12.11.2012 Views

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

Digital Radio for Ireland: Competing Options, Public Expectations - BCI

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>for</strong>
 people
 within
 the
 same
 locality.
 
 Among
 other
 entertainment
 features
 found
 were
 DJ
 blogs,
<br />

popular
photo
galleries
(29),
weather
<strong>for</strong>ecasts,
as
well
as
film
reviews
and
a
space
where
listeners
can
<br />

rate
music
played
by
the
station.

<br />

Feedback
is
another
interactive
way
of
attracting
and
engaging
web
page
visitors.
Stations
prefer
to
<br />

provide
 general
 contact
 in<strong>for</strong>mation
 only
 (not
 addressed
 to
 any
 particular
 person
 –
 56
 stations)
 or
<br />

impersonal
email
<strong>for</strong>ms,
which
are
ready‐made
and
as
well
not
addressed
to
particular
staff
members
<br />

(27
stations).
A
limited
number
of
stations
provide
detailed
contact
in<strong>for</strong>mation
with
different
staff
<br />

members’
names
and
emails
or
phones
being
listed
(10).

Several
stations
placed
a
guestbook
on
their
<br />

web
page,
itself
a
<strong>for</strong>m
of
a
feedback
as
well.
Few
stations
offered
an
actual
‘feedback
<strong>for</strong>m’.


<br />

Following
its
revamp,
2FM
is
now
a
model
of
a
dynamic
website:

it
uses
the
web
page
as
a
tool,
a
<br />

guide
to
discovery
of
Irish
music
and
culture.
Not
only
does
it
provide
classic
features
such
as
videos,
<br />

games,
links
to
Facebook
and
other
networking
sites,
it
also
shows
the
playlist
of
songs
presented
on
<br />

air,
 with
 in<strong>for</strong>mation
 about
 each
 artist
 and
 links
 to
 musicians’
 pages.
 Moreover,
 in
 the
 2FM
 space
<br />

listeners
 are
 able
 to
 comment
 on
 station‐related
 networking
 plat<strong>for</strong>ms,
 but
 they
 can
 also
<br />

communicate
 with
 DJ’s
 who
 have
 become
 online
 personalities
 and
 are
 now
 required
 to
 actively
<br />

participate
in
the
creation
of
content
online.


<br />


<br />


<br />


<br />

3.5 A
comparative
online
audit
of
European
public
broadcasters
<br />

Following
 the
 audit
 of
 Irish
 radio
 websites,
 we
 conducted
 an
 audit
 of
 103
 European
 public
<br />

broadcasting
 radio
 stations
 (<strong>Ireland</strong>,
 Denmark,
 Finland,
 France,
 Germany,
 Italy,
 the
 Netherlands,
<br />

Norway,
Poland,
Spanish,
Swedish,
Switzerland
and
UK). 34 

The
same
analytical
categories
(thematic
<br />

focus,
interactive
tools
and
audio
content
provision)
were
used.
All
of
the
radio
services
audited
had
a
<br />

website
and
79%
were
described
as
having
‘dynamic
content’,
multimedia
interactivity.
<br />


<br />

Table
3.4:
Audit
of
European
<strong>Public</strong>
<strong>Radio</strong>
Websites
<br />

Country
 IE
 DK
 FI
 FR
 DE
 IT
 NL
 NO
 PL
 ES
 SE
 CH
 UK
<br />


<br />

Number
 of
 10
 4
 7
 7
 11
 9
 7
 14
 4
 7
 7
 6
 10
<br />

PB
 Services
<br />

analyzed
<br />

Yes
 10
 4
 7
 7
 11
 9
 7
 14
 4
 7
 7
 6
 10
<br />

No
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
<br />

Website
<br />

category
<br />


 
 
 
 
 
 
 
 
 
 
 
 
<br />

Basic
info
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
 0
<br />

Basic
 info
 6
 0
 1
 0
 0
 8
 0
 2
 0
 4
 0
 1
 0
<br />

+interactivity
<br />

Dynamic
<br />

content
<br />

4
 4
 6
 7
 11
 1
 7
 12
 4
 3
 7
 5
 10
<br />






























































<br />

34 
A
full
list
of
all
stations
is
included
at
the
end
of
this
chapter.

<br />


 64


Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!