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Contemporary Drawing & Artist’s Books ArT hIGhLIGhTs<br />

Raymond Pettibon:<br />

Whuytuyp<br />

JrP|rInGIer<br />

edited and with text by Lynn kost.<br />

Whuytuyp compiles work by raymond<br />

pettibon (born 1957) done over the<br />

past five years, from artist’s books and<br />

prints to animations and installations.<br />

Since 2001, several changes in pettibon’s<br />

style have been increasingly evident,<br />

most notably in his use of<br />

broader brushes, even more expressive<br />

brushstrokes and a shift towards<br />

bolder color. these developments became<br />

consolidated around 2006, in the<br />

earliest drawings included in this volume.<br />

also apparent throughout Whuytuyp<br />

is a more philosophical tone to<br />

the language used, and more overt social<br />

commentary—as well as an expansion<br />

of the range of references to<br />

include film, illustration and cartoons.<br />

What continues to characterize pettibon’s<br />

art is its ability to break and recombine<br />

discourses, liberating those<br />

sidelined, repressed and taboo aspects<br />

of american culture and creating his<br />

unique visual-linguistic polyphony.<br />

978-3-03764-290-0<br />

Hbk, 8 x 11.25 in. / 64 pgs / 40 color.<br />

U.S. $35.00 CDn $35.00<br />

September/art<br />

exHIBItIon SCHeDULe<br />

Luzern, Switzerland: museum of art<br />

Luzern, 03/24/12–07/22/12<br />

Laylah Ali: The<br />

Greenheads Series<br />

wILLIAMs CoLLeGe MuseuM of ArT<br />

edited by deborah rothschild.<br />

Introduction by katy kline. Text by<br />

Julia bryan-wilson, kevin Young.<br />

Interview by deborah rothschild.<br />

this book is the first complete documentation<br />

of the Greenheads series by<br />

Laylah ali (born 1968), created between<br />

1996 and 2005. Consisting of over 80<br />

works, ali’s exquisitely rendered<br />

gouache-on-paper paintings chronicle<br />

the dystopian world of her enigmatic<br />

green-headed figures. this provocative<br />

imagery is open-ended, darkly humorous<br />

and triggers a range of associations<br />

through their references to the media,<br />

historical events and racial and gender<br />

tropes. the catalogue allows viewers to<br />

examine the evolution of the critically<br />

acclaimed series, from the early paintings,<br />

which focus on charged exchanges<br />

between groups of figures, to<br />

the later works, where the events and<br />

figures are radically and starkly pared<br />

down. The Greenheads Series includes<br />

texts by art historian and critic Julia<br />

Bryan-Wilson and poet Kevin Young,<br />

as well as an interview with the artist by<br />

curator Deborah rothschild.<br />

978-0-913697-30-6<br />

Flexi, 9.25 x 11 in. / 128 pgs / 100 color.<br />

U.S. $20.00 CDn $20.00<br />

august/art/african american art &<br />

Culture<br />

exHIBItIon SCHeDULe<br />

Williamstown, ma: Williams College<br />

museum of art, 08/18/12–11/25/12<br />

minneapolis, mn: Frederick r.<br />

Weisman art museum, University of<br />

minnesota, 03/02/13–06/30/13<br />

Ithaca, nY: Herbert F. Johnson museum,<br />

Cornell University, 09/07/13–12/22/13<br />

Thom deVita: de-<br />

Vita Unauthorized<br />

hArdY MArks PubLICATIons<br />

edited by nick bubash. foreword by<br />

don ed hardy. Text by nick bubash,<br />

don ed hardy, scott harrison,<br />

Michael Malone. Afterword by Teddy<br />

varndell.<br />

as a youth, thom devita (born 1932)<br />

mingled with famous new York School<br />

painters at the Cedar tavern, and exhibited<br />

