
have
to
future‐<br />

proof
it,
look
at
new
technology,
look
at
content
and
look
at
what
actually
would
underpin
a
business
<br />

case
to
actually
make
it
a
successful
product
launch
out
there’.
<br />

Similarly,
Quentin
Howard
referred
to
the
UK
experience,
in
that
while
the
they
had
incentivized
the
<br />

major
brands
to
move
into
DAB,
it
had
not
linked
that
transition
to
the
need
to
innovate,
to
change
<br />

radio.

Phil
Laven
put
it:
‘radio
needs
to
be
doing
something
different…if
broadcasters
don’t
react
by
<br />

offering
new
content
tailored
to
their
particular
audiences
people
will
start
to
go
off
air
because
they
<br />

can’.

<br />

JP
 Coakley
 of
 RTÉ
 argued
 that
 ‘the
 key
 to
 regulation
 of
 DAB
 is
 some
 sort
 of
 balance
 between
 the
<br />

protection
of
the
existing
market
versus
competition
and
innovation‐
new
competition,
new
services,
<br />

new
 innovation.
 And
 that
 I
 think
 explains
 the
 fear
 or
 incapacity,
 or
 unwillingness
 of
 regulators
 to
<br />

engage
with
this.
Because
it
essentially
means
inventing
a
new
market…
while
protecting
the
existing.
<br />

So
that
is
difficult’.
For
him,
Australia
was
proving
a
digital
radio
role
model.
‘I
think
what’s
new
about
<br />

Australia
is
the
mandating
of
innovation.
The
mandating
of
new
content.
You
get
your
licence,
you
get
<br />

your
transmission,
but
you’re
also
compelled
to
bring
something
new
to
the
table’. 26 
<br />

Several
of
our
interviewees
spoke
of
the
need
<strong>for</strong>
digital
to
deliver
something
‘better’
than
FM
and
<br />

concern
 was
 expressed
 about
 the
 UK
 model
 where
 multiplexes
 had
 been
 pushed
 to
 carry
 more
<br />

services
 at
 lower
 sound
 quality.
 For
 John
 Doherty
 at
 ComReg
 this
 was
 one
 of
 the
 lessons
 <strong>Ireland</strong>
<br />

needed
 to
 learn
 from
 the
 UK.
 It
 has
 to
 mean
 more
 than
 spectrum
 efficiency,
 it
 has
 to
 make
 a
<br />

difference
to
the
end‐users.
‘What
is
the
difference,
if
you
like,
that
they
can
look
from
this
technology
<br />

over
an
existing
radio
set
that
has….been
around
now
<strong>for</strong>
nearly
a
hundred
years.
If
they’re
going
to
<br />






























































<br />

26 
Australian
Government.
‘Broadcasting
Legislation
Amendment
(<strong>Digital</strong>
<strong>Radio</strong>)
Act
2007’,
Department
of
<br />

Broadband,
Communications
and
<strong>Digital</strong>
Economy,
Australia,
May
2007.

<br />


 47


Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!