Full Program - Missouri Music Educators Association
Full Program - Missouri Music Educators Association
Full Program - Missouri Music Educators Association
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Mat Thornton is a senior percussion major at UCM with a strong interest in<br />
percussion maintenance and tuning. He has traveled to several area high schools this<br />
fall to assist directors with percussion instrument repairs and tuning. Mat serves as<br />
President of the UCM student chapter of the Percussive Arts Society, and plans to<br />
pursue a career in music ministry following his graduation in the fall of 2012.<br />
“Percussion Maintenance & Tuning for the Non-Percussionist” (p. 41)<br />
The clinic will cover percussion instrument maintenance routines and tuning, for the most common<br />
public school percussion instruments. With the target audience being the Middle School/High School<br />
non-percussionist, emphasis will be placed on quality resources readily available to the <strong>Missouri</strong> music<br />
educator.<br />
Maureen Travis has been teaching music in the Lebanon R3 School District since<br />
the 2004 school year. For 26 years prior to that, she taught in the Richland RIV School<br />
District in Pulaski County. Teaching duties have included Pre-K to High School Vocal<br />
<strong>Music</strong> and Special Needs classes<br />
“<strong>Music</strong> for Special Learners” (p. 34)<br />
The approach to special learners in the music room - activities used in teaching, ideas for planning and<br />
implementing successful lessons. Participants will learn dances and songs taught with special learners in<br />
mind. A representative from VSA <strong>Missouri</strong>, the State organization on Arts and Disability, will share<br />
information regarding VSA activities.<br />
Robert Waggoner has been involved in the music education field since 1964, at<br />
all levels, including elementary through university. Formerly, the Director of bands at<br />
Parkway West H.S. and the Monday Night Jazz Club at Meramec-St. Louis Community<br />
College, Mr. Waggoner is currently the director of Genesis Jazz Project Big Band. He<br />
also teaches Jazz Education for Webster University and the Jazz Lab Ensemble at the<br />
Community <strong>Music</strong> School.<br />
A professional bassist, Robert has performed in jazz trios to symphonic orchestras,<br />
including playing at Six Flags/St. Louis where he also served as conductor of the<br />
Palace Show for 4 years. He has also been involved as a staff member of the Jim<br />
Widner Jazz Camps and the SLUH Middle School Jazz Camps. Through out the<br />
Midwest, Robert maintains a busy schedule as a clinician, adjudicator and conductor<br />
in the Jazz Education area.<br />
He has received the following awards: St. Louis Suburban <strong>Music</strong> <strong>Educators</strong> Certificate<br />
of Merit (1990-91), St. Louis Suburban <strong>Music</strong> <strong>Educators</strong> Hall of Fame(1995-96), NBA<br />
Outstanding Jazz Educator Award(2003), and the MOIAJE Jess Cole Award(2004) for<br />
Outstanding Contributions to Jazz Education.<br />
Mr. Waggoner attended the University of North Texas, graduated from St. Louis<br />
Institute of <strong>Music</strong> and continued with graduate work at Sothern Illinios University at<br />
Edwardsville. He is also the President/Owner of St. Ann <strong>Music</strong> LLC, a business that<br />
he operates with his wife, Ann.<br />
“A Rhythmic Approach to Beginning Improvisataion” (p. 36)<br />
The purpose of this clinic is to develop the student’s rhythmic improvisational concept. A more focused<br />
groove solo will result because of the rhythmic flow that has been developed. Now we add pitches to the<br />
rhythms studied to develop a melodic solo. Next the improvisational solos are done to standard chord<br />
progressions. Therefore, the students are applying the solo development to tunes not exercises. The chord<br />
progression used for this clinic will be the blues.<br />
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