Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Bestsellers Back in Print<br />
New Edition!<br />
Walker Evans:<br />
Decade by Decade<br />
hATJe CAnTz<br />
edited and with text by James Crump.<br />
Walker evans (1903–1975) is, without doubt, one of the<br />
most influential american photographers ever, and<br />
many of his images have become fixed in the collective<br />
memory. But while evans’ uncompromising<br />
depiction of poverty during the great Depression of<br />
the 1930s, the subject of a series commissioned by<br />
the Farm Security administration, has become a key<br />
chapter in the history of photography, his equally<br />
innovative images from later decades have generally<br />
commanded less attention. Back in print, this bilingual<br />
monograph attempts to redress the balance<br />
by examining evans’ complete body of work, and<br />
features many rarely seen photographs, including his<br />
final works, a sequence of polaroids shot in the early<br />
1970s (a sequence made possible by an unlimited<br />
supply of film from its manufacturer). evans’<br />
re-ascendancy in the 1970s and his relationship with<br />
legendary museum of modern art curator John<br />
Szarkowski are also closely examined, in this essential<br />
and definitive volume on a great photographer<br />
who certainly achieved his aim to produce pictures<br />
that were “literate, authoritative, transcendent.”<br />
978-3-7757-3340-3<br />
Hbk, 9.75 x 11 in. / 272 pgs / 200 color.<br />
U.S. $75.00 CDn $75.00<br />
September/photography<br />
66 artBooK | D.a.p. 1.800.338.2665<br />
Previously Announced—Back in Stock!<br />
Sebastião Salgado:<br />
Workers<br />
An Archaeology of the Industrial Age<br />
APerTure<br />
more than those of any other living photographer,<br />
Sebastião Salgado’s images of the world’s poor stand<br />
in tribute to the human condition. His transforming<br />
photographs bestow dignity on the most isolated and<br />
neglected, from famine-stricken refugees in the Sahel<br />
to the indigenous peoples of South america. Workers<br />
is a global epic that transcends mere imagery to become<br />
an affirmation of the enduring spirit of working<br />
women and men. the book is an archaeological exploration<br />
of the activities that have defined labor<br />
from the Stone age through the Industrial age, to the<br />
present. Divided into six categories—”agriculture,”<br />
“Food,” “mining,” “Industry,” “oil” and “Construction”—the<br />
book unearths layers of visual information<br />
to reveal the ceaseless human activity at the core of<br />
modern civilization. extended captions provide a historical<br />
and factual framework for the images. “Salgado<br />
unveils the pain, the beauty, and the brutality of<br />
the world of work on which everything rests,” wrote<br />
arthur miller of this photobook classic, upon its original<br />
publication in 1993. “this is a collection of deep<br />
devotion and impressive skill.” an elegy for the passing<br />
of traditional methods of labor and production,<br />
Workers delivers a message of endurance and hope.<br />
978-0-89381-525-7<br />
Hbk, 9.75 x 13 in. / 400 pgs / 346 duotone.<br />
U.S. $100.00 CDn $100.00<br />
available/photography<br />
Previously Announced—New Edition!<br />
Ron Church: California<br />
to Hawaii 1960 to 1965<br />
T.AdLer books/The surfer's JournAL<br />
edited by Tom Adler. foreword by steve Pezman.<br />
Introduction by brad barrett. Text by steve Pezman,<br />
brad barrett, ron Church.<br />
Co-published by t. adler Books and the wave-rider’s<br />
Bible, The Surfer’s Journal, this deluxe collection of<br />
mostly previously unpublished vintage surfing photographs<br />
by the cult surf documentarian, ron Church,<br />
offers a glimpse into the last moments of a small and<br />
innocent brand of West Coast surf culture before it<br />
became swallowed up by today’s wave jockeying,<br />
plastic surfboards and manufactured surf wear (to<br />
say nothing of the surf media). Church, who died at<br />
age 39 in 1973, was an amateur surfer himself, as well<br />
as an adventurer and a cameraman with the deep-sea<br />
explorer Jacques Cousteau. In photographing his<br />
peers, Church preferred to paddle out with his waterproof<br />
equipment, shooting low to the water and far<br />
from shore. He was among the earliest photographers<br />
