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The Seal of the Unity of the Three — Vol. 2 - The Golden Elixir

The Seal of the Unity of the Three — Vol. 2 - The Golden Elixir

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138 II. Commentaries, Essays, and Related Works<br />

—————————————————————————————————————————<br />

friend Cai Yuanding 蔡 元 定 (1135–98), an expert <strong>of</strong> <strong>the</strong> Book <strong>of</strong><br />

Changes with whom Zhu Xi corresponded regularly on details <strong>of</strong><br />

interpretation. <strong>The</strong> final version <strong>of</strong> <strong>the</strong> commentary owes much to<br />

Cai, who closely examined <strong>the</strong> text with Zhu Xi in early 1197. 8 <strong>The</strong><br />

commentary was almost certainly completed shortly <strong>the</strong>reafter,<br />

between <strong>the</strong> end <strong>of</strong> 1197 and <strong>the</strong> beginning <strong>of</strong> 1198. 9<br />

Zhu Xi, whose interest in <strong>the</strong> esoteric traditions <strong>of</strong> Taoism is also<br />

documented by a commentary to <strong>the</strong> Yinfu jing 陰 符 經 (Scripture <strong>of</strong><br />

<strong>the</strong> Hidden Response), signed his work as “Zou Xi, Master <strong>of</strong> <strong>the</strong><br />

Dao <strong>of</strong> <strong>Unity</strong>-in-Emptiness” 空 同 道 士 鄒 訢 . In this unique appellation,<br />

formed by paronomasia, Zou 鄒 is ano<strong>the</strong>r name <strong>of</strong> <strong>the</strong> ancient<br />

kingdom <strong>of</strong> Zhu 邾 , whose graph contains <strong>the</strong> graph <strong>of</strong> Zhu Xi’s<br />

surname, while <strong>the</strong> graph 「 訢 」, usually pronounced xin, is also<br />

read xi and, in one <strong>of</strong> its uses, stands for <strong>the</strong> word xi (“bright,”<br />

usually represented by 「 熹 」), which is Zhu Xi’s first name.<br />

<strong>The</strong> Kaoyi is—at least in principle, as we shall presently see—<strong>the</strong><br />

earliest extant exegesis <strong>of</strong> <strong>the</strong> Cantong qi based on a critical examination<br />

<strong>of</strong> different redactions and editions. As Zhu Xi states in his<br />

postface, 10 his work was inspired by <strong>the</strong> disappointing state <strong>of</strong> <strong>the</strong><br />

text, due to alterations introduced by earlier editors and commentators.<br />

Upon completing his commentary, never<strong>the</strong>less, Zhu Xi acknowledges<br />

that in <strong>the</strong> Cantong qi “<strong>the</strong>re are still many dubious and<br />

obscure points” (shang duo yihui 尚 多 疑 晦 ). His appraisal <strong>of</strong> <strong>the</strong><br />

literary quality and <strong>the</strong> difficulty <strong>of</strong> <strong>the</strong> text has been frequently<br />

quoted in later works:<br />

『 參 同 契 』 文 章 極 好 、 蓋 後 漢 之 能 文 者 為 之 、 讀 得 亦 不 枉 、 其 用<br />

字 皆 根 據 古 書 、 非 今 人 所 能 解 、 以 故 皆 為 人 枉 解 。<br />

<strong>The</strong> text <strong>of</strong> <strong>the</strong> Cantong qi is exquisite. It must have been written by a<br />

8<br />

Zhuzi yulei (Classified Sayings <strong>of</strong> Zhu Xi), 107.2670; also quoted in<br />

Zhouyi cantong qi [kaoyi] (CT 1001), 3.8a-b.<br />

9<br />

On <strong>the</strong> genesis <strong>of</strong> Zhu Xi’s commentary see Azuma Jūji, “Shu Ki Shūeki<br />

sandōkei kōi ni tsuite,” especially pp. 176–78; and Kim Yung Sik, “<strong>The</strong> Ts’ant’ung-ch’i<br />

k’ao-i”, pp. 101–5 (especially p. 104). In 1198, Zhu Xi also wrote a<br />

short essay entitled “Cantong qi shuo” 參 同 契 說 (On <strong>the</strong> Cantong qi), where<br />

he criticizes certain interpretations <strong>of</strong> cosmological cycles in relation to <strong>the</strong><br />

alchemical “fire times.” See Zhu Wengong wenji (Collected Writings <strong>of</strong> Zhu<br />

Xi), 67.25a-26b.<br />

10<br />

Zhouyi cantong qi [kaoyi], 3.8a.<br />

© Fabrizio Pregadio and <strong>Golden</strong> <strong>Elixir</strong> Press 2012

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