his paintings at open-air art<br />

fairs in Washington Square park. In<br />

the 1960s he began tattooing, not long<br />

after it was declared illegal in new<br />

York (the ban was overturned in 1997).<br />

Devita’s eccentric style and sophistication<br />

significantly influenced the emergence<br />

of tattooing as an art from the<br />

1970s on, and today he is something of<br />

a legend in this community. But alongside<br />

his 40-year underground career in<br />

tattooing, devita has produced drawings<br />

and montages using acetate stencils,<br />

as well as constructions. these<br />

works, gathered in this volume, combine<br />

the energy and visual diffusion of<br />

a Larry rivers painting with the street<br />

mayhem of tattoo iconography. DeVita<br />

Unauthorized reproduces a loose-leaf<br />

portfolio issued in a unique limited<br />

edition in 2002.<br />

978-0-945367-80-2<br />

Hbk, 10.75 x 16 in. / 48 pgs / 48 color.<br />

U.S. $30.00 CDn $30.00<br />

July/art<br />

The Art of Team<br />

Macho: The<br />

Merlin Years<br />

nArwhAL ProJeCTs<br />

Text by Maggie Macdonald,<br />

Ann Marie Peña, A. James bradley.<br />

Comprised of nicholas aoki, Stephen<br />

appleby-Barr, Christopher Buchan,<br />

Lauchie reid and Jacob Whibley, the<br />

Canadian collective team macho<br />

spans the worlds of both fine art and illustration,<br />

producing work for both audiences.<br />

team macho’s surreal, colorful<br />

and cartoonish drawings, paintings<br />

and installations playfully juxtapose<br />

styles and motifs with a strongly DIY<br />

flavor. the group’s idiosyncratic approach<br />

to collaboration cultivates both<br />

competitiveness and cooperation, as<br />

they celebrate, thwart and subvert each<br />

other’s contributions. needless to say,<br />

this approach results in often humorous,<br />

jarring conjunctions: two aliens<br />

dancing over an otherwise Hopperesque<br />

scene of houses in twilight;<br />

nuns mutilating monsters; a painting<br />

of some unspecified, hairy psychedelic<br />

lump with the caption “and thus life<br />

became awesome.” The Art of Team<br />

Macho: The Merlin Years compiles the<br />

group’s output of the past five years,<br />

and includes texts and interviews.<br />

978-0-9783568-5-9<br />

pbk, 8 x 10 in. / 180 pgs / 150 color.<br />

U.S. $29.95 CDn $29.95<br />

July/art<br />

Sarah Crowner:<br />

Format<br />

PrIMArY InforMATIon<br />

the paintings of new York artist Sarah<br />

Crowner (born 1974) have offered a<br />

new slant on the constructedness of<br />

the abstract-geometric painting as developed<br />

by max Bill, ellsworth Kelly,<br />

agnes martin and elizabeth murray.<br />

Crowner sews together painted panels<br />

of canvas, raw linen and monochromatic<br />

fabrics, introducing a handmade<br />

touch to modernist aesthetics that<br />

often espoused the minimizing of the<br />

artist’s hand. Crowner’s first large-scale<br />

artist’s book extends this instinct for<br />

materiality to her vast archive of<br />

ephemera (magazines, publications,<br />

posters) from the 1920s through the<br />

1940s, which she deploys here as a<br />

source material for the creation of new<br />

images that are built up through imposition,<br />

extraction, collaging and printing.<br />

much like her paintings, the<br />

resulting works are geometrical and<br />

optical abstractions that bring fresh<br />

vigor to the tradition on which<br />

Crowner draws.<br />

978-0-9851364-0-6<br />

pbk, 8 x 10 in. / 64 pgs / 21 color /<br />

43 b&w.<br />

U.S. $20.00 CDn $20.00<br />

September/art<br />

