xxii pärnu international documentary and anthropology film festival ...
xxii pärnu international documentary and anthropology film festival ...
xxii pärnu international documentary and anthropology film festival ...
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I WAS A WHITE AFRICAN - L’ADIEU A JEAN ROUCH<br />
Three years after the tragic death of legendary French <strong>film</strong> maker Jean Rouch the Dogons have<br />
decided to arrange a symbolic remembrance ceremony to send the soul of the great friend into<br />
the other world. As the Dogons let Jean Rouch <strong>film</strong> their most secret rites the <strong>film</strong> maker had<br />
asked them to send his soul away according to all the customs of the Dogons.<br />
Jocelyne, the widow of Jean Rouch, who had married the <strong>film</strong> maker only two years before the<br />
tragic car accident, is coming to Nigeria to attend the ceremony. The organiser of the great<br />
rite is the friend of Rouch <strong>and</strong> a translator Pangalé. The farewell rite of the soul of Jean Rouch<br />
forms a panorama of the Dogons’ funeral rites thanks to the anthropological visualisation of<br />
Bernd Mosblech.<br />
OLIN VALGE AAFRIKLANE. HÜVASTI, JEAN ROUCH!<br />
Autor Bernd Mosblech<br />
Kolm aastat pärast legendaarse prantsuse <strong>film</strong>ilooja ja etnoloogi Jean Rouch’i hukkumist on<br />
dogonid otsustanud korraldada sümboolse mälestustseremoonia, et saata suure sõbra hing teise<br />
ilma. Kuna dogonid olid lubanud Jean Rouch’il <strong>film</strong>ida nende kõige salajasemaid riitusi, siis oli<br />
Rouch palunud neid pärast surma tema hing kõigi dogonite kommete kohaselt ära saata.<br />
Jean Rouch’i lesk Jocelyne, kes oli <strong>film</strong>iloojaga abiellumud vaid kaks aastat enne traagilist<br />
autoõnnetust, tuleb Nigerisse tseremooniast osa võtma. Hiigelürituse korraldab Rouch’i sõber<br />
ja tõlk Pangalé. Jean Rouch’i hinge ärasaatmine annab panoraamse ettekujutuse dogonite<br />
matuserituaalidest tänu Bernd Mosblechi visuaalantropoloogilisele jäädvustusele.<br />
Directed <strong>and</strong> photographed by Bernd Mosblech<br />
Photographed by Hagen Schönherr<br />
Edited by Monika Kretchmann<br />
Produced by Ulrika Becker<br />
Co-produced by Bernd Mosblech Filmproduktion<br />
JOURNEY OF A RED FRIDGE<br />
52 min. 2007 Serbia (<strong>film</strong>ed in Nepal)<br />
17-year-old Hari Rai trudges up a mountain footpath. Across his back <strong>and</strong> hung by a strap over<br />
his forehead is a red Coca-Cola refrigerator. Hari is one of the thous<strong>and</strong>s long distance child<br />
porters of Nepal. Classified as one of the worst forms of child labor, child porters are frequently<br />
used to haul goods up <strong>and</strong> down the mountains. This is the story of one of them.<br />
PUNASE KÜLMIKU TEEKOND<br />
Autorid Lucian Muntean ja Nataša Stanković<br />
Hari Rai, 17-aastane nepaali poiss, ronib mööda mägiteid. Tema seljas liigub uue omaniku poole<br />
punane Coca-Cola külmik. Hari on üks tuh<strong>and</strong>etest laps-koormak<strong>and</strong>jatest, kes veeringute eest<br />
peavad ebainimlikku tööd tegema.<br />
Pikal teekonnal kohtub Hari paljude inimestega, kelle kaudu avaneb mõjus pilt mägirahva<br />
elust-olust. Pika rännaku koos Hariga tegid kaasa serbia <strong>film</strong>iloojad Lucian Munten ja Natasa<br />
Stankovic.<br />
Directed by Lucian Muntean <strong>and</strong> Natasa Stankovic<br />
Photographed by Lucian Muntean<br />
Edited by Nataša Stanković<br />
Sound by Vladimir Maritz<br />
Produced by Lucian Muntean- Lunam Docs<br />
World sales/contact: Robin Brinster- Illumina Films,<br />
Leidsestraat 106-IV, 1017 PG Amsterdam, The Netherl<strong>and</strong>s<br />
Tel. +31 206248395<br />
Fax +31 203308155<br />
ilumina.robin@wolmail.nl<br />
KEEP THE DANCE ALIVE<br />
75 min. 2007 France (<strong>film</strong>ed in Namibia <strong>and</strong> Angola)<br />
A unique voyage through the music, dance <strong>and</strong> spirit possession practices of the Ovahimba<br />
people of north-western Namibia <strong>and</strong> south-western Angola, Keep the Dance Alive features<br />
remarkable footage of how dance <strong>and</strong> spirit possession is integrated into everyday life from<br />
infancy to death. The <strong>documentary</strong> presents a singular vision of the Ovahimba people, that of<br />
director Rina Sherman who <strong>film</strong>ed the lives of an Ovahimba family for seven years. She focuses<br />
on how singing, rhythm <strong>and</strong> voice work together with dance <strong>and</strong> spirit possession to compose<br />
a complete imaginary universe <strong>and</strong> a dense <strong>and</strong> complex social structure.<br />
Keep the Dance Alive is part of The Ovahimba Years, a long-term multi-disciplinary<br />
ethnographic study of the Ovahimba <strong>and</strong> other Otjiherero-language-speaking peoples of<br />
north-western Namibia <strong>and</strong> south-western Angola.<br />
HOIDKEM TANTS ELUS<br />
Autor Rhina Sherman<br />
Loode-Namiibias ja Edela-Angoolas elavatel ovahimbadel on spirituaalseid riitusi, mille kehakeel<br />
loob kaitsemaagilisi kujundeid. Seitsme aasta jooksul on Rhina Sherman jäädvustanud tantse, mis<br />
katavad kogu inimese elukaare alates sünnist kuni surmani. Film on üles võetud ühes ovahimba<br />
peres, kus autor uuris seoseid laulu ja tantsu rütmi ning neist tekkivate spirituaalstete seisundite<br />
vahel.<br />
Directed, recorded, edited <strong>and</strong> produced by Rina Sherman<br />
World sales/contact: Documentary Educational Resources,<br />
101 Morse Str. Watertown, MA 02472, USA<br />
Tel. +1 617 9260491<br />
Fax +1 6179269519<br />
brittany@der.org<br />
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