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ARTBOOK | D.A.P.

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American abstraction’s finest<br />

living exponent<br />

14 artBooK | D.a.p. 1.800.338.2665<br />

Frank Stella<br />

hATJe CAnTz<br />

Text by holger bröker, Markus brüderlin,<br />

Gregor stemmrich, et al.<br />

Frank Stella is abstraction’s greatest living<br />

champion—the artist who, more than any other,<br />

has merged abstract painting with sculpture<br />

and architecture, pursuing the implications of<br />

his “what you see is what you see” stance. a<br />

forceful clarity of purpose and vision has characterized<br />

his art and his career from the start:<br />

he dominated the new York art scene of the<br />

late 1950s with his Black Paintings composed<br />

of stripes, which famously helped pave the way<br />

for minimalism, and which were exhibited in<br />

the museum of modern art, new York’s milestone<br />

exhibition Sixteen Americans, alongside<br />

Johns and rauschenberg. In 1970 Stella became<br />

the youngest artist to receive a show at<br />

the museum of modern art, by which time he<br />

had already blazed his way through several stylistic<br />

evolutions. to the surprise of many, the<br />

passionate race-car driver did not follow the<br />

seemingly inevitable route towards minimalism,<br />

and instead followed a path that led him to<br />

ever more opulent and baroque reliefs. With<br />

this idiosyncratic turn “from minimalist to<br />

maximalist,” Stella developed into one of the<br />

boldest artists of the twentieth century.<br />

on the occasion of Stella’s comprehensive retrospective<br />

at the Kunstmuseum Wolfsburg, this<br />

massive survey celebrates the many lives of<br />

Frank Stella. It includes classic examples of<br />

each of his many periods, such as the Black<br />

Paintings, Irregular Polygons, the Protractor<br />

paintings, the Circuits series, the metal reliefs<br />

and floor sculptures of the past two decades<br />

and an “archiSkulptur” conceived by the artist<br />

exclusively for the exhibition. With more<br />

than 660 color reproductions, this volume is as<br />

ambitious and spectacular as its subject.<br />

Frank Stella was born in 1936, to first-generation<br />

Sicilians, and grew up in a suburb of Boston.<br />

In 1954 he entered princeton University, where<br />

he took a night class in painting and drawing.<br />

His first solo exhibition was at the Leo Castelli<br />

gallery in 1960.<br />

978-3-7757-3407-3<br />

Hbk, 9.5 x 12.25 in. / 392 pgs / 662 color.<br />

U.S. $75.00 CDn $75.00<br />

December/art<br />

exHIBItIon SCHeDULe<br />

Wolfsburg, germany: Kunstmuseum<br />

Wolfsburg, 09/01/12–01/20/13<br />

A sensational experiment in book-making<br />

from Gerhard Richter<br />

Gerhard Richter: Patterns<br />

Divided, Mirrored, Repeated<br />

d.A.P./dIsTrIbuTed ArT PubLIshers<br />

Text by Gerhard richter.<br />

Patterns represents a brilliant new adventure in image-making and book-making by gerhard richter, who in<br />

recent years has produced several fascinating explorations of the possibilities of the artist’s book. For this latest<br />

project, richter took an image of his work “abstract painting” (Cr: 7244) and divided it vertically into strips:<br />

first 2, then 4, 8, 16, 32, 64, 128, 256, 512, 1,024, 2,048, up to 4,096 strips. this process, involving twelve stages of<br />

division, results in 8,190 strips, each of which is reproduced here at the height of the original image. With each<br />

stage of division, the strips become progressively thinner (a strip of the 12th division is just 0.08 millimeters;<br />

further divisions would only become visible by enlargement). each strip is then mirrored and repeated,<br />

producing an incredibly detailed patterning. the number of repetitions increases with each stage of division<br />

in order to make patterns of consistent size. the resulting 221 patterns are reproduced here on landscape<br />

spreads, making for a truly extraordinary reading-viewing book experience.<br />

Born in Dresden, east germany, in 1932, Gerhard Richter migrated to West germany in 1961, settling in<br />

Düsseldorf, where he studied at the Düsseldorf academy, and where he held his first solo exhibition in 1963.<br />

over the course of that decade, richter helped to liberate painting from the legacy of Socialist realism (in<br />

eastern germany) and abstract expressionism (in Western germany and throughout europe). He has<br />

exhibited internationally for the last five decades, with a major european touring retrospective in London,<br />

Berlin and paris in 2012. He lives and works in Cologne.<br />

978-1-935202-98-1<br />

Hbk, 8.25 x 5.5 in. / 488 pgs / illustrated throughout.<br />

U.S. $45.00 CDn $45.00<br />

august/art/artist's Books<br />

Also Available:<br />

Gerhard richter: Panorama<br />

9781935202714<br />

hbk, u.s. $65.00 Cdn $65.00<br />

d.A.P./Tate<br />

Gerhard richter:<br />

Landscapes<br />

Clth, u.s. $60.00 Cdn $60.00<br />

9783775726399<br />

hatje Cantz<br />

orders@dapinc.com artBooK.Com 15

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