Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Contemporary Drawing & Artist’s Books ArT hIGhLIGhTs<br />
Raymond Pettibon:<br />
Whuytuyp<br />
JrP|rInGIer<br />
edited and with text by Lynn kost.<br />
Whuytuyp compiles work by raymond<br />
pettibon (born 1957) done over the<br />
past five years, from artist’s books and<br />
prints to animations and installations.<br />
Since 2001, several changes in pettibon’s<br />
style have been increasingly evident,<br />
most notably in his use of<br />
broader brushes, even more expressive<br />
brushstrokes and a shift towards<br />
bolder color. these developments became<br />
consolidated around 2006, in the<br />
earliest drawings included in this volume.<br />
also apparent throughout Whuytuyp<br />
is a more philosophical tone to<br />
the language used, and more overt social<br />
commentary—as well as an expansion<br />
of the range of references to<br />
include film, illustration and cartoons.<br />
What continues to characterize pettibon’s<br />
art is its ability to break and recombine<br />
discourses, liberating those<br />
sidelined, repressed and taboo aspects<br />
of american culture and creating his<br />
unique visual-linguistic polyphony.<br />
978-3-03764-290-0<br />
Hbk, 8 x 11.25 in. / 64 pgs / 40 color.<br />
U.S. $35.00 CDn $35.00<br />
September/art<br />
exHIBItIon SCHeDULe<br />
Luzern, Switzerland: museum of art<br />
Luzern, 03/24/12–07/22/12<br />
Laylah Ali: The<br />
Greenheads Series<br />
wILLIAMs CoLLeGe MuseuM of ArT<br />
edited by deborah rothschild.<br />
Introduction by katy kline. Text by<br />
Julia bryan-wilson, kevin Young.<br />
Interview by deborah rothschild.<br />
this book is the first complete documentation<br />
of the Greenheads series by<br />
Laylah ali (born 1968), created between<br />
1996 and 2005. Consisting of over 80<br />
works, ali’s exquisitely rendered<br />
gouache-on-paper paintings chronicle<br />
the dystopian world of her enigmatic<br />
green-headed figures. this provocative<br />
imagery is open-ended, darkly humorous<br />
and triggers a range of associations<br />
through their references to the media,<br />
historical events and racial and gender<br />
tropes. the catalogue allows viewers to<br />
examine the evolution of the critically<br />
acclaimed series, from the early paintings,<br />
which focus on charged exchanges<br />
between groups of figures, to<br />
the later works, where the events and<br />
figures are radically and starkly pared<br />
down. The Greenheads Series includes<br />
texts by art historian and critic Julia<br />
Bryan-Wilson and poet Kevin Young,<br />
as well as an interview with the artist by<br />
curator Deborah rothschild.<br />
978-0-913697-30-6<br />
Flexi, 9.25 x 11 in. / 128 pgs / 100 color.<br />
U.S. $20.00 CDn $20.00<br />
august/art/african american art &<br />
Culture<br />
exHIBItIon SCHeDULe<br />
Williamstown, ma: Williams College<br />
museum of art, 08/18/12–11/25/12<br />
minneapolis, mn: Frederick r.<br />
Weisman art museum, University of<br />
minnesota, 03/02/13–06/30/13<br />
Ithaca, nY: Herbert F. Johnson museum,<br />
Cornell University, 09/07/13–12/22/13<br />
Thom deVita: de-<br />
Vita Unauthorized<br />
hArdY MArks PubLICATIons<br />
edited by nick bubash. foreword by<br />
don ed hardy. Text by nick bubash,<br />
don ed hardy, scott harrison,<br />
Michael Malone. Afterword by Teddy<br />
varndell.<br />
as a youth, thom devita (born 1932)<br />
mingled with famous new York School<br />
painters at the Cedar tavern, and exhibited<br />
