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Contemporary Figurative Painting<br />
Marcel Dzama:<br />
The Never Known<br />
into the Forgotten<br />
keTTLer<br />
marcel Dzama’s 2011 films A Game of<br />
Chess and Death Disco Dance revealed<br />
fascinating new developments in<br />
the artist’s iconography and range of<br />
media—perhaps most notably in his<br />
use of puppets and dioramas, which<br />
added more playful qualities to his<br />
imagery of conflict and terror, and underscored<br />
his dialogue with modernist<br />
artists such as Duchamp, man ray<br />
and oskar Schlemmer. this volume,<br />
published for Dzama’s exhibitions at<br />
Sies + Höke and Kunstverein Braunschweig,<br />
reproduces a wealth of new<br />
work, including images, stage sets,<br />
puppets, dioramas and sculptures<br />
from the films; a suite of ten drawings<br />
called Forgotten Terrorists (2008–2011),<br />
that draw on a photograph of the<br />
palestinian terrorist and hijacker Leila<br />
Khaled; and other recent drawings,<br />
such as “pepper Spray Saturday”<br />
(2011), an interpretation of the already<br />
iconic image of policeman John pike<br />
pepper spraying occupy protesters<br />
at University of California Davis.<br />
978-3-86206-101-3<br />
pbk, 8.25 x 10.5 in. / 184 pgs / 156 color.<br />
U.S. $55.00 CDn $55.00<br />
September/art<br />
Also Available:<br />
Marcel dzama: behind<br />
every Curtain<br />
9781935202622<br />
Pbk, u.s. $22.00 Cdn $22.00<br />
david zwirner<br />
Mamma<br />
Andersson:<br />
Dog Days<br />
kerber<br />
edited and with preface by Martin<br />
hentschel. Text by elfriede Jelinek,<br />
Martin hentschel.<br />
the widely admired Swedish artist<br />
mamma andersson (born 1962) draws<br />
on a long and venerable tradition of<br />
northern european art for her painting,<br />
in particular that of romantic landscape<br />
painting, whose moody horizons<br />
and ominous weather so acutely characterize<br />
her modest-seeming scenes.<br />
of course, andersson is equally apt to<br />
draw on photographs of forensics investigations<br />
or scenes from theatre<br />
programs, shifting fluidly from the<br />
heavy gravity of outdoor scenes to the<br />
meticulous detail of equally ominous<br />
interiors. this volume, published for<br />
an exhibition at the Kunstmuseen<br />
Krefeld, contextualizes andersson’s<br />
painting in relation to the works of<br />
painters such as Dürer, Dick Bengtsson,<br />
edvard munch and Caspar David<br />
Friedrich, showing how she has likewise<br />
extrapolated larger meditations<br />
on the human condition from the genres<br />
of landscape and interior painting.<br />
978-3-86678-656-1<br />
Hbk, 11.75 x 9.5 in. / 104 pgs / 41 color /<br />
6 b&w.<br />
U.S. $50.00 CDn $50.00<br />
august/art<br />
Kent Williams:<br />
Eklektikos<br />
ALLen sPIeGeL fIne ArTs<br />
Text by Peter frank, Alex ross.<br />
Los angeles–based artist Kent<br />
Williams (born 1962) has built up a<br />
formidable reputation as a leading<br />
contemporary figurative painter,<br />
alongside his thriving career as a<br />
creator of graphic novels. Williams’<br />
strong, gestural realism, combined<br />
with areas of arresting detail, exhibits<br />
abstract and neo-expressionistic sensibilities,<br />
as well as autobiographical<br />
elements: favorite models, friends, and<br />
the artist himself all play a role in the<br />
human story of his paintings. this new<br />
monograph presents recent paintings<br />
completed between 2007 and 2011.<br />
as critic peter Frank explains in one<br />
of the catalogue essays, “Williams’<br />
unlikely, often dreamlike naturalism,<br />
faithful to appearances but not at all<br />