to take a professional interest in the sport from any<br />
angle. In order to assemble this volume, publisher<br />
tom adler scoured Church’s long-defunct proof<br />
sheet binders, maintained for decades by his widow.<br />
provoked by their sheer volume, adler selected the<br />
more offbeat moments from Church’s multi-image<br />
studies, piecing together an evocative, often moody<br />
collection. this new edition comes in a printed<br />
and numbered box.<br />
978-0-9663771-7-0<br />
Boxed, Hbk, 12 x 12 in. / 180 pgs. / 4 color / 177 b&w.<br />
U.S. $60.00 CDn $60.00<br />
June/photography/Sports<br />
Also Available:<br />
surf Contest<br />
Clth, u.s. $45.00 Cdn $45.00<br />
9781890481506<br />
T. Adler books<br />
Back in Stock!<br />
Russian Criminal Tattoo Encyclopaedia<br />
Volume III<br />
fueL PubLIshInG<br />
edited by damon Murray, stephen sorrell. Introduction by Alexander sidorov. Text and drawings<br />
by danzig baldaev.<br />
this volume of drawings and photographs completes the Russian Criminal Tattoo Encyclopaedia<br />
trilogy. Danzig Baldaev’s unparallelled ethnographic achievement, documenting more than 3,000<br />
tattoo drawings, was made during a lifetime working as a prison guard. His recording of this esoteric<br />
world was reported to the KgB, who unexpectedly supported him, realizing the importance of being<br />
able to establish facts about convicts by reading the images on their bodies. the motifs depicted<br />
represent the uncensored lives of the criminal classes, ranging from violence and pornography to<br />
politics and alcohol. a medieval knight is surrounded by the severed heads of his enemies, a naked<br />
woman simultaneously services a man and two dwarfs, a crying president gorbachev grips a human<br />
bone between sabre-like fangs, a group of angels drink vodka with god on a cloud—the meanings of<br />
these arresting images are explained to the uninitiated eye. Sergei vasiliev’s graphic photographs<br />
show the grim reality of the russian prison system and some of the alarming characters that inhabit<br />
it, while the illustrated criminals of russia tell the tale of their closed society. this volume, the last in<br />
the trilogy, includes an introduction by historian alexander Sidorov exploring the origins of the<br />
russian criminal tattoo and their various meanings today.<br />
978-0-9550061-9-7<br />
Hbk, 5 x 8 in. / 400 pgs / 350 b&w.<br />
U.S. $32.95 CDn $32.95<br />
September/Design & Decorative arts<br />
“A fantastic, mind-blowing photo and graphics book documenting<br />
the subculture of tattooing in Russian prisons.” —David Cronenberg<br />
Also Available:<br />
russian Criminal Tattoo<br />
encyclopedia vol. 1<br />
9780955862076<br />
hbk, u.s. $32.95 Cdn $32.95<br />
fueL Publishing<br />
Doomsdate: 2013 Calendar<br />
A Project by Mark Hagen<br />
PAPer ChAse Press<br />
russian Criminal Tattoo<br />
encyclopedia volume II<br />
9780955006128<br />
hbk, u.s. $32.95 Cdn $32.95<br />
fueL Publishing<br />
danzig baldaev:<br />
drawings from the Gulag<br />
9780956356246<br />
hbk, u.s. $32.95 Cdn $32.95<br />
fueL Publishing<br />
Despite its poor—that is, zero—rate of success (to date), predicting the end of the world has never<br />
ceased to be a popular sport throughout the history of humankind. If the turn of the millennium has<br />
appeared to provoke an uptick in this sport, this week- and month-at-a-glance calendar for 2013 shows<br />
that apocalypse speculation dates back at least as far as the first century aD. Compiled by artist mark<br />
Hagen, Doomsdate provides more than 200 listings of doomsday predictions, from the writings of<br />
early Christian cults such as the Donatists to more recent lapses of sanity, such as ronald reagan’s observation<br />
to James mills in 1971, regarding the Libyan revolution: “For the first time ever, everything<br />
is in place for the Battle of armageddon and the Second Coming of Christ.” Bringing an improbably<br />
apocalyptic twist to the homely format of the moleskin notebook, this leatherbound calendar contains<br />
approximately 16 doomsday predictions per month, as well as a lengthy notebook section at the back.<br />
978-0-9852044-2-6<br />
Leatherbound, 7.5 x 10 in. / 100 pgs.<br />
U.S. $19.95 CDn $19.95<br />
July/popular Culture<br />
orders@dapinc.com artBooK.Com 67