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Indian, Spanish & Latin American Art ArT hIGhLIGhTs<br />
India: Art Now<br />
hATJe CAnTz<br />
Text by homi k. bhabha, Christian<br />
Gether, stine høholt, ranjit hoskoté,<br />
et al.<br />
Contemporary art in India has enjoyed<br />
a tremendous flourishing since the<br />
early 1990s, thanks in part to the<br />
country’s economic growth and the<br />
increased availability of media technology.<br />
as Indian artists establish an<br />
ever-stronger presence on the global<br />
art scene, India: Art Now shows how<br />
their negotiations of the global and<br />
the local are yielding fascinating fruit.<br />
Included here are works by rina<br />
Banerjee, Hemali Bhuta, atul Dodiya,<br />
Sheela gowda, Shilpa gupta, Subodh<br />
gupta, Jitish Kallat, reena Kallat,<br />
rashmi Kaleka, Bharti Kher, ravinder<br />
reddy, vivan Sundaram and thukral<br />
and tagra, among others—artists who<br />
have found ways to express the aspirations<br />
and conflicts of a new generation,<br />
through media varying from painting,<br />
sculpture and photography to installation<br />
and interactive art. Leading Indian<br />
critics, scholars, writers and artists<br />
discuss new developments and artistic<br />
positions in Indian contemporary art,<br />
and its role on the global art scene.<br />
978-3-7757-3411-0<br />
Hbk, 9.5 x 12 in. / 184 pgs / 80 color.<br />
U.S. $55.00 CDn $55.00<br />
october/art/asian art & Culture<br />
The Matter Within<br />
New Contemporary Art of<br />
India<br />
YerbA buenA CenTer for The ArTs<br />
Text by betti-sue hertz, nancy<br />
Adajania, Parul dave-Mukherji,<br />
zehra Jumabhoy.<br />
as contemporary art in India becomes<br />
more widely recognized within the<br />
country, there has also been a growing<br />
awareness of its growth and impact internationally.<br />
The Matter Within: New<br />
Contemporary Art of India surveys<br />
sculpture, photography and video by<br />
Indian artists living inside the country<br />
as well as outside it. Inspired by material<br />
culture, literature, spirituality and<br />
social and political aspects of the history<br />
of the South asian region, the volume<br />
is organized around three<br />
thematic threads that resonate from<br />
contemporary India: embodiment, the<br />
politics of communicative bodies and<br />
the imaginary. participating artists are<br />
ayisha abraham, rina Banerjee,<br />
Camp, nikhil Chopra, anita Dube,<br />
gauri gill, Shilpa gupta, Sunil gupta,<br />
Siddhartha Kararwal, Dhruv malhotra,<br />
the otolith group, Sreshta rit premnath,<br />
pushpamala n., raqs media Collective,<br />
tejal Shah, Sudarshan Shetty,<br />
Bharat Sikka, anup mathew thomas<br />
and thukral & tagra.<br />
978-0-9826789-4-7<br />
Hbk, 9 x 11.75 in. / 144 pgs /<br />
illustrated throughout.<br />
U.S. $35.00 CDn $35.00<br />
July/art/asian art & Culture<br />
A Place in the<br />
Shade<br />
The New Landscape and<br />
Other Essays<br />
By Charles Correa.<br />
hATJe CAnTz<br />
Charles Correa’s A Place in the Shade<br />
explores architectural and urban issues<br />
in India, from the house as a machine<br />
for dealing with the country’s often<br />
hostile climate to the metaphysical role<br />
of architecture as a “model of the cosmos.”<br />
this provocative and eminently<br />
readable collection of essays argues<br />
that the country’s habitat must respond<br />
to the overriding parameters of climate,<br />
culture and financial resources,<br />
and that our physical environment<br />
should accommodate both diversity<br />
and synergy. over the last few decades,<br />
urban real estate has become the primary<br />
source of financing for political<br />
parties and the politicians who run<br />