his paintings at open-air art<br />
fairs in Washington Square park. In<br />
the 1960s he began tattooing, not long<br />
after it was declared illegal in new<br />
York (the ban was overturned in 1997).<br />
Devita’s eccentric style and sophistication<br />
significantly influenced the emergence<br />
of tattooing as an art from the<br />
1970s on, and today he is something of<br />
a legend in this community. But alongside<br />
his 40-year underground career in<br />
tattooing, devita has produced drawings<br />
and montages using acetate stencils,<br />
as well as constructions. these<br />
works, gathered in this volume, combine<br />
the energy and visual diffusion of<br />
a Larry rivers painting with the street<br />
mayhem of tattoo iconography. DeVita<br />
Unauthorized reproduces a loose-leaf<br />
portfolio issued in a unique limited<br />
edition in 2002.<br />
978-0-945367-80-2<br />
Hbk, 10.75 x 16 in. / 48 pgs / 48 color.<br />
U.S. $30.00 CDn $30.00<br />
July/art<br />
The Art of Team<br />
Macho: The<br />
Merlin Years<br />
nArwhAL ProJeCTs<br />
Text by Maggie Macdonald,<br />
Ann Marie Peña, A. James bradley.<br />
Comprised of nicholas aoki, Stephen<br />
appleby-Barr, Christopher Buchan,<br />
Lauchie reid and Jacob Whibley, the<br />
Canadian collective team macho<br />
spans the worlds of both fine art and illustration,<br />
producing work for both audiences.<br />
team macho’s surreal, colorful<br />
and cartoonish drawings, paintings<br />
and installations playfully juxtapose<br />
styles and motifs with a strongly DIY<br />
flavor. the group’s idiosyncratic approach<br />
to collaboration cultivates both<br />
competitiveness and cooperation, as<br />
they celebrate, thwart and subvert each<br />
other’s contributions. needless to say,<br />
this approach results in often humorous,<br />
jarring conjunctions: two aliens<br />
dancing over an otherwise Hopperesque<br />
scene of houses in twilight;<br />
nuns mutilating monsters; a painting<br />
of some unspecified, hairy psychedelic<br />
lump with the caption “and thus life<br />
became awesome.” The Art of Team<br />
Macho: The Merlin Years compiles the<br />
group’s output of the past five years,<br />
and includes texts and interviews.<br />
978-0-9783568-5-9<br />
pbk, 8 x 10 in. / 180 pgs / 150 color.<br />
U.S. $29.95 CDn $29.95<br />
July/art<br />
Sarah Crowner:<br />
Format<br />
PrIMArY InforMATIon<br />
the paintings of new York artist Sarah<br />
Crowner (born 1974) have offered a<br />
new slant on the constructedness of<br />
the abstract-geometric painting as developed<br />
by max Bill, ellsworth Kelly,<br />
agnes martin and elizabeth murray.<br />
Crowner sews together painted panels<br />
of canvas, raw linen and monochromatic<br />
fabrics, introducing a handmade<br />
touch to modernist aesthetics that<br />
often espoused the minimizing of the<br />
artist’s hand. Crowner’s first large-scale<br />
artist’s book extends this instinct for<br />
materiality to her vast archive of<br />
ephemera (magazines, publications,<br />
posters) from the 1920s through the<br />
1940s, which she deploys here as a<br />
source material for the creation of new<br />
images that are built up through imposition,<br />
extraction, collaging and printing.<br />
much like her paintings, the<br />
resulting works are geometrical and<br />
optical abstractions that bring fresh<br />
vigor to the tradition on which<br />
Crowner draws.<br />
978-0-9851364-0-6<br />
pbk, 8 x 10 in. / 64 pgs / 21 color /<br />
43 b&w.<br />
