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ARTBOOK | D.A.P.

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Contemporary Figurative Painting<br />

Marcel Dzama:<br />

The Never Known<br />

into the Forgotten<br />

keTTLer<br />

marcel Dzama’s 2011 films A Game of<br />

Chess and Death Disco Dance revealed<br />

fascinating new developments in<br />

the artist’s iconography and range of<br />

media—perhaps most notably in his<br />

use of puppets and dioramas, which<br />

added more playful qualities to his<br />

imagery of conflict and terror, and underscored<br />

his dialogue with modernist<br />

artists such as Duchamp, man ray<br />

and oskar Schlemmer. this volume,<br />

published for Dzama’s exhibitions at<br />

Sies + Höke and Kunstverein Braunschweig,<br />

reproduces a wealth of new<br />

work, including images, stage sets,<br />

puppets, dioramas and sculptures<br />

from the films; a suite of ten drawings<br />

called Forgotten Terrorists (2008–2011),<br />

that draw on a photograph of the<br />

palestinian terrorist and hijacker Leila<br />

Khaled; and other recent drawings,<br />

such as “pepper Spray Saturday”<br />

(2011), an interpretation of the already<br />

iconic image of policeman John pike<br />

pepper spraying occupy protesters<br />

at University of California Davis.<br />

978-3-86206-101-3<br />

pbk, 8.25 x 10.5 in. / 184 pgs / 156 color.<br />

U.S. $55.00 CDn $55.00<br />

September/art<br />

Also Available:<br />

Marcel dzama: behind<br />

every Curtain<br />

9781935202622<br />

Pbk, u.s. $22.00 Cdn $22.00<br />

david zwirner<br />

Mamma<br />

Andersson:<br />

Dog Days<br />

kerber<br />

edited and with preface by Martin<br />

hentschel. Text by elfriede Jelinek,<br />

Martin hentschel.<br />

the widely admired Swedish artist<br />

mamma andersson (born 1962) draws<br />

on a long and venerable tradition of<br />

northern european art for her painting,<br />

in particular that of romantic landscape<br />

painting, whose moody horizons<br />

and ominous weather so acutely characterize<br />

her modest-seeming scenes.<br />

of course, andersson is equally apt to<br />

draw on photographs of forensics investigations<br />

or scenes from theatre<br />

programs, shifting fluidly from the<br />

heavy gravity of outdoor scenes to the<br />

meticulous detail of equally ominous<br />

interiors. this volume, published for<br />

an exhibition at the Kunstmuseen<br />

Krefeld, contextualizes andersson’s<br />

painting in relation to the works of<br />

painters such as Dürer, Dick Bengtsson,<br />

edvard munch and Caspar David<br />

Friedrich, showing how she has likewise<br />

extrapolated larger meditations<br />

on the human condition from the genres<br />

of landscape and interior painting.<br />

978-3-86678-656-1<br />

Hbk, 11.75 x 9.5 in. / 104 pgs / 41 color /<br />

6 b&w.<br />

U.S. $50.00 CDn $50.00<br />

august/art<br />

Kent Williams:<br />

Eklektikos<br />

ALLen sPIeGeL fIne ArTs<br />

Text by Peter frank, Alex ross.<br />

Los angeles–based artist Kent<br />

Williams (born 1962) has built up a<br />

formidable reputation as a leading<br />

contemporary figurative painter,<br />

alongside his thriving career as a<br />

creator of graphic novels. Williams’<br />

strong, gestural realism, combined<br />

with areas of arresting detail, exhibits<br />

abstract and neo-expressionistic sensibilities,<br />

as well as autobiographical<br />

elements: favorite models, friends, and<br />

the artist himself all play a role in the<br />

human story of his paintings. this new<br />

monograph presents recent paintings<br />

completed between 2007 and 2011.<br />

as critic peter Frank explains in one<br />

of the catalogue essays, “Williams’<br />

unlikely, often dreamlike naturalism,<br />