them, and as Correa acknowledges,<br />
“you cannot look at cities without wandering<br />
into architecture on the one<br />
hand and politics on the other.” A<br />
Place in the Shade identifies the defining<br />
issues of the urbanization trends<br />
that are so rapidly transforming India.<br />
978-3-7757-3401-1<br />
Hbk, 7.25 x 8.5 in. / 246 pgs / 1 color /<br />
200 b&w.<br />
U.S. $55.00 CDn $55.00<br />
September/architecture & Urban<br />
Studies/asian art & Culture<br />
Art Situations<br />
A Prospective Look<br />
edICIones PoLIGrAfA<br />
edited by vicente Todolí.<br />
art Situations is the name of a new private<br />
initiative in the Iberian peninsula<br />
that aims to promote younger contemporary<br />
artists from that region with an<br />
annual exhibition and publication. the<br />
project is directed by pilar Forcada;<br />
each year, ten emerging artists are selected<br />
by a committee, and the first iteration<br />
is held at arts Santa mònica.<br />
the ten Spanish and portugese artists<br />
selected are mauro Cerqueira, pepe Cifuentes<br />
(in collaboration with flo6x8),<br />
patricia Dauder, Carla Filipe, nuria<br />
Fuster, Santiago giralda, Jaime de la<br />
Jara, miki Leal, Juan López and<br />
Francesc ruiz. all of these artists were<br />
born during the final throes of Franco’s<br />
dictatorship and studied art during the<br />
early years of democracy and Spain’s<br />
and portugal’s integration into europe;<br />
their work spans a variety of media,<br />
from painting and sculpture to video<br />
and performance.<br />
978-84-343-1310-1<br />
pbk, 6.75 x 9.5 in. / 96 pgs / 60 color.<br />
U.S. $30.00 CDn $30.00<br />
august/art<br />
Previously Announced<br />
Soto: Paris and<br />
Beyond, 1950–1970<br />
GreY ArT GALLerY, new York<br />
unIversITY<br />
edited by estrellita b. brodsky. Text by<br />
estrellita b. brodsky, sarah k. rich.<br />
Soto: Paris and Beyond, 1950–1970<br />
accompanies the first large-scale<br />
exhibition dedicated to Jesús Soto to<br />
be held at a new York museum in<br />
more than 35 years. It highlights this<br />
major venezuelan artist’s early career,<br />
following his relocation from Caracas<br />
to paris in 1950, and offers a rare<br />
opportunity to trace Soto’s visionary<br />
trajectory and his influence upon, and<br />
exchanges with, other members of the<br />
avant-garde. Soto’s achievements in<br />
the field of interactive art established<br />
his reputation as both an international<br />
exponent of kinetic art and one of the<br />
most influential Latin american artists<br />
of the twentieth century. this fully<br />
illustrated catalogue includes essays<br />
by curator estrellita B. Brodsky and art<br />
historian Sarah K. rich.<br />
978-0-934349-16-1<br />
Hbk, 10.25 x 11.25 in. / 144 pgs /<br />
74 color / 22 b&w.<br />
U.S. $45.00 CDn $45.00<br />
available/art/Latin american art &<br />
Culture<br />
Also Available:<br />
Jesús soto in Conversation<br />
with Ariel Jiménez<br />
9780982354469<br />
hbk, u.s. $25.00<br />
Cdn $25.00<br />
fundación Cisneros/<br />
Colección Patricia<br />
Phelps de Cisneros<br />
Gyula Kosice in<br />
Conversation<br />
with Gabriel<br />
Pérez-Barreiro<br />
fundACIón CIsneros/CoLeCCIón<br />
PATrICIA PheLPs de CIsneros<br />
Introduction by Andrea Giunta.<br />
gyula Kosice (born 1924) is an innovative<br />
argentine artist and poet. His constructions<br />
and sculptures were inspired<br />
as much by local discussions and disputes<br />
in the cafés of 1940s Buenos aires<br />
as by the international avant-garde. In<br />
dialogue with gabriel pérez-Barreiro in<br />
this latest volume from the Fundación<br />
Cisneros’ Conversaciones/Conversations<br />
