25.04.2015 Views

xxii pärnu international documentary and anthropology film festival ...

xxii pärnu international documentary and anthropology film festival ...

xxii pärnu international documentary and anthropology film festival ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

LAST YOIK IN SAAMI FORESTS?<br />

59 min. 2007 Finl<strong>and</strong> (<strong>film</strong>ed in Finl<strong>and</strong> <strong>and</strong> Norway)<br />

The <strong>documentary</strong> chronicles the logging damage that has taken place in the forests of Finnish<br />

Lapl<strong>and</strong> over the past 50 years. Home to the indigenous Saami peoples, these forests are essential<br />

to Saami reindeer herding, a traditional way of life that the Saami hope to continue into future<br />

generations. Population growth in Finl<strong>and</strong> has created economic pressure – prompting migration<br />

to the Saami l<strong>and</strong>s in the North. The resulting forest cutting severely depletes the lichen necessary<br />

for free reindeer grazing, <strong>and</strong> logging infrastructure disrupts the entire forest ecosystem.<br />

The <strong>film</strong> shows a state-owned logging company Metsahallitus in the exploitation of Saami<br />

resources, <strong>and</strong> shows that the Finnish government has done little to preserve this natural resource.<br />

The issue of indigenous l<strong>and</strong> rights is the heart of the problem, <strong>and</strong> till the completion of this<br />

<strong>film</strong> in 2007, it remains unresolved.<br />

Directed by Hannu Hyvönen<br />

Photographed by Ossi Kakko, Maarten van Rouveay, Rikhard Saukko <strong>and</strong><br />

Hannu Hyvönen<br />

Edited by Ossi Kakko<br />

Sound by Ossi Kakko <strong>and</strong> Juha Mehtäläinen<br />

Produced by Cooperative Marjarinteen Metsäpuutarha<br />

World sales/contact: Cooperative Marjarinteen Metsäpuutarha,<br />

Kihmulankatu 41, 74130 Iisalmi, Finl<strong>and</strong><br />

Tel. +358 408317733<br />

info@elonmerkki.net<br />

KAS SAAMI METSADE VIIMANE JOIK?<br />

Autor Hannu Hyvönen<br />

Hannu Hyvöneni dok<strong>film</strong> muretseb Lapimaa metsade saatuse pärast. Metsatööstuse üha tugevnev<br />

surve hävitab elukeskkonna, mis aastasadu on olnud saamide ja põhjapõtrade päriskoduks. Filmi<br />

autori seisukoht on väga kriitiline Soome valitsuse suhtes, kes ei kaitse piisavalt rahvuslikku<br />

vara – metsa.<br />

MAKING RAIN<br />

58 min. 2007 Estonia/Norway/Mozambique (<strong>film</strong>ed in Mozambique)<br />

The Vumba Hills in central Mozambique, close to the Zimbabwe border, are the kingdom of<br />

Mambo (Chief) Chirara. The Mambo’s leading position is acknowledged by the government,<br />

<strong>and</strong> in addition to being the region’s most important spiritual leader, the Mambo has the right<br />

to hold court cases that deal with minor crimes, problems involving spirits <strong>and</strong> domestic<br />

affairs. He is assisted by several subchiefs <strong>and</strong> ritual leaders. In the northernmost corner of the<br />

Mambo’s kingdom, Mbuya Gondo, an over 70-years-old woman, is a spiritual medium. She<br />

often holds ceremonies at a well-known rock drawing site. Mambo Chirara is not pleased with<br />

the old lady’s activities. In his opinion, Mbuya Gondo acts too independently <strong>and</strong> dem<strong>and</strong>s<br />

too much money for carrying out the ceremonies. In the <strong>film</strong>, gender issues <strong>and</strong> local politics<br />

are brought to the surface as we follow these two leaders during a period of preparing for <strong>and</strong><br />

performing the annual rainmaking rituals.<br />

Directed by Liivo Niglas <strong>and</strong> Frode Storaas<br />

Photographed by Liivo Niglas <strong>and</strong> Frode Storaas<br />

Edited by Liivo Niglas <strong>and</strong> Marju Juhkum<br />

Sound by Liivo Niglas <strong>and</strong> Frode Storaas<br />

Produced by Liivo Niglas, Tore Sætersdal <strong>and</strong> Frode Storaas<br />

