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GENERAL COMPETITION<br />

to find the best scientific recording,<br />

the best <strong>film</strong> on survival of indigenous peoples,<br />

the best <strong>film</strong> on relationship between man <strong>and</strong> nature<br />

<strong>and</strong><br />

the best artistic achievment.<br />

PEAKONKURSS<br />

parima teadusliku jäädvustuse,<br />

parima põlisrahvaste ellujäämis<strong>film</strong>i,<br />

parima <strong>film</strong>i inimesest ja muutuvast loodusest<br />

ning parima <strong>film</strong>ikunstilise saavutuse leidmiseks.<br />

CONFLUENCES - EMERILLON OF FRENCH GUIANA<br />

78 min. 2007 Denmark/France (<strong>film</strong>ed in French Guiana- Amazonas)<br />

Like forceful omens, scientific reports have hitherto depicted the Amerindian Emerillon as<br />

cultureless <strong>and</strong> doomed to disappear.<br />

With this <strong>film</strong>, an anthropologist proposes to defy these negative images, by the same token<br />

delving into their world. Several young Emerillon take up the challenge, <strong>and</strong> through their<br />

resourceful <strong>and</strong> often stumbling efforts to maintain a life in the forest while profiting from their<br />

status as French citizens, they present another version of what being Emerillon is about.<br />

There emerges a rare, profoundly generous <strong>and</strong> non-ethnocentric discourse, one that asserts<br />

that to feel yourself as Emerillon does not necessarily imply feeling fundamentally different<br />

from others.<br />

KOKKUPUUTEPUNKTID<br />

Autor Perle Møhl<br />

Teaduslikud uuringud ennustavad Lõuna-Ameerika indiaanlaste - emerillonite - kui kultuuritu<br />

rahva peatset väljasuremist. Üks antropoloog aga püüab väita vastupidist. Olla ja tunda end<br />

emerillonina Counani vabariigis (endises Prantsuse Guianas) ei tähenda tingimata fundamentaalset<br />

erinevust muust maailmast nagu ilmneb <strong>film</strong>is kõlavatest arutlustest.<br />

Directed by Perle Møhl<br />

Photography by Perle Møhl<br />

Edited by Vincent Blanchet<br />

Sound by Perle Møhl<br />

Produced by Studios de la Vanne<br />

World sales/contact: Studios de la Vanne,<br />

9 rue Henry Collinet, F-89100 Malay-le-Gr<strong>and</strong>, France<br />

Tel. +33 386972218<br />

info@studiosdelavanne.fr<br />

DAUGHTERS OF WISDOM<br />

68 min. 2007 USA (<strong>film</strong>ed in Tibet)<br />

The <strong>film</strong> is an intimate portrait of a rare <strong>and</strong> exceptional spiritual community <strong>and</strong> the women<br />

who built it up. For centuries, monasteries have served as spiritual <strong>and</strong> educational centers for<br />

rural areas of Tibet where subsistence farmers <strong>and</strong> nomadic yak herders engaged in the daily<br />

struggle survive. Mostly, monastic life has only been available to men, as it is generally believed<br />

that educating a woman is a waste of valuable resources. But Kala Rongo Monastery, in remote<br />

North-eastern Tibet, is granting women choices they’ve never had before, as they play an<br />

unprecedented role in preserving their rich cultural heritage even as they slowly reshape it.<br />

TARKUSE TÜTRED<br />

Autor bari Pearlman<br />

Ameerika <strong>film</strong>ilooja Bari Pearlmani teos viib vaataja spirituaalsesse kogukognda, mille rajasid<br />

naised. Tiibetis on kloostrid aastasadu olnud munkade suletud maailmaks, sest naiste harimist<br />

on peetud ressursi raiskamiseks. Selles Kirde-Tiibeti kloostris antakse võimalus ka naistel hoida<br />

tiibetlaste rikast kultuuripär<strong>and</strong>it ning seda edasi arendada.<br />

Directed by Bari Pearlman<br />

Photography by Gena Konstantinakos<br />

Edited by Carla Ruff<br />

Production by Bari Pearlman<br />

World sales/contact: BTG Productions,<br />

PO Box 133, New York, NY 10014, USA<br />

Tel./Fax +1 2129898978<br />

bari@btgproductions.com<br />

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