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ARTBOOK | D.A.P.

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Pop Art ArT hIGhLIGhTs<br />

Ménage à Trois<br />

Warhol, Basquiat, Clemente<br />

kerber<br />

Text by dieter buchhart, vincent fremont,<br />

Jordana Moore saggese, keith<br />

haring. Interviews by dieter buchhart.<br />

andy Warhol always made himself<br />

available and accessible to younger<br />

emerging artists, and in the vibrant<br />

new York art scene of the 1980s,<br />

Jean-michel Basquiat and Francesco<br />

Clemente forged particularly close<br />

friendships with Warhol—even becoming<br />

something of a triumvirate, as this<br />

new publication on the three artists<br />

shows. Between 1983 and 1985,<br />

Basquiat, Clemente and Warhol<br />

produced a number of collaborative<br />

paintings whose compositional vitality<br />

lay in their fusion of contrary energies,<br />

and the three constantly borrowed<br />

and adapted motifs from each other,<br />

also making portraits of one another.<br />

Ménage à Trois: Warhol, Basquiat,<br />

Clemente offers a comprehensive<br />

overview of this generative friendship,<br />

which is contextualized through<br />

full-color reproductions, documentary<br />

photographs, essays and an interview<br />

with Bruno Bischofberger, the collector<br />

who initiated Warhol and Basquiat’s<br />

collaborations.<br />

978-3-86678-655-4<br />

Hbk, 9.75 x 11 in. / 256 pgs / 207 color /<br />

51 b&w.<br />

U.S. $59.95 CDn $59.95<br />

august/art<br />

Also Available:<br />

The Autobiography<br />

and sex Life of Andy warhol<br />

9780970612618<br />

hbk, u.s. $45.00 Cdn $45.00<br />

Trela Media<br />

104 artBooK | D.a.p. 1.800.338.2665<br />

Andy Warhol:<br />

Paintings from<br />

the 1970s<br />

skArsTedT GALLerY, LTd.<br />

Text by Trevor fairbrother.<br />

after andy Warhol was shot in 1968,<br />

some critics accused him of softening<br />

the intensity of his art in favor of pursuing<br />

a more superficial, jet-setting social<br />

agenda. and it is true that during<br />

the 1970s, Warhol focused much of<br />

his energy on less solitary activities—<br />

filmmaking, his “superstars” and<br />

supporting Interview, his adventurous<br />

underground magazine. However,<br />

Warhol’s art practice of the 1970s underwent<br />

huge changes and forged into<br />

vital realms that have proved as influential<br />

as his earlier work. During this<br />

decade he produced such iconic series<br />

as the abstract Oxidation paintings,<br />

which combined urine on metallic copper;<br />

the classic Ladies and Gentlemen<br />

portraits depicting new York’s drag<br />

community; his screen prints of the<br />

actor and native american political<br />

activist russell means, and of the<br />

Chinese Communist leader, mao<br />

Zedong; as well as the Shadow, Skulls<br />

and Hammer & Sickle series. this<br />

volume collects works from each of<br />

these series, alongside an essay by<br />

curator-scholar trevor Fairbrother.<br />

978-1-61623-723-3<br />

Clth, 9 x 10 in. / 60 pgs / 35 color /<br />

3 b&w.<br />

U.S. $30.00 CDn $30.00<br />

July/art<br />

Jasper Johns:<br />

In Press<br />

The Crosshatch Works and the<br />

Logic of Print<br />

hATJe CAnTz<br />

Text by Jennifer quick, Jennifer L.<br />

roberts.<br />

Centering on “the Dutch Wives”<br />

(1975), a double-panel encaustic-andnewsprint<br />

painting in the artist’s signature<br />

“crosshatch” motif, this catalogue<br />

explores the impact of print on the<br />

work of Jasper Johns (born 1930). the<br />

two panels of “the Dutch Wives” are<br />

imperfect duplicates of each other—a<br />

reminder that the process of the mechanical<br />

reproduction of words and<br />

images is never quite perfect. the<br />

book examines the concepts of “print”<br />

and “the press” in terms not only of<br />

printmaking and Johns’ celebrated experiments<br />

in that medium, but also in<br />

informational terms, tracing his frequent<br />

use of newsprint and its material,<br />

temporal, political, and formal<br />

implications. the publication also features<br />

prints and drawings by Johns<br />

that help demonstrate the aspects of<br />

printmaking that inform his entire<br />

oeuvre: repetition, reversal, indexicality,<br />

layering, sequencing and topology.<br />

978-3-7757-3291-8<br />