World sales/contact: mp doc,<br />

33-6 Põhja Str., 76610 Keila, Estonia<br />

Tel. +372 5200874<br />

liivon@gmail.com<br />

VIHMA TEGEMINE<br />

Autorid Liivo Niglas ja Frode Storaas<br />

Vumba mäed Mosambiigi keskosas, Zimbabwe piiri lähedal, on Mambo Chirara kuningriik.<br />

Mambot kui pealikku tunnustab ka valitsus ja nii on Mambol õigus mõista kohut kui küsimus<br />

puudutab väiksemaid kuritegusid, vaimudega seotud lugusid ja koduseid juhtumeid. Mambot<br />

abistavad mitmed asepealikud ja rituaalsed juhid.<br />

Mambo kuningriigi põhjaosas elab šamaan Mbuya Gondo, üle seitsmekümnene naine. Ta<br />

peab tihti talitusi tuntud kaljujooniste juures. Mambo Chirara ei ole vana naise tegevusega<br />

rahul. Tema arvates tegutseb Mbuya Gondo liiga isesesisvalt ja nõuab pühade talituste eest<br />

lubamatult kõrget tasu.<br />

Filmi autorid Frode Storaas ja Liivo Niglas jälgisid kaht liidrit ajal, mil nad valmistusid ja viisid<br />

läbi iga-aastaseid vihmategemise talitusi.<br />

MARIA LIONZA, BREATH OF ORCHIDS<br />

81 min. 2007 Venezuela<br />

Directed by John Petrizzelli<br />

Photographed by Rubén Belfort<br />

Edited by Miguel Ángel Garcí<br />

Sound by Frank Rojas <strong>and</strong> Danny Rojas<br />

Produced by John Petrizzelli<br />

World sales/contact: Centro Nacional Autonomo de Cinematografia (CNAC),<br />

Francisco de Mir<strong>and</strong>a Con Calle Los Laboratorios, Centro Empresarial Quorum, Piso 1,<br />

Ofic. 1-F, Los Ruices, Caracas 1071, Venezuela<br />

Tel./Fax +58 2122352194<br />

<strong>festival</strong>esint@cnac.gob.ve<br />

The history of an indigenous princess kidnapped by an anaconda is the point of item(game) of<br />

this <strong>documentary</strong> that explores the myth <strong>and</strong> Maria Lionza’s worship, always in transformation<br />

from the colonial times.<br />

The <strong>documentary</strong> raises the multiple facets of the myth <strong>and</strong> of the worship, without obviating<br />

any of these in spite of the fact that differences could arise, up to contradictions in the beliefs.<br />

The absence of dogma <strong>and</strong> universal creed to the worship, they constitute the essence of this<br />

magic – religious universe.<br />

The peregrinate of a group of believers of different environments to Sorte’s mountain, Maria<br />

Lionza’s kingdom, offers to know personal histories, motivations <strong>and</strong> vision of the spiritual<br />

phenomenon, humanizing <strong>and</strong> personalizing the devotion to the goddess. The summation of the<br />

peregrinate up to the top of the mountain, our history, the pilgrims as well as the investigation on<br />

the iconography of the myth <strong>and</strong> of the worship, brings us nearer to an eclectic <strong>and</strong> permeable<br />

Maria Lionza who has managed to survive <strong>and</strong> to adapt for more of 500 years, symbolizing the<br />

spirit of the deepest <strong>and</strong> why not, genuine Venezuela.<br />

MARIA LIONZA, ORHIDEEDE HINGUS<br />

Autor John Petrizzelli<br />

Müüt Maria Lionzast, Venetsueela põlisrahva printsessist, on küllaltki laialt levinud Sorte<br />

mägedes. Juba koloniaalaja algusest peale räägitakse ja usutakse siin lugu kaunist naisest, kelle<br />

röövis anakonda. Palverännakud Maria Lionza kuju juurde kestavad tänaseni ning räägivad<br />

rahva usust imedesse.<br />

John Petrizelli <strong>film</strong> on põhjalik uurimus ühe usu metamorfoosidest.<br />

14

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!