U.S. $20.00 CDn $20.00<br />
September/art<br />
Ghost Knigi<br />
By Benjamin Sommerhalder.<br />
nIeves<br />
this adorable, limited-edition<br />
children’s book written and illustrated<br />
by the editor and publisher of the<br />
super-cool artist book/zine publisher,<br />
nieves, follows a young ghost named<br />
Knigi on his quest to learn to read.<br />
readers of this ideal gift book will<br />
not be able to decide which is more<br />
endearing: the story—of the ghost’s<br />
frustrations when his first book will<br />
not reveal its secrets, and later his<br />
wonder when “a miraculous explosion<br />
of colors and shapes leapt out from<br />
the pages!”; or Sommerhalder’s<br />
spot-on illustrations, which are clear,<br />
humorous and true in the manner<br />
of a modern-day Leo Lionni or Bruno<br />
munari.<br />
978-3-905999-05-1<br />
Clth, 7.75 x 10 in. / 20 pgs / 3 color /<br />
7 b&w.<br />
U.S. $24.00 CDn $24.00<br />
July/artists' Books/Children’s<br />
Previously Announced.<br />
Jake & Dinos<br />
Chapman:<br />
Bedtime Tales for<br />
Sleepless Nights<br />
fueL PubLIshInG<br />
edited by damon Murray, stephen<br />
sorrell.<br />
In Bedtime Tales for Sleepless Nights,<br />
the Chapman Brothers reconceive the<br />
victorian morality tale for less sanctimonious<br />
(and more misanthropic)<br />
times. Bearing on its cover the motto<br />
“Sticks and stones may break thy<br />
bones but words will surely maim you,”<br />
this volume offers fans and younger<br />
readers alike a darker take on the children’s<br />
bedtime book, with gruesomely<br />
illustrated rhymes that stray far from<br />
the saccharine-coated songs typical of<br />
the genre: “this hideous armature/<br />
that hides and seeks/Will outlast the<br />
flesh/Its turn to reek/Hung out for<br />
death/on spiny barb/Your birthday<br />
suit/now an ill-fitting garb.” the etchings<br />
and stories have been made by<br />
the artists specifically for this project<br />
and are reproduced exclusively in this<br />
volume.<br />
978-0-9558620-9-0<br />
Clth, 9.5 x 12.5 in. / 32 pgs / 12 color.<br />
U.S. $34.95 CDn $34.95<br />
June/art<br />
Also Available:<br />
Jake Chapman:<br />
The Marriage of<br />
reason & squalor<br />
9780955862007<br />
Pbk, u.s. $32.95<br />
Cdn $32.95<br />
fueL Publishing<br />
David Shrigley:<br />
Pass the Spoon<br />
A Sort-Of Opera About<br />
Cookery<br />
hAYwArd PubLIshInG<br />
foreword by david shrigley,<br />
david fennessy, nicholas bone.<br />
Pass the Spoon is the libretto for David<br />
Shrigley’s wildly popular “sort-of<br />
opera.” Here, Shrigley applies his mordant<br />
humor to this tale of a surreal<br />
cooking show gone awry. Described as<br />
“daft and instantly lovable” by The<br />
Guardian, Pass the Spoon features two<br />
tv chefs (June Spoon and philip<br />
Fork), a manic-depressive alcoholic<br />
egg, a Latino banana and a host of<br />
other bizarre characters. this publication<br />
accompanies the artist’s first<br />
major retrospective at Yerba Buena<br />
Center in San Francisco, and the<br />
opera’s first performance in London.<br />
978-1-85332-307-2<br />
pbk, 4.25 x 7.25 in. / 96 pgs / 10 b&w.<br />
U.S. $12.50 CDn $12.50<br />
may/art<br />
exHIBItIon SCHeDULe<br />
San Francisco, Ca: Yerba Buena<br />
Center for the arts, 06/22/12–09/22/12<br />
Also Available:<br />
david shrigley:<br />
brain Activity<br />
9781853322976<br />
hbk, u.s. $40.00<br />
Cdn $40.00<br />
hayward Publishing<br />
116 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 117