series, Kosice recalls his contributions<br />
to an era of hotly debated<br />
movements and manifestos; the magazine<br />
Arturo; the formation of arte madí;<br />
his interactive mobiles; and his groundbreaking<br />
use of materials like neon and<br />
water to articulate a futuristic<br />
vision that includes Hydrospatial<br />
City, a community suspended in space.<br />
978-0-9823544-8-3<br />
Hbk, 6 x 9.25 in. / 180 pgs / 41 color /<br />
3 b&w.<br />
U.S. $25.00 CDn $25.00<br />
november/art/Latin american art<br />
and Culture<br />
Also Available:<br />
Tomás Maldonado in<br />
Conversation with<br />
María Amalia García<br />
9780982354438<br />
hbk, u.s. $25.00<br />
Cdn $25.00<br />
fundación Cisneros/<br />
Colección Patricia<br />
Phelps de Cisneros<br />
Previously Announced<br />
Barrão: Mashups<br />
The ALdrICh ConTeMPorArY ArT<br />
MuseuM<br />
foreword by Tunga. Text by Mónica<br />
ramírez Montagut.<br />
Brazilian artist Barrão (born 1959) is<br />
best known for his whimsical, somewhat<br />
bizarre sculptural clusters and<br />
“mash-ups” assembled from fragments<br />
of popular vitreous porcelain and ceramic<br />
objects. the artist acquires these<br />
fragments, once commonly cherished<br />
in Brazilian households, by scouting<br />
the secondhand stores, flea markets<br />
and dumpsters of rio de Janeiro.<br />
When a sufficient quantity of materials<br />
has been accumulated, Barrão sorts<br />
and classifies the ceramics in his<br />
studio, separating them by size, color,<br />
function, vessel or ornament. these<br />
fragments are then carefully fused<br />
into a single sculptural entity, each<br />
of which constitutes a sort of a minicollection—a<br />
vibrant magma of<br />
explosive visual and tactile qualities.<br />
published for Barrão’s 2012 exhibition<br />
at the aldrich Contemporary art<br />
museum, and with a foreword by<br />
tunga, this volume offers a concise<br />
introduction to Barrão’s free-flowing<br />
associative sculpture.<br />
978-1-4507-9711-5<br />
pbk, 7 x 9.75 in. / 62 pgs / 36 color.<br />
U.S. $20.00 CDn $20.00<br />
available/art/Latin american art &<br />
Culture<br />
exHIBItIon SCHeDULe<br />
ridgefield, Ct: the aldrich<br />
Contemporary art museum,<br />
01/29/12–06/10/12<br />
Eduardo Terrazas:<br />
Possibilites of a<br />
Structure<br />
122 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 123<br />
Turner<br />
Text by Jaime repollés, Tomás Maldonado,<br />
Guillermo fadanelli, Jim<br />
nikas, rafael Argullol, raquel Tibol,<br />
nuria Castañeda, Lorena wolffer.<br />
For more than 40 years, the mexican<br />
artist, designer and architect eduardo<br />
terrazas (born 1936) has worked<br />
across disciplines to imagine new ways<br />
of adding color and expansiveness to<br />
the landscape around him. this volume<br />
compiles his abstract paintings<br />
for the first time. terrazas’ abstractions<br />
range from bright, bold and chunkily<br />
geometric paintings to more delicate,<br />
evanescent works, but all are suffused<br />
with a robust and joyous feeling for<br />
color. Here, these works are organized<br />
into a visual tour of terrazas’ entire<br />
oeuvre, arranged in pairs that mix the<br />
various series comprising his visual<br />
art, establishing analogies, contrasts<br />
and affinities. Possibilities of a Structure<br />
includes an introduction, three essays,<br />
a conversation and a biographical<br />
profile, as well as a catalogue presenting<br />
the oeuvre divided into 15 series,<br />
each accompanied by an analytical text<br />
and information.<br />
978-84-939478-1-1<br />
Hbk, 10.5 x 9.5 in. / 344 pgs /<br />
illustrated throughout.<br />
U.S. $49.95 CDn $49.95<br />
September/art/Latin american art &<br />
Culture