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Full Program - Missouri Music Educators Association

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Mat Thornton is a senior percussion major at UCM with a strong interest in<br />

percussion maintenance and tuning. He has traveled to several area high schools this<br />

fall to assist directors with percussion instrument repairs and tuning. Mat serves as<br />

President of the UCM student chapter of the Percussive Arts Society, and plans to<br />

pursue a career in music ministry following his graduation in the fall of 2012.<br />

“Percussion Maintenance & Tuning for the Non-Percussionist” (p. 41)<br />

The clinic will cover percussion instrument maintenance routines and tuning, for the most common<br />

public school percussion instruments. With the target audience being the Middle School/High School<br />

non-percussionist, emphasis will be placed on quality resources readily available to the <strong>Missouri</strong> music<br />

educator.<br />

Maureen Travis has been teaching music in the Lebanon R3 School District since<br />

the 2004 school year. For 26 years prior to that, she taught in the Richland RIV School<br />

District in Pulaski County. Teaching duties have included Pre-K to High School Vocal<br />

<strong>Music</strong> and Special Needs classes<br />

“<strong>Music</strong> for Special Learners” (p. 34)<br />

The approach to special learners in the music room - activities used in teaching, ideas for planning and<br />

implementing successful lessons. Participants will learn dances and songs taught with special learners in<br />

mind. A representative from VSA <strong>Missouri</strong>, the State organization on Arts and Disability, will share<br />

information regarding VSA activities.<br />

Robert Waggoner has been involved in the music education field since 1964, at<br />

all levels, including elementary through university. Formerly, the Director of bands at<br />

Parkway West H.S. and the Monday Night Jazz Club at Meramec-St. Louis Community<br />

College, Mr. Waggoner is currently the director of Genesis Jazz Project Big Band. He<br />

also teaches Jazz Education for Webster University and the Jazz Lab Ensemble at the<br />

Community <strong>Music</strong> School.<br />

A professional bassist, Robert has performed in jazz trios to symphonic orchestras,<br />

including playing at Six Flags/St. Louis where he also served as conductor of the<br />

Palace Show for 4 years. He has also been involved as a staff member of the Jim<br />

Widner Jazz Camps and the SLUH Middle School Jazz Camps. Through out the<br />

Midwest, Robert maintains a busy schedule as a clinician, adjudicator and conductor<br />

in the Jazz Education area.<br />

He has received the following awards: St. Louis Suburban <strong>Music</strong> <strong>Educators</strong> Certificate<br />

of Merit (1990-91), St. Louis Suburban <strong>Music</strong> <strong>Educators</strong> Hall of Fame(1995-96), NBA<br />

Outstanding Jazz Educator Award(2003), and the MOIAJE Jess Cole Award(2004) for<br />

Outstanding Contributions to Jazz Education.<br />

Mr. Waggoner attended the University of North Texas, graduated from St. Louis<br />

Institute of <strong>Music</strong> and continued with graduate work at Sothern Illinios University at<br />

Edwardsville. He is also the President/Owner of St. Ann <strong>Music</strong> LLC, a business that<br />

he operates with his wife, Ann.<br />

“A Rhythmic Approach to Beginning Improvisataion” (p. 36)<br />

The purpose of this clinic is to develop the student’s rhythmic improvisational concept. A more focused<br />

groove solo will result because of the rhythmic flow that has been developed. Now we add pitches to the<br />

rhythms studied to develop a melodic solo. Next the improvisational solos are done to standard chord<br />

progressions. Therefore, the students are applying the solo development to tunes not exercises. The chord<br />

progression used for this clinic will be the blues.<br />

94

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