Smith DTh Thesis (final).pdf - South African Theological Seminary

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Chapter 6: Composition of Psalms 3-8The headings of Psalms 4, 5 and 6 each mention the instruments that were toaccompany the singing of these hymns in public worship. Only eight psalmheadings mention instruments, namely, “stringed instruments” in Psalms 4, 6,54, 55, 61, 67 and 76 and “flutes” in Psalm 5. Psalms 4-6 are the only threepsalms in Book I for which instruments are indicated. They also form the onlychain of three consecutive psalms mentioning instruments. 126Since only eight psalms indicate musical instruments, the statistical probabilityof three of them occurring consecutively by random chance is remote (1 in9845 to be exact). It seems likely that Psalms 4-6 were originally a trio ofpsalms within the music director’s collection that the compilers positioned as atrio after Psalm 3, no doubt because of the striking verbal and thematicsimilarities between Psalms 3 and 4.The fourth feature of the headings is that Psalms 3 and 7 have similarheadings. They are two of the thirteen Davidic psalms containing an historicalnote in the superscription. Unlike the other four psalms in my corpus, theylack the designation “for the director of music” and they do not contain any126 Indeed, nowhere else in the Psalter are there two consecutive psalms that have headingsmentioning instruments.238
Chapter 6: Composition of Psalms 3-8musical notations relating to tune or instruments. Both contain three elementsin the same order: genre, author and occasion.Table 6.3: Similarities between the headings of Psalms 3 and 7 (Hebrew)Psalm 3 Psalm 7שִ‏ ‏ּגָ‏ יון מִ‏ זְ‏ מוש genreלְ‏ דָ‏ וִ‏ ד לְ‏ דָ‏ וִ‏ ד authorאֲ‏ שֶ‏ ש־שָ‏ ש לַ‏ יהוָ‏ ה ףַ‏ ל־דִ‏ בְ‏ שֵ‏ י־כּוש בְ‏ בָ‏ שְ‏ חו מִ‏ פְ‏ נֵ‏ י אַ‏ בְ‏ שָ‏ לום בְ‏ נו occasionבֶ‏ ן־יְמִ‏ ינִ‏ יTable 6.4: Similarities between the headings of Psalms 3 and 7 (English))Psalm 3 Psalm 7genre a psalm a shiggaionauthor of David of Davidoccasionwhen he fled from thepresence of Absalom, hissonwhich he sang to the Lordconcerning the words ofCush, a BenjaminiteMight the compilers have used Psalms 3 and 7 as some sort of literary framearound the previously existing group of Psalms 4-6? Tate (2001:347) has239
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DEDICATIONI wish to express my grat
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Table of Contents1. Introduction ..
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3.5.2 Evaluate other kinds of poten
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4.6.2 Historical reconstruction ...
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7. Conclusion .....................
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Chapter 1: IntroductionGerald Wilso
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Chapter 1: Introductionb) What reda
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Chapter 1: Introduction2002; Jeppes
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Chapter 1: Introductionlevel of red
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Chapter 1: Introductionlife setting
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Chapter 1: Introductionwith a tenta
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Chapter 2: History of Psalms Studie
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Chapter 3: MethodologyThe final sta
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Chapter 3: Methodologyheadings, off
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Chapter 3: MethodologyCraigie (1998
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Chapter 3: Methodologytheir liturgi
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Chapter 3: Methodology3.4.4 Grammat
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Chapter 3: MethodologyFor this reas
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Chapter 3: Methodologyrepresent the
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Chapter 4Analysis of Psalms 3-8The
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Chapter 5: Concatenation in Psalms
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Chapter 7: Conclusionfinal redactor
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Chapter 7: Conclusionchosen corpus
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Chapter 7: ConclusionSimilarly, the
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Chapter 7: Conclusioncohere loosely
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Works CitedAbrahams I 1904. E. G. K
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Works CitedAnderson GW 1965. Enemie
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Works Cited________ 2005b. Intertex
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Works Cited________ 2001. Interpret
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Works CitedChilds BS 1979. An intro
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Works Cited________ 2005. (Mis)tran
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Works CitedCundall AE 1988. Psalms,
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Works CitedDelekat L 1964. Probleme
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