faithful to appearances but not at all<br />

to reality—a kind of supernaturalism—<br />

relies on an entirely confident and<br />

convincing kind of figure painting,<br />

one that acknowledges but does not<br />

honor the verities of the body.”<br />

978-1-934298-09-1<br />

Hbk, 10.25 x 12.25 in. / 68 pgs / 45 color.<br />

U.S. $49.50 CDn $49.50<br />

august/art<br />

Jenny Saville<br />

norTon MuseuM of ArT<br />

Text by Cheryl brutvan, nicholas<br />

Cullinan.<br />

recognized as an exceptional talent in<br />

the early 1990s, when she was just in<br />

her early 20s, British painter Jenny<br />

Saville (born 1970) has continued<br />

to renew and subvert the legacy of such<br />

masters as rembrandt, de Kooning and<br />

Freud, with sometimes controversial interpretations<br />

of the human figure—primarily<br />

the female body—that expertly<br />

mingle the textures of paint and flesh.<br />

this volume, accompanying the first<br />

U.S. survey of the artist, includes already<br />

classic early paintings such as<br />

“propped” (1992) alongside studies and<br />

more recent paintings and drawings on<br />

the theme of the mother and child. Saville’s<br />

brushwork reveals an increased<br />

dynamism and looser gesture. extended<br />

critical commentary by Cheryl<br />

Brutvan and nicholas Cullinan discuss<br />

Saville’s feminism and treatments of<br />

flesh throughout art history. Despite<br />

Saville’s fame, there have been few opportunities<br />

to view her mature work, a<br />

lacuna this volume happily corrects.<br />

978-0-943411-42-2<br />

Clth, 8 x 10 in. / 100 pgs / 27 color.<br />

U.S. $50.00 CDn $50.00<br />

June/art<br />

exHIBItIon SCHeDULe<br />

oxford, england: modern art oxford,<br />

06/22/12–09/16/12<br />

Also Available:<br />

kent williams: Amalgam<br />

hbk, u.s. $75.60 Cdn $75.60<br />

9781934298015<br />

Allen spiegel fine Arts<br />

Marlene Dumas:<br />

Sorte<br />

sILvAnA edITorIALe<br />

edited by Giorgio verzotti.<br />

marlene Dumas (born 1953) is one of<br />

the most highly regarded contemporary<br />

painters working today. Sorte<br />

attests to the artist’s ongoing interest<br />

in the dialectic between the physicality<br />

of the human body and the metaphysical<br />

themes that attend its demise. this<br />

book includes paintings from Dumas’<br />

recent Forsaken series: her haunted,<br />

pale portraits of amy Winehouse, her<br />

pearly and painterly crucifixions and a<br />

meditation on the relationship between<br />

father and son. the book’s 15 previously<br />

unexhibited works, however, are<br />

concerned instead with the figures<br />

of the mother and the child, inspired<br />

by images from the archives of an<br />

orphanage and portraits of pier paolo<br />

pasolini and his mother Susanna.<br />

also included is Dumas’ portrait of<br />

Italian film star anna magnani, caught<br />

in a film still from Mamma Roma,<br />

the bleached sheet of her face transforming<br />

her features into a femininized<br />

form of the crucifix.<br />

978-88-366-2285-6<br />

pbk, 8.25 x 10.25 in. / 120 pgs / 55 color.<br />

U.S. $40.00 CDn $40.00<br />

September/art<br />

Also Available:<br />

Marlene dumas:<br />

Measuring Your<br />

own Grave<br />

9781933751085<br />

hbk, u.s. $55.00<br />

Cdn $55.00<br />

d.A.P./Museum of<br />

Contemporary Art,<br />

Los Angeles<br />

Toxic Beauty:<br />

The Art of Frank<br />

Moore<br />

GreY ArT GALLerY, new York<br />

unIversITY<br />

foreword by Lynn Gumpert. Text by<br />

klaus kertess, susan harris, Gregg<br />

bordowitz, frank Moore.<br />

Toxic Beauty: The Art of Frank<br />

Moore is the most comprehensive<br />

presentation of work by a remarkable<br />

artist whose life was cut short by<br />