Ghost Knigi<br />

By Benjamin Sommerhalder.<br />

nIeves<br />

this adorable, limited-edition<br />

children’s book written and illustrated<br />

by the editor and publisher of the<br />

super-cool artist book/zine publisher,<br />

nieves, follows a young ghost named<br />

Knigi on his quest to learn to read.<br />

readers of this ideal gift book will<br />

not be able to decide which is more<br />

endearing: the story—of the ghost’s<br />

frustrations when his first book will<br />

not reveal its secrets, and later his<br />

wonder when “a miraculous explosion<br />

of colors and shapes leapt out from<br />

the pages!”; or Sommerhalder’s<br />

spot-on illustrations, which are clear,<br />

humorous and true in the manner<br />

of a modern-day Leo Lionni or Bruno<br />

munari.<br />

978-3-905999-05-1<br />

Clth, 7.75 x 10 in. / 20 pgs / 3 color /<br />

7 b&w.<br />

U.S. $24.00 CDn $24.00<br />

July/artists' Books/Children’s<br />

Previously Announced.<br />

Jake & Dinos<br />

Chapman:<br />

Bedtime Tales for<br />

Sleepless Nights<br />

fueL PubLIshInG<br />

edited by damon Murray, stephen<br />

sorrell.<br />

In Bedtime Tales for Sleepless Nights,<br />

the Chapman Brothers reconceive the<br />

victorian morality tale for less sanctimonious<br />

(and more misanthropic)<br />

times. Bearing on its cover the motto<br />

“Sticks and stones may break thy<br />

bones but words will surely maim you,”<br />

this volume offers fans and younger<br />

readers alike a darker take on the children’s<br />

bedtime book, with gruesomely<br />

illustrated rhymes that stray far from<br />

the saccharine-coated songs typical of<br />

the genre: “this hideous armature/<br />

that hides and seeks/Will outlast the<br />

flesh/Its turn to reek/Hung out for<br />

death/on spiny barb/Your birthday<br />

suit/now an ill-fitting garb.” the etchings<br />

and stories have been made by<br />

the artists specifically for this project<br />

and are reproduced exclusively in this<br />

volume.<br />

978-0-9558620-9-0<br />

Clth, 9.5 x 12.5 in. / 32 pgs / 12 color.<br />

U.S. $34.95 CDn $34.95<br />

June/art<br />

Also Available:<br />

Jake Chapman:<br />

The Marriage of<br />

reason & squalor<br />

9780955862007<br />

Pbk, u.s. $32.95<br />

Cdn $32.95<br />

fueL Publishing<br />

David Shrigley:<br />

Pass the Spoon<br />

A Sort-Of Opera About<br />

Cookery<br />

hAYwArd PubLIshInG<br />

foreword by david shrigley,<br />

david fennessy, nicholas bone.<br />

Pass the Spoon is the libretto for David<br />

Shrigley’s wildly popular “sort-of<br />

opera.” Here, Shrigley applies his mordant<br />

humor to this tale of a surreal<br />

cooking show gone awry. Described as<br />

“daft and instantly lovable” by The<br />

Guardian, Pass the Spoon features two<br />

tv chefs (June Spoon and philip<br />

Fork), a manic-depressive alcoholic<br />

egg, a Latino banana and a host of<br />

other bizarre characters. this publication<br />

accompanies the artist’s first<br />

major retrospective at Yerba Buena<br />

Center in San Francisco, and the<br />

opera’s first performance in London.<br />

978-1-85332-307-2<br />

pbk, 4.25 x 7.25 in. / 96 pgs / 10 b&w.<br />

U.S. $12.50 CDn $12.50<br />

may/art<br />

exHIBItIon SCHeDULe<br />

San Francisco, Ca: Yerba Buena<br />

Center for the arts, 06/22/12–09/22/12<br />

Also Available:<br />

david shrigley:<br />

brain Activity<br />

9781853322976<br />

hbk, u.s. $40.00<br />

Cdn $40.00<br />

hayward Publishing<br />

116 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 117

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