Hbk, 9.75 x 12.5 in. / 96 pgs / 32 color.<br />

U.S. $55.00 CDn $55.00<br />

august/art<br />

exHIBItIon SCHeDULe<br />

Cambridge, ma: Harvard art<br />

museums, 05/22/12–08/18/12<br />

Keiichi Tanaami:<br />

Drawings and<br />

Collages<br />

1967–1975<br />

wALTher könIG, köLn<br />

Text by stefano stoll.<br />

Keiichi tanaami (born 1936) is one of<br />

the most influential artists of Japan’s<br />

postwar avant-garde. among the country’s<br />

first video artists, and a member<br />

of the Japanese neo-Dada movement,<br />

tanaami visited new York in the late<br />

1960s and came face to face with the<br />

paintings of andy Warhol. Having<br />

worked as a graphic designer, tanaami<br />

was entranced by Warhol’s amalgam of<br />

graphic and fine arts, and began to<br />

make drawings and collages that<br />

blended psychedelic kitsch with traditional<br />

Japanese arts, in a style that<br />

quickly led to album covers for the<br />

monkees and Jefferson airplane. this<br />

volume collects tanaami’s erotic, surreal<br />

and cartoonish drawings and collages<br />

from these years, when the artist<br />

was most steeped in american pop<br />

culture, just before he became art director<br />

for the Japanese Playboy. the<br />

dust jacket folds out into a large blackand-white<br />

poster.<br />

978-3-86335-116-8<br />

Hbk, 8.25 x 11 in. / 70 pgs /<br />

42 color / 8 b&w.<br />

U.S. $44.95 CDn $44.95 FLat40<br />

august/art/asian art & Culture<br />

Neo Rauch: The Graphic Work, 1993–2012<br />

hATJe CAnTz<br />

foreword by kerstin wahala. Text by rudij bergmann. Interview by wolfgang büscher.<br />

one of today’s best-known contemporary artists, new Leipzig School painter neo rauch (born<br />

1960) blends the realistic figuration of Social realism with Surrealism: brightly colored figures<br />

parade through upended environments, and multiple historical periods overlap in a single work.<br />

most recognized for his paintings and drawings, rauch has also created an impressive output of<br />

printed works over the past two decades, which visit the same themes as the rest of his output,<br />

and in rauch’s own words “are accessories to my painting.” this publication presents the artist’s<br />

complete oeuvre of prints from 1993 to today, and celebrates rauch’s gift of an edition of each of<br />

his prints to the town of aschersleben in germany, where he was raised. the collection will form<br />

the basis of a new art foundation and exhibition space, established in the artist’s name.<br />

Neo Rauch (born 1960) was born, reared and trained as an artist in Leipzig, where he continues to<br />

live. In august 2005, rauch was awarded the chair of painting at Leipzig University..<br />

978-3-7757-3310-6<br />

Hbk, 7.75 x 11 in. / 208 pgs / 6 color / 64 b&w.<br />

U.S. $45.00 CDn $45.00<br />

September/art<br />

Two European master printmakers<br />

Luc Tuymans: Graphic<br />

Works 1989–2012<br />

LudIon<br />

edited by Tommy simoens. Text by Manfred sellink.<br />

Graphic Works 1989–2012 offers a retrospective of graphic work by Luc tuymans<br />

(born 1958), arguably the most celebrated Belgian artist working today,<br />

whose recreations of historically saturated imagery examine themes of memory<br />

and trauma. Using unpublished source material and proofs, polaroids and<br />

watercolors—some from the archives of master printer roger vandaele and<br />

the artist’s own studio—this book offers in-depth insight into tuymans’ variety<br />

of graphic techniques and his process of analysis and translation of images,<br />

color separations and proofs. the volume concludes with an illustrated survey<br />

of the artist’s complete graphic work from 1989 to 2012, ranging from a photocopied<br />

portfolio with a selection of tuymans’ early drawings through suites<br />

such as The Spiritual Exercises to his masterpiece The Rumor, an installation<br />

combining a series of monotypes and a scale model in a single edition.<br />

978-94-6130-051-5<br />

Hbk, 9.5 x 11.25 in. / 256 pgs / 350 color.<br />

U.S. $60.00 CDn $60.00<br />

october/art<br />

Also Available:<br />

Luc Tuymans<br />

9781933045986<br />

hbk, u.s. $60.00 Cdn $60.00<br />

san francisco Museum of<br />

Modern Art/ wexner Center<br />

for the Arts/d.A.P.<br />

orders@dapinc.com artBooK.Com 105

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