aIDS. Frank moore (1953–2002) is<br />

best known for his large, highly<br />

detailed figurative paintings filled with<br />

fantastic and symbolic images. this<br />

catalogue includes a complete bibliography,<br />

chronology and excerpts from<br />

moore’s own writings. It also features<br />

more than 50 color images of moore’s<br />

paintings and works on paper, as well<br />

as approximately 40 reproductions<br />

of previously unpublished archival<br />

material—such as sketchbooks and<br />

documents—culled from the vast Frank<br />

moore papers housed at new York<br />

University’s Fales Library. an essay<br />

by Klaus Kertess considers moore’s<br />

recurrent themes, situating the artist<br />

within the vibrant downtown scene;<br />

a contribution by gregg Bordowitz<br />

relates moore’s works to his passionate<br />

aIDS activism; and a piece by Susan<br />

Harris addresses the artist’s working<br />

methods.<br />

978-0-934349-17-8<br />

Clth, 8.5 x 11 in. / 224 pgs / 150 color.<br />

U.S. $50.00 CDn $50.00<br />

September/art/gay & Lesbian<br />

exHIBItIon SCHeDULe<br />

new York: grey art gallery, new York<br />

University, 09/07/12–12/08/12<br />

George Tooker:<br />

Reality Recurs<br />

as a Dream<br />

dC Moore GALLerY<br />

Introduction by bridget Moore. Text<br />

by ralph sessions, robert Cozzolino,<br />

Marshall Price, kurt kauper, Paul Cadmus.<br />

Interview by selden rodman.<br />

For more than 60 years, george tooker<br />

(1920–2011) created luminous and<br />

often enigmatic paintings, addressing<br />

issues from alienation and the dehumanizing<br />

aspects of contemporary society<br />

to personal meditations on the<br />

human condition. From the Cold War<br />

urban purgatories and bureaucratic<br />

paranoia of his early paintings to his<br />

later warm, glowing images of lovers<br />

embracing in fields or found in windows,<br />

tooker’s spiritual vision ultimately<br />

stands as a quest for the<br />

endless possibilities of intimacy, compassion<br />

and tolerance. Widespread<br />

public recognition first came to tooker<br />

through his best-known painting, “Subway”<br />

(1950), a definitive image of anxiety<br />

and dread. His more utopian<br />

themes of peace, brotherhood and reconciliation<br />

would find expression in<br />

such works as “embrace of peace II”<br />

(1988). published in conjunction with<br />

DC moore gallery’s memorial exhibition,<br />

George Tooker: Reality Recurs as<br />

a Dream features paintings from every<br />

period of tooker’s long career.<br />

978-0-9826316-7-6<br />

Hbk, 9.5 x 11.5 in. / 88 pgs / 30 color /<br />

6 b&w.<br />

U.S. $40.00 CDn $40.00<br />

July/art<br />

ArT hIGhLIGhTs<br />

Alice Neel:<br />

Late Portraits<br />

& Still Lifes<br />

106 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 107<br />

rAdIus books<br />

Text by Tim Griffin.<br />

alice neel (1900–1984) is widely considered<br />

one of the greatest portraitists<br />

of the twentieth century. published on<br />

the occasion of a solo exhibition at<br />

David Zwirner, new York, this beautifully<br />

designed book presents a selection<br />

of portraits and still lifes from the<br />

last two decades of the artist’s life.<br />

Called “the pre-eminent painter-chronicler<br />

of new York bohemia” by Deborah<br />

Solomon of The New York Times, neel<br />

remains a hero to many of today’s most<br />

influential figurative painters, including<br />

eric Fischl, elizabeth peyton and<br />

marlene Dumas—as much for the emotional<br />

and psychological intensity of<br />

her work as for her exemplary fearlessness.<br />

978-1-934435-55-7<br />

Clth, 10 x 11 in. / 72 pgs / 24 color.<br />

U.S. $50.00 CDn $50.00<br />

July/art

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