23.11.2012 Views

ARTBOOK | D.A.P.

ARTBOOK | D.A.P.

ARTBOOK | D.A.P.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Indian, Spanish & Latin American Art ArT hIGhLIGhTs<br />

India: Art Now<br />

hATJe CAnTz<br />

Text by homi k. bhabha, Christian<br />

Gether, stine høholt, ranjit hoskoté,<br />

et al.<br />

Contemporary art in India has enjoyed<br />

a tremendous flourishing since the<br />

early 1990s, thanks in part to the<br />

country’s economic growth and the<br />

increased availability of media technology.<br />

as Indian artists establish an<br />

ever-stronger presence on the global<br />

art scene, India: Art Now shows how<br />

their negotiations of the global and<br />

the local are yielding fascinating fruit.<br />

Included here are works by rina<br />

Banerjee, Hemali Bhuta, atul Dodiya,<br />

Sheela gowda, Shilpa gupta, Subodh<br />

gupta, Jitish Kallat, reena Kallat,<br />

rashmi Kaleka, Bharti Kher, ravinder<br />

reddy, vivan Sundaram and thukral<br />

and tagra, among others—artists who<br />

have found ways to express the aspirations<br />

and conflicts of a new generation,<br />

through media varying from painting,<br />

sculpture and photography to installation<br />

and interactive art. Leading Indian<br />

critics, scholars, writers and artists<br />

discuss new developments and artistic<br />

positions in Indian contemporary art,<br />

and its role on the global art scene.<br />

978-3-7757-3411-0<br />

Hbk, 9.5 x 12 in. / 184 pgs / 80 color.<br />

U.S. $55.00 CDn $55.00<br />

october/art/asian art & Culture<br />

The Matter Within<br />

New Contemporary Art of<br />

India<br />

YerbA buenA CenTer for The ArTs<br />

Text by betti-sue hertz, nancy<br />

Adajania, Parul dave-Mukherji,<br />

zehra Jumabhoy.<br />

as contemporary art in India becomes<br />

more widely recognized within the<br />

country, there has also been a growing<br />

awareness of its growth and impact internationally.<br />

The Matter Within: New<br />

Contemporary Art of India surveys<br />

sculpture, photography and video by<br />

Indian artists living inside the country<br />

as well as outside it. Inspired by material<br />

culture, literature, spirituality and<br />

social and political aspects of the history<br />

of the South asian region, the volume<br />

is organized around three<br />

thematic threads that resonate from<br />

contemporary India: embodiment, the<br />

politics of communicative bodies and<br />

the imaginary. participating artists are<br />

ayisha abraham, rina Banerjee,<br />

Camp, nikhil Chopra, anita Dube,<br />

gauri gill, Shilpa gupta, Sunil gupta,<br />

Siddhartha Kararwal, Dhruv malhotra,<br />

the otolith group, Sreshta rit premnath,<br />

pushpamala n., raqs media Collective,<br />

tejal Shah, Sudarshan Shetty,<br />

Bharat Sikka, anup mathew thomas<br />

and thukral & tagra.<br />

978-0-9826789-4-7<br />

Hbk, 9 x 11.75 in. / 144 pgs /<br />

illustrated throughout.<br />

U.S. $35.00 CDn $35.00<br />

July/art/asian art & Culture<br />

A Place in the<br />

Shade<br />

The New Landscape and<br />

Other Essays<br />

By Charles Correa.<br />

hATJe CAnTz<br />

Charles Correa’s A Place in the Shade<br />

explores architectural and urban issues<br />

in India, from the house as a machine<br />

for dealing with the country’s often<br />

hostile climate to the metaphysical role<br />

of architecture as a “model of the cosmos.”<br />

this provocative and eminently<br />

readable collection of essays argues<br />

that the country’s habitat must respond<br />

to the overriding parameters of climate,<br />

culture and financial resources,<br />

and that our physical environment<br />

should accommodate both diversity<br />

and synergy. over the last few decades,<br />

urban real estate has become the primary<br />

source of financing for political<br />

