Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Two early modernist classics in new translations<br />
“The serene and gentle amazement with which [Scheerbart] tells<br />
of the strange natural laws of other worlds . . . makes him one of<br />
those humorists who, like Lichtenberg or Jean Paul, seem never<br />
to forget that the earth is a heavenly body.” —Walter Benjamin<br />
The Book of Monelle<br />
By Marcel Schwob.<br />
wAkefIeLd Press<br />
When marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the<br />
French Symbolist movement, admired by such contemporaries as Stéphane mallarmé, alfred Jarry and andré gide. a<br />
carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic<br />
and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both<br />
the Brothers grimm and Friedrich nietzsche. The Book of Monelle was the result of Schwob’s intense emotional suffering<br />
over the loss of his love, a “girl of the streets” named Louise, whom he had befriended in 1891 and who succumbed to<br />
tuberculosis two years later. transforming her into the innocent prophet of destruction, monelle, Schwob tells the stories<br />
of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and<br />
the bitter world of reality. this new translation reintroduces a true fin-de-siècle masterpiece into english.<br />
a secret influence on generations of writers, from guillaume apollinaire and Jorge Luis Borges to roberto Bolaño, Marcel<br />
Schwob (1867–1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom<br />
he translated into French). paul valéry and alfred Jarry both dedicated their first books to him, and he was the uncle of<br />
Surrealist photographer Claude Cahun.<br />
978-0-9841155-8-7<br />
pbk, 4.5 x 7 in. / 136 pgs / 2 b&w.<br />
U.S. $12.95 CDn $12.95<br />
november/Literature<br />
Lesabéndio<br />
An Asteroid Novel<br />
By Paul Scheerbart.<br />
wAkefIeLd Press<br />
First published in german in 1913 and widely considered to be paul Scheerbart’s masterpiece, Lesabéndio is an intergalactic<br />
utopian novel that describes life on the planetoid pallas, where rubbery suction-footed life forms with telescopic<br />
eyes smoke bubble-weed in mushroom meadows under violet skies and green stars. amid the conveyor-belt highways<br />
and lighthouses weaving together the mountains and valleys, a visionary named Lesabéndio hatches a plan to build a<br />
44-mile-high tower and employ architecture to connect the two halves of their double star. a cosmic ecological fable,<br />
Scheerbart’s novel was admired by such architects as Bruno taut and Walter gropius, and such thinkers as Walter Benjamin<br />
and gershom Scholem (whose wedding present to Benjamin was a copy of Lesabéndio). Benjamin had intended<br />
to devote the concluding section of his lost manuscript “the true politician” with a discussion of the positive political<br />
possibilities embedded in Scheerbart’s “asteroid novel.” as translator Christina Svendsen writes in her introduction,<br />
“Lesabéndio helps us imagine an ecological politics more daring than the conservative politics of preservation, even as<br />
it reminds us that we are part of a larger galactic set of interrelationships.” this volume includes alfred Kubin’s illustrations<br />
from the original german edition.<br />
Paul Scheerbart (1863–1915) was a novelist, playwright, poet, newspaper critic, draftsman, visionary, proponent of glass<br />
architecture and would-be inventor of perpetual motion, who wrote fantastical fables and interplanetary satires that were<br />
to influence expressionist authors and the german Dada movement, and which helped found german science fiction.<br />
978-0-9841155-9-4<br />
pbk, 6 x 9 in. / 232 pgs / 16 b&w.<br />
U.S. $15.95 CDn $15.95<br />
December/Literature<br />
Also Available:<br />
The Perpetual Motion Machine<br />
9780984115549<br />
Pbk, u.s. $12.95 Cdn $12.95<br />
wakefield Press<br />
“The most perfect pages . . . the most simple and the most religiously<br />
profound it has been given me to read. . . .” —Maurice Maeterlinck<br />
Back in Stock!<br />
Composition<br />
in Retrospect<br />
By John Cage.<br />
exACT ChAnGe<br />
Written in his characteristic “mesostics”<br />
(lines of prose poetry linked by a<br />
central vertical acrostic), Composition<br />
in Retrospect is a statement of methodology<br />
in which composer John Cage<br />
examines the central issues of his<br />
work: indeterminacy, imitation, variable<br />
structure and contingency. Finished<br />
only shortly before his death in<br />
1992, Composition in Retrospect completes<br />
the documentation of Cage’s<br />
thought that began with his classic<br />
book Silence (1961), but it is an introduction<br />
and invitation to his work as<br />
