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Bestsellers Back in Print<br />

New Edition!<br />

Walker Evans:<br />

Decade by Decade<br />

hATJe CAnTz<br />

edited and with text by James Crump.<br />

Walker evans (1903–1975) is, without doubt, one of the<br />

most influential american photographers ever, and<br />

many of his images have become fixed in the collective<br />

memory. But while evans’ uncompromising<br />

depiction of poverty during the great Depression of<br />

the 1930s, the subject of a series commissioned by<br />

the Farm Security administration, has become a key<br />

chapter in the history of photography, his equally<br />

innovative images from later decades have generally<br />

commanded less attention. Back in print, this bilingual<br />

monograph attempts to redress the balance<br />

by examining evans’ complete body of work, and<br />

features many rarely seen photographs, including his<br />

final works, a sequence of polaroids shot in the early<br />

1970s (a sequence made possible by an unlimited<br />

supply of film from its manufacturer). evans’<br />

re-ascendancy in the 1970s and his relationship with<br />

legendary museum of modern art curator John<br />

Szarkowski are also closely examined, in this essential<br />

and definitive volume on a great photographer<br />

who certainly achieved his aim to produce pictures<br />

that were “literate, authoritative, transcendent.”<br />

978-3-7757-3340-3<br />

Hbk, 9.75 x 11 in. / 272 pgs / 200 color.<br />

U.S. $75.00 CDn $75.00<br />

September/photography<br />

66 artBooK | D.a.p. 1.800.338.2665<br />

Previously Announced—Back in Stock!<br />

Sebastião Salgado:<br />

Workers<br />

An Archaeology of the Industrial Age<br />

APerTure<br />

more than those of any other living photographer,<br />

Sebastião Salgado’s images of the world’s poor stand<br />

in tribute to the human condition. His transforming<br />

photographs bestow dignity on the most isolated and<br />

neglected, from famine-stricken refugees in the Sahel<br />

to the indigenous peoples of South america. Workers<br />

is a global epic that transcends mere imagery to become<br />

an affirmation of the enduring spirit of working<br />

women and men. the book is an archaeological exploration<br />

of the activities that have defined labor<br />

from the Stone age through the Industrial age, to the<br />

present. Divided into six categories—”agriculture,”<br />

“Food,” “mining,” “Industry,” “oil” and “Construction”—the<br />

book unearths layers of visual information<br />

to reveal the ceaseless human activity at the core of<br />

modern civilization. extended captions provide a historical<br />

and factual framework for the images. “Salgado<br />

unveils the pain, the beauty, and the brutality of<br />

the world of work on which everything rests,” wrote<br />

arthur miller of this photobook classic, upon its original<br />

publication in 1993. “this is a collection of deep<br />

devotion and impressive skill.” an elegy for the passing<br />

of traditional methods of labor and production,<br />

Workers delivers a message of endurance and hope.<br />

978-0-89381-525-7<br />

Hbk, 9.75 x 13 in. / 400 pgs / 346 duotone.<br />

U.S. $100.00 CDn $100.00<br />

available/photography<br />

Previously Announced—New Edition!<br />

Ron Church: California<br />

to Hawaii 1960 to 1965<br />

T.AdLer books/The surfer's JournAL<br />

edited by Tom Adler. foreword by steve Pezman.<br />

Introduction by brad barrett. Text by steve Pezman,<br />

brad barrett, ron Church.<br />

Co-published by t. adler Books and the wave-rider’s<br />

Bible, The Surfer’s Journal, this deluxe collection of<br />

mostly previously unpublished vintage surfing photographs<br />

by the cult surf documentarian, ron Church,<br />

offers a glimpse into the last moments of a small and<br />

innocent brand of West Coast surf culture before it<br />

became swallowed up by today’s wave jockeying,<br />

plastic surfboards and manufactured surf wear (to<br />

say nothing of the surf media). Church, who died at<br />

age 39 in 1973, was an amateur surfer himself, as well<br />

as an adventurer and a cameraman with the deep-sea<br />

explorer Jacques Cousteau. In photographing his<br />

peers, Church preferred to paddle out with his waterproof<br />

equipment, shooting low to the water and far<br />

from shore. He was among the earliest photographers<br />