parties and the politicians who run<br />

them, and as Correa acknowledges,<br />

“you cannot look at cities without wandering<br />

into architecture on the one<br />

hand and politics on the other.” A<br />

Place in the Shade identifies the defining<br />

issues of the urbanization trends<br />

that are so rapidly transforming India.<br />

978-3-7757-3401-1<br />

Hbk, 7.25 x 8.5 in. / 246 pgs / 1 color /<br />

200 b&w.<br />

U.S. $55.00 CDn $55.00<br />

September/architecture & Urban<br />

Studies/asian art & Culture<br />

Art Situations<br />

A Prospective Look<br />

edICIones PoLIGrAfA<br />

edited by vicente Todolí.<br />

art Situations is the name of a new private<br />

initiative in the Iberian peninsula<br />

that aims to promote younger contemporary<br />

artists from that region with an<br />

annual exhibition and publication. the<br />

project is directed by pilar Forcada;<br />

each year, ten emerging artists are selected<br />

by a committee, and the first iteration<br />

is held at arts Santa mònica.<br />

the ten Spanish and portugese artists<br />

selected are mauro Cerqueira, pepe Cifuentes<br />

(in collaboration with flo6x8),<br />

patricia Dauder, Carla Filipe, nuria<br />

Fuster, Santiago giralda, Jaime de la<br />

Jara, miki Leal, Juan López and<br />

Francesc ruiz. all of these artists were<br />

born during the final throes of Franco’s<br />

dictatorship and studied art during the<br />

early years of democracy and Spain’s<br />

and portugal’s integration into europe;<br />

their work spans a variety of media,<br />

from painting and sculpture to video<br />

and performance.<br />

978-84-343-1310-1<br />

pbk, 6.75 x 9.5 in. / 96 pgs / 60 color.<br />

U.S. $30.00 CDn $30.00<br />

august/art<br />

Previously Announced<br />

Soto: Paris and<br />

Beyond, 1950–1970<br />

GreY ArT GALLerY, new York<br />

unIversITY<br />

edited by estrellita b. brodsky. Text by<br />

estrellita b. brodsky, sarah k. rich.<br />

Soto: Paris and Beyond, 1950–1970<br />

accompanies the first large-scale<br />

exhibition dedicated to Jesús Soto to<br />

be held at a new York museum in<br />

more than 35 years. It highlights this<br />

major venezuelan artist’s early career,<br />

following his relocation from Caracas<br />

to paris in 1950, and offers a rare<br />

opportunity to trace Soto’s visionary<br />

trajectory and his influence upon, and<br />

exchanges with, other members of the<br />

avant-garde. Soto’s achievements in<br />

the field of interactive art established<br />

his reputation as both an international<br />

exponent of kinetic art and one of the<br />

most influential Latin american artists<br />

of the twentieth century. this fully<br />

illustrated catalogue includes essays<br />

by curator estrellita B. Brodsky and art<br />

historian Sarah K. rich.<br />

978-0-934349-16-1<br />

Hbk, 10.25 x 11.25 in. / 144 pgs /<br />

74 color / 22 b&w.<br />

U.S. $45.00 CDn $45.00<br />

available/art/Latin american art &<br />

Culture<br />

Also Available:<br />

Jesús soto in Conversation<br />

with Ariel Jiménez<br />

9780982354469<br />

hbk, u.s. $25.00<br />

Cdn $25.00<br />

fundación Cisneros/<br />

Colección Patricia<br />

Phelps de Cisneros<br />

Gyula Kosice in<br />

Conversation<br />

with Gabriel<br />

Pérez-Barreiro<br />

fundACIón CIsneros/CoLeCCIón<br />

PATrICIA PheLPs de CIsneros<br />

Introduction by Andrea Giunta.<br />

gyula Kosice (born 1924) is an innovative<br />

argentine artist and poet. His constructions<br />

and sculptures were inspired<br />

as much by local discussions and disputes<br />

in the cafés of 1940s Buenos aires<br />

as by the international avant-garde. In<br />

dialogue with gabriel pérez-Barreiro in<br />

this latest volume from the Fundación<br />

Cisneros’ Conversaciones/Conversations<br />

series, Kosice recalls his contributions<br />