much as a summary or conclusion.<br />
also included in this volume (at Cage’s<br />
request) is “themes and variations,” a<br />
piece written in 1982 about friends and<br />
heroes such as Jasper Johns, Buckminster<br />
Fuller, marcel Duchamp and erik<br />
Satie. together these pieces form a<br />
book that is both a testament to the<br />
artists Cage admired and a clear statement<br />
of his own ars poetica.<br />
978-1-878972-11-8<br />
pbk, 8 x 6 in. / 184 pgs.<br />
U.S. $15.95 CDn $15.95<br />
available/music<br />
Also Available:<br />
John Cage: every day is a<br />
Good day<br />
9781853322839<br />
Pbk, u.s. $30.00 Cdn $30.00<br />
hayward Publishing<br />
Back in Stock!<br />
The Hearing<br />
Trumpet<br />
By Leonora Carrington.<br />
exACT ChAnGe<br />
Introduction by helen byatt.<br />
Leonora Carrington (1917–2011), the<br />
distinguished British-born Surrealist<br />
painter who made her home in mexico<br />
City, was also a writer of extraordinary<br />
imagination and charm, and The Hearing<br />
Trumpet is perhaps her best loved<br />
book. It tells the story of 92-year-old<br />
marian Leatherby, who is given the gift<br />
of a hearing trumpet only to discover<br />
that her family has been plotting to<br />
have her committed to an institution.<br />
But this is an institution where the<br />
buildings are shaped like birthday<br />
cakes and igloos, where the Winking<br />
abbess and the Queen Bee reign, and<br />
where the gateway to the underworld is<br />
wide open. It is also the scene of a<br />
mysterious murder. occult twin to<br />
Alice in Wonderland, The Hearing<br />
Trumpet is a classic of fantastic literature<br />
that has been translated and celebrated<br />
throughout the world.<br />
978-1-878972-19-4<br />
pbk, 6 x 8 in. / 224 pgs.<br />
U.S. $15.95 CDn $15.95<br />
September/Literature<br />
Elizabeth Bishop:<br />
Objects &<br />
Apparitions<br />
TIbor de nAGY GALLerY<br />
Text by Joelle biele, dan Chiasson,<br />
Lloyd schwartz.<br />
today established as one of the twentieth<br />
century’s most important poets,<br />
elizabeth Bishop (1911–1979) was also a<br />
gifted artist and collector of art and artifacts,<br />
many of which were collected<br />
from her years in Brazil. Objects and<br />
Apparitions explores for the first time<br />
Bishop’s art: her delicate, miniaturist<br />
watercolors and gouaches of domestic<br />
vignettes; her tenderly fabricated, Cornell-esque<br />
constructions; and several<br />
works of art from her own collection,<br />
including family portraits and a bird<br />
cage modeled on a medieval cathedral.<br />
many of these are reproduced here for<br />
the first time in full color, alongside<br />
poems, archival photographs and essays<br />
by Bishop scholars Joelle Biele,<br />
Dan Chiasson and Lloyd Schwartz that<br />
discuss Bishop’s art and its relationship<br />
to her poetry. published for a critically<br />
acclaimed show at tibor de nagy<br />
gallery, this handsomely produced volume<br />
shows Bishop’s visual instincts to<br />
be as flawlessly poised and exquisite as<br />
her poetical sensibility.<br />
978-1-891123-02-3<br />
Hbk, 8 x 9.75 in. / 48 pgs / 25 color /<br />
5 b&w.<br />
U.S. $35.00 CDn $35.00<br />
July/Literature/art<br />
Invented Symbols<br />
An Art Autobiography<br />
By Alex Katz.<br />
ChArTA/CoLbY CoLLeGe MuseuM<br />
of ArT<br />
edited by vincent katz, Phong bui.<br />
foreword by sharon Corwin.<br />
Invented Symbols is alex Katz’s memoir<br />
of his education in art. Katz’s story<br />
begins with his parents, russian emigrés<br />
involved in theater, and discusses<br />
everything from his finding a high<br />
school that offered the possibility of<br />
drawing from antique casts, to his acceptance<br />
at the Cooper Union, his decision<br />
to become a fine artist and<br />
beyond. Katz has always steeped himself<br />
in the literature of his time, having<br />
often painted and collaborated with<br />
poets, and it is no surprise that his take<br />
on autobiography should be particularly<br />
considered and original in its<br />
composition: the entire text of Invented<br />
Symbols is in fact a transcription<br />
of the artist recounting his<br />
memories aloud, typed up by his son,<br />
poet vincent Katz. this book revises<br />
and expands upon the 1997 Hatje<br />
Cantz edition, long out of print.<br />
978-88-8158-840-4<br />
pbk, 5.75 x 8.5 in. / 112 pgs / 108 b&w.<br />
U.S. $29.95 CDn $29.95<br />
September/art/nonfiction & Criticism<br />
Also Available:<br />
Alex katz: new York<br />
9788881586349<br />
hbk, u.s. $45.00<br />
Cdn $45.00<br />
Charta/Irish Museum<br />
of Modern Art<br />
62 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 63