to reality—a kind of supernaturalism—<br />
relies on an entirely confident and<br />
convincing kind of figure painting,<br />
one that acknowledges but does not<br />
honor the verities of the body.”<br />
978-1-934298-09-1<br />
Hbk, 10.25 x 12.25 in. / 68 pgs / 45 color.<br />
U.S. $49.50 CDn $49.50<br />
august/art<br />
Jenny Saville<br />
norTon MuseuM of ArT<br />
Text by Cheryl brutvan, nicholas<br />
Cullinan.<br />
recognized as an exceptional talent in<br />
the early 1990s, when she was just in<br />
her early 20s, British painter Jenny<br />
Saville (born 1970) has continued<br />
to renew and subvert the legacy of such<br />
masters as rembrandt, de Kooning and<br />
Freud, with sometimes controversial interpretations<br />
of the human figure—primarily<br />
the female body—that expertly<br />
mingle the textures of paint and flesh.<br />
this volume, accompanying the first<br />
U.S. survey of the artist, includes already<br />
classic early paintings such as<br />
“propped” (1992) alongside studies and<br />
more recent paintings and drawings on<br />
the theme of the mother and child. Saville’s<br />
brushwork reveals an increased<br />
dynamism and looser gesture. extended<br />
critical commentary by Cheryl<br />
Brutvan and nicholas Cullinan discuss<br />
Saville’s feminism and treatments of<br />
flesh throughout art history. Despite<br />
Saville’s fame, there have been few opportunities<br />
to view her mature work, a<br />
lacuna this volume happily corrects.<br />
978-0-943411-42-2<br />
Clth, 8 x 10 in. / 100 pgs / 27 color.<br />
U.S. $50.00 CDn $50.00<br />
June/art<br />
exHIBItIon SCHeDULe<br />
oxford, england: modern art oxford,<br />
06/22/12–09/16/12<br />
Also Available:<br />
kent williams: Amalgam<br />
hbk, u.s. $75.60 Cdn $75.60<br />
9781934298015<br />
Allen spiegel fine Arts<br />
Marlene Dumas:<br />
Sorte<br />
sILvAnA edITorIALe<br />
edited by Giorgio verzotti.<br />
marlene Dumas (born 1953) is one of<br />
the most highly regarded contemporary<br />
painters working today. Sorte<br />
attests to the artist’s ongoing interest<br />
in the dialectic between the physicality<br />
of the human body and the metaphysical<br />
themes that attend its demise. this<br />
book includes paintings from Dumas’<br />
recent Forsaken series: her haunted,<br />
pale portraits of amy Winehouse, her<br />
pearly and painterly crucifixions and a<br />
meditation on the relationship between<br />
father and son. the book’s 15 previously<br />
unexhibited works, however, are<br />
concerned instead with the figures<br />
of the mother and the child, inspired<br />
by images from the archives of an<br />
orphanage and portraits of pier paolo<br />
pasolini and his mother Susanna.<br />
also included is Dumas’ portrait of<br />
Italian film star anna magnani, caught<br />
in a film still from Mamma Roma,<br />
the bleached sheet of her face transforming<br />
her features into a femininized<br />
form of the crucifix.<br />
978-88-366-2285-6<br />
pbk, 8.25 x 10.25 in. / 120 pgs / 55 color.<br />
U.S. $40.00 CDn $40.00<br />
September/art<br />
Also Available:<br />
Marlene dumas:<br />
Measuring Your<br />
own Grave<br />
9781933751085<br />
hbk, u.s. $55.00<br />
Cdn $55.00<br />
d.A.P./Museum of<br />
Contemporary Art,<br />
Los Angeles<br />
Toxic Beauty:<br />
The Art of Frank<br />
Moore<br />
GreY ArT GALLerY, new York<br />
unIversITY<br />
foreword by Lynn Gumpert. Text by<br />
klaus kertess, susan harris, Gregg<br />
bordowitz, frank Moore.<br />
Toxic Beauty: The Art of Frank<br />
Moore is the most comprehensive<br />
presentation of work by a remarkable<br />
artist whose life was cut short by<br />