to an era of hotly debated<br />

movements and manifestos; the magazine<br />

Arturo; the formation of arte madí;<br />

his interactive mobiles; and his groundbreaking<br />

use of materials like neon and<br />

water to articulate a futuristic<br />

vision that includes Hydrospatial<br />

City, a community suspended in space.<br />

978-0-9823544-8-3<br />

Hbk, 6 x 9.25 in. / 180 pgs / 41 color /<br />

3 b&w.<br />

U.S. $25.00 CDn $25.00<br />

november/art/Latin american art<br />

and Culture<br />

Also Available:<br />

Tomás Maldonado in<br />

Conversation with<br />

María Amalia García<br />

9780982354438<br />

hbk, u.s. $25.00<br />

Cdn $25.00<br />

fundación Cisneros/<br />

Colección Patricia<br />

Phelps de Cisneros<br />

Previously Announced<br />

Barrão: Mashups<br />

The ALdrICh ConTeMPorArY ArT<br />

MuseuM<br />

foreword by Tunga. Text by Mónica<br />

ramírez Montagut.<br />

Brazilian artist Barrão (born 1959) is<br />

best known for his whimsical, somewhat<br />

bizarre sculptural clusters and<br />

“mash-ups” assembled from fragments<br />

of popular vitreous porcelain and ceramic<br />

objects. the artist acquires these<br />

fragments, once commonly cherished<br />

in Brazilian households, by scouting<br />

the secondhand stores, flea markets<br />

and dumpsters of rio de Janeiro.<br />

When a sufficient quantity of materials<br />

has been accumulated, Barrão sorts<br />

and classifies the ceramics in his<br />

studio, separating them by size, color,<br />

function, vessel or ornament. these<br />

fragments are then carefully fused<br />

into a single sculptural entity, each<br />

of which constitutes a sort of a minicollection—a<br />

vibrant magma of<br />

explosive visual and tactile qualities.<br />

published for Barrão’s 2012 exhibition<br />

at the aldrich Contemporary art<br />

museum, and with a foreword by<br />

tunga, this volume offers a concise<br />

introduction to Barrão’s free-flowing<br />

associative sculpture.<br />

978-1-4507-9711-5<br />

pbk, 7 x 9.75 in. / 62 pgs / 36 color.<br />

U.S. $20.00 CDn $20.00<br />

available/art/Latin american art &<br />

Culture<br />

exHIBItIon SCHeDULe<br />

ridgefield, Ct: the aldrich<br />

Contemporary art museum,<br />

01/29/12–06/10/12<br />

Eduardo Terrazas:<br />

Possibilites of a<br />

Structure<br />

122 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 123<br />

Turner<br />

Text by Jaime repollés, Tomás Maldonado,<br />

Guillermo fadanelli, Jim<br />

nikas, rafael Argullol, raquel Tibol,<br />

nuria Castañeda, Lorena wolffer.<br />

For more than 40 years, the mexican<br />

artist, designer and architect eduardo<br />

terrazas (born 1936) has worked<br />

across disciplines to imagine new ways<br />

of adding color and expansiveness to<br />

the landscape around him. this volume<br />

compiles his abstract paintings<br />

for the first time. terrazas’ abstractions<br />

range from bright, bold and chunkily<br />

geometric paintings to more delicate,<br />

evanescent works, but all are suffused<br />

with a robust and joyous feeling for<br />

color. Here, these works are organized<br />

into a visual tour of terrazas’ entire<br />

oeuvre, arranged in pairs that mix the<br />

various series comprising his visual<br />

art, establishing analogies, contrasts<br />

and affinities. Possibilities of a Structure<br />

includes an introduction, three essays,<br />

a conversation and a biographical<br />

profile, as well as a catalogue presenting<br />

the oeuvre divided into 15 series,<br />

each accompanied by an analytical text<br />

and information.<br />

978-84-939478-1-1<br />

Hbk, 10.5 x 9.5 in. / 344 pgs /<br />

illustrated throughout.<br />

U.S. $49.95 CDn $49.95<br />

September/art/Latin american art &<br />

Culture

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!