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Eatdrink #54 July/August 2015

Local food and drink magazine serving London and Southwestern Ontario since 2007

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60 www.eatdrink.ca<br />

№ 54 | <strong>July</strong>/<strong>August</strong> <strong>2015</strong><br />

books<br />

Foodie Fiction: Beach Reads<br />

Novels about food, kitchens, chefs, and restaurants<br />

Review by DARIN COOK<br />

For those with a sweet tooth for both<br />

confectionary and storytelling,<br />

Chocolat by Joanne<br />

Harris (1999) does not<br />

disappoint. Vianne and Anouk, a<br />

transient mother-daughter pair,<br />

breeze into a French village at<br />

the beginning of Easter season.<br />

Living a gypsy lifestyle inspired<br />

by her own mother, settling down<br />

is not in Vianne’s blood, but she<br />

yearns to cling to a location long<br />

enough to give Anouk some<br />

permanent roots. By opening<br />

a chocolate shop to serve the<br />

village, she hopes to be accepted,<br />

but the locals are surprised by the magic<br />

she is capable of inspiring in their tired<br />

town. Chocolate-making involves plenty<br />

“Food has a power … And though it can’t<br />

save me, it might help me, in some way.” These<br />

are the words of Ginny Selvaggio, the main<br />

character from Jael McHenry’s The<br />

Kitchen Daughter (2011), who<br />

compulsively turns to cooking to<br />

calm herself when thoughts about<br />

the recent death of her parents<br />

become overwhelming. The story<br />

takes on supernatural overtones<br />

when Ginny’s cooking of certain<br />

recipes conjures deceased ancestors<br />

back to her kitchen. How<br />

does it happen and what does it<br />

all mean? She continues cooking,<br />

to unravel the mystery, eventually<br />

realizing that recipes left in a deceased person’s<br />

handwriting, coupled with the aroma<br />

of the cooking, have magical powers to bring<br />

Two high school friends, Yummy and Cass,<br />

are reunited on a family potato farm in Idaho<br />

in All Over Creation (2003) by Ruth Ozeki.<br />

Yummy ran away twenty-five years ago and<br />

returns to reconnect with her estranged friend<br />

and confront the deteriorating health of her<br />

of alchemy that fits with Vianne’s magical<br />

sense of developing relationships with the<br />

townsfolk, not only through her<br />

chocolate, but her radical ideas<br />

and sense of freedom.<br />

Some chapters are told through<br />

the voice of the village priest who<br />

is deeply troubled by his parish’s<br />

weakness during Lent in the<br />

shadow of Vianne’s chocolate<br />

shop. But not everyone in town<br />

shares the priest’s views and the<br />

luxury of self-indulgence may<br />

be just what the quaint village<br />

needs to release it from past<br />

sins. The war between Church<br />

and Chocolate becomes more palpable,<br />

dangerous, and delicious as the story unfolds<br />

over the days leading up to Easter Sunday.<br />

back the dead. The next question is to what<br />

extent should this power be used to pursue<br />

family secrets that have surfaced since the<br />

death of her parents and confront<br />

her meddling sister?<br />

Ginny learns that not only<br />

does she deal with grief by<br />

summoning the flavours of<br />

her favourite foods, but it has<br />

been a coping method for her<br />

undiagnosed autism for years.<br />

She confronts the quirks of<br />

her autism to help develop a<br />

sense of self. Immersing herself<br />

in food and digging through<br />

memories from her childhood,<br />

she continues to search for what normal<br />

means and ultimately decides that it may<br />

not matter.<br />

parents, Lloyd and Momoko. At the same<br />

time, a wandering band of anti-GMO activists<br />

arrive at the farm in their Winnebago, wanting<br />

to learn from Lloyd who has played a pivotal<br />

role in the fight between natural seeds and<br />

engineered seeds in potato farming.

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