aIDS. Frank moore (1953–2002) is<br />
best known for his large, highly<br />
detailed figurative paintings filled with<br />
fantastic and symbolic images. this<br />
catalogue includes a complete bibliography,<br />
chronology and excerpts from<br />
moore’s own writings. It also features<br />
more than 50 color images of moore’s<br />
paintings and works on paper, as well<br />
as approximately 40 reproductions<br />
of previously unpublished archival<br />
material—such as sketchbooks and<br />
documents—culled from the vast Frank<br />
moore papers housed at new York<br />
University’s Fales Library. an essay<br />
by Klaus Kertess considers moore’s<br />
recurrent themes, situating the artist<br />
within the vibrant downtown scene;<br />
a contribution by gregg Bordowitz<br />
relates moore’s works to his passionate<br />
aIDS activism; and a piece by Susan<br />
Harris addresses the artist’s working<br />
methods.<br />
978-0-934349-17-8<br />
Clth, 8.5 x 11 in. / 224 pgs / 150 color.<br />
U.S. $50.00 CDn $50.00<br />
September/art/gay & Lesbian<br />
exHIBItIon SCHeDULe<br />
new York: grey art gallery, new York<br />
University, 09/07/12–12/08/12<br />
George Tooker:<br />
Reality Recurs<br />
as a Dream<br />
dC Moore GALLerY<br />
Introduction by bridget Moore. Text<br />
by ralph sessions, robert Cozzolino,<br />
Marshall Price, kurt kauper, Paul Cadmus.<br />
Interview by selden rodman.<br />
For more than 60 years, george tooker<br />
(1920–2011) created luminous and<br />
often enigmatic paintings, addressing<br />
issues from alienation and the dehumanizing<br />
aspects of contemporary society<br />
to personal meditations on the<br />
human condition. From the Cold War<br />
urban purgatories and bureaucratic<br />
paranoia of his early paintings to his<br />
later warm, glowing images of lovers<br />
embracing in fields or found in windows,<br />
tooker’s spiritual vision ultimately<br />
stands as a quest for the<br />
endless possibilities of intimacy, compassion<br />
and tolerance. Widespread<br />
public recognition first came to tooker<br />
through his best-known painting, “Subway”<br />
(1950), a definitive image of anxiety<br />
and dread. His more utopian<br />
themes of peace, brotherhood and reconciliation<br />
would find expression in<br />
such works as “embrace of peace II”<br />
(1988). published in conjunction with<br />
DC moore gallery’s memorial exhibition,<br />
George Tooker: Reality Recurs as<br />
a Dream features paintings from every<br />
period of tooker’s long career.<br />
978-0-9826316-7-6<br />
Hbk, 9.5 x 11.5 in. / 88 pgs / 30 color /<br />
6 b&w.<br />
U.S. $40.00 CDn $40.00<br />
July/art<br />
ArT hIGhLIGhTs<br />
Alice Neel:<br />
Late Portraits<br />
& Still Lifes<br />
106 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 107<br />
rAdIus books<br />
Text by Tim Griffin.<br />
alice neel (1900–1984) is widely considered<br />
one of the greatest portraitists<br />
of the twentieth century. published on<br />
the occasion of a solo exhibition at<br />
David Zwirner, new York, this beautifully<br />
designed book presents a selection<br />
of portraits and still lifes from the<br />
last two decades of the artist’s life.<br />
Called “the pre-eminent painter-chronicler<br />
of new York bohemia” by Deborah<br />
Solomon of The New York Times, neel<br />
remains a hero to many of today’s most<br />
influential figurative painters, including<br />
eric Fischl, elizabeth peyton and<br />
marlene Dumas—as much for the emotional<br />
and psychological intensity of<br />
her work as for her exemplary fearlessness.<br />
978-1-934435-55-7<br />
Clth, 10 x 11 in. / 72 pgs / 24 color.<br />
U.S. $50.00 CDn $50.00<br />
July/art