to take a professional interest in the sport from any<br />

angle. In order to assemble this volume, publisher<br />

tom adler scoured Church’s long-defunct proof<br />

sheet binders, maintained for decades by his widow.<br />

provoked by their sheer volume, adler selected the<br />

more offbeat moments from Church’s multi-image<br />

studies, piecing together an evocative, often moody<br />

collection. this new edition comes in a printed<br />

and numbered box.<br />

978-0-9663771-7-0<br />

Boxed, Hbk, 12 x 12 in. / 180 pgs. / 4 color / 177 b&w.<br />

U.S. $60.00 CDn $60.00<br />

June/photography/Sports<br />

Also Available:<br />

surf Contest<br />

Clth, u.s. $45.00 Cdn $45.00<br />

9781890481506<br />

T. Adler books<br />

Back in Stock!<br />

Russian Criminal Tattoo Encyclopaedia<br />

Volume III<br />

fueL PubLIshInG<br />

edited by damon Murray, stephen sorrell. Introduction by Alexander sidorov. Text and drawings<br />

by danzig baldaev.<br />

this volume of drawings and photographs completes the Russian Criminal Tattoo Encyclopaedia<br />

trilogy. Danzig Baldaev’s unparallelled ethnographic achievement, documenting more than 3,000<br />

tattoo drawings, was made during a lifetime working as a prison guard. His recording of this esoteric<br />

world was reported to the KgB, who unexpectedly supported him, realizing the importance of being<br />

able to establish facts about convicts by reading the images on their bodies. the motifs depicted<br />

represent the uncensored lives of the criminal classes, ranging from violence and pornography to<br />

politics and alcohol. a medieval knight is surrounded by the severed heads of his enemies, a naked<br />

woman simultaneously services a man and two dwarfs, a crying president gorbachev grips a human<br />

bone between sabre-like fangs, a group of angels drink vodka with god on a cloud—the meanings of<br />

these arresting images are explained to the uninitiated eye. Sergei vasiliev’s graphic photographs<br />

show the grim reality of the russian prison system and some of the alarming characters that inhabit<br />

it, while the illustrated criminals of russia tell the tale of their closed society. this volume, the last in<br />

the trilogy, includes an introduction by historian alexander Sidorov exploring the origins of the<br />

russian criminal tattoo and their various meanings today.<br />

978-0-9550061-9-7<br />

Hbk, 5 x 8 in. / 400 pgs / 350 b&w.<br />

U.S. $32.95 CDn $32.95<br />

September/Design & Decorative arts<br />

“A fantastic, mind-blowing photo and graphics book documenting<br />

the subculture of tattooing in Russian prisons.” —David Cronenberg<br />

Also Available:<br />

russian Criminal Tattoo<br />

encyclopedia vol. 1<br />

9780955862076<br />

hbk, u.s. $32.95 Cdn $32.95<br />

fueL Publishing<br />

Doomsdate: 2013 Calendar<br />

A Project by Mark Hagen<br />

PAPer ChAse Press<br />

russian Criminal Tattoo<br />

encyclopedia volume II<br />

9780955006128<br />

hbk, u.s. $32.95 Cdn $32.95<br />

fueL Publishing<br />

danzig baldaev:<br />

drawings from the Gulag<br />

9780956356246<br />

hbk, u.s. $32.95 Cdn $32.95<br />

fueL Publishing<br />

Despite its poor—that is, zero—rate of success (to date), predicting the end of the world has never<br />

ceased to be a popular sport throughout the history of humankind. If the turn of the millennium has<br />

appeared to provoke an uptick in this sport, this week- and month-at-a-glance calendar for 2013 shows<br />

that apocalypse speculation dates back at least as far as the first century aD. Compiled by artist mark<br />

Hagen, Doomsdate provides more than 200 listings of doomsday predictions, from the writings of<br />

early Christian cults such as the Donatists to more recent lapses of sanity, such as ronald reagan’s observation<br />

to James mills in 1971, regarding the Libyan revolution: “For the first time ever, everything<br />

is in place for the Battle of armageddon and the Second Coming of Christ.” Bringing an improbably<br />

apocalyptic twist to the homely format of the moleskin notebook, this leatherbound calendar contains<br />

approximately 16 doomsday predictions per month, as well as a lengthy notebook section at the back.<br />

978-0-9852044-2-6<br />

Leatherbound, 7.5 x 10 in. / 100 pgs.<br />

U.S. $19.95 CDn $19.95<br />

July/popular Culture<br />

orders@dapinc.com artBooK.Com 67

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