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ARTBOOK | D.A.P.

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Historical Collections<br />

In the Eye of the<br />

Muses<br />

Selections from the Clark<br />

Atlanta University Art<br />

Collection<br />

CLArk ATLAnTA unIversITY<br />

Introduction by richard A. Long.<br />

Text by Jerry Cullum, Tina dunkley,<br />

Cynthia oliver-ham, brenda Thompson,<br />

freddie styles.<br />

Clark atlanta University art galleries<br />

in atlanta, georgia celebrates the seventieth<br />

anniversary of the founding of<br />

its permanent collection and the sixtieth<br />

anniversary of the unveiling of the<br />

Art of the Negro murals with this commemorative<br />

volume. Initially conceived<br />

with works selected from<br />

annual exhibitions, the collection<br />

today constitutes a rare and remarkable<br />

assemblage of african-american<br />

art. In the Eye of the Muses tells the<br />

story of the atlanta University art annuals<br />

held between 1942 and 1970,<br />

from which the collection stemmed,<br />

cataloging the 887 artists who participated<br />

and crucially enhancing our understanding<br />

of art by african<br />

americans. In an accompanying essay,<br />

Hale Woodruff’s Art of the Negro<br />

mural suite is eloquently explicated by<br />

art critic Jerry Cullum. In the Eye of the<br />

Muses presents a monumental catalogue<br />

of a unique collection.<br />

978-0-615-59005-9<br />

Clth, 9 x 11 in. / 248 pgs / 160 color.<br />

U.S. $55.00 CDn $55.00<br />

June/art/african american art &<br />

Culture<br />

Behold, America!<br />

Art of the United States from<br />

Three San Diego Museums<br />

sAn dIeGo MuseuM of ArT<br />

Introduction by Amy Galpin. Text by<br />

Patrick McCaughey, Alexander nemerov,<br />

frances k. Pohl, Michael hatt,<br />

Amy Galpin, Patricia kelly.<br />

Behold, America! is an ambitious<br />

collaboration between three prominent<br />

San Diego art museums. Bringing<br />

together the best works from the<br />

american art collections of the<br />

museum of Contemporary art San<br />

Diego, the San Diego museum of art<br />

and the timken museum of art, this<br />

publication and its accompanying<br />

exhibition takes a dynamic look at<br />

three centuries of visual art created<br />

in the United States. Behold, America!<br />

(a title borrowed from Walt Whitman’s<br />

Leaves of Grass) conveys how artists<br />

have addressed colonialism, environmentalism<br />

and racial inequality<br />

over the years, and evokes the<br />

natural landscape of the United States,<br />

imperialism and some of the more<br />

infamous aspects of american culture.<br />

Whether emerging from colonialism<br />

or civil war, visual artists working<br />

in the U.S. have contributed to a<br />

national identity that continues to<br />

be renegotiated to this day.<br />

978-0-937108-49-9<br />

Clth, 9 x 12 in. / 352 pgs / 200 color.<br />

U.S. $60.00 CDn $60.00<br />

november/art<br />

exHIBItIon SCHeDULe<br />

San Diego, Ca: museum of Contemporary<br />

art San Diego, the San Diego<br />

museum of art, timken museum of<br />

art, Fall 2012<br />

Fast Forward:<br />

Modern Moments,<br />

1913–2013<br />

The MuseuM of Modern ArT,<br />

new York<br />

edited by Jodi hauptman. Text by<br />

Jodi hauptman, samantha friedman,<br />

Michael rooks.<br />

published in conjunction with an<br />

exhibition of masterworks from the<br />

museum of modern art at the High<br />

museum, atlanta, this catalogue<br />

features artwork produced during<br />

six key years between 1913 and 2013.<br />

Concentrating on groundbreaking moments<br />

when major modern movements<br />

and radical new strategies emerged,<br />

the book provides an overview of the<br />

innovations and achievements of the<br />

last century, including the new visual<br />

languages of Cubism and Futurism<br />

(1913), the convergence of Surrealism<br />

and new vision photography between<br />

the wars (1929), the large-scale abstract<br />

painting of midcentury (1950), the<br />

merging of art and life in the early<br />

1960s (1961) and the embrace of<br />

identity politics and appropriation by<br />

artists in the late 1980s (1988). a series<br />

of new commissions by three contemporary<br />

artists represents the art of the<br />

present moment. each of the six richly<br />

illustrated sections features a close<br />

reading of one major work from the<br />

period, complemented by an exploration<br />

of that year’s aesthetic zeitgeist.<br />

978-0-87070-836-7<br />

Hbk, 9 x 10.5 in. / 192 pgs / 203 color.<br />

U.S. $50.00 CDn $50.00<br />

october/art<br />

exHIBItIon SCHeDULe<br />

atlanta, ga: High museum of art,<br />

10/13/12–01/20/13<br />

The William S.<br />

Paley Collection<br />

A Taste for Modernism<br />

The MuseuM of Modern ArT,<br />

new York<br />

Text by william rubin, Matthew<br />

Armstrong.<br />

William S. paley, founder of CBS, Inc.,<br />

and a towering figure in the modern<br />

entertainment, communication and<br />

news industries, was also an enthusiastic<br />

collector of twentieth-century art<br />

and a committed supporter of the museum<br />

of modern art. this volume presents<br />

his extraordinary collection of 84<br />

paintings, sculptures, prints and drawings<br />

by some of the most important figures<br />

of modern art, including paul<br />

Cézanne, andré Derain, paul gauguin,<br />

Henri matisse and pablo picasso, bequeathed<br />

to the museum in one of the<br />

most significant transfers of a private<br />

collection to a public institution at the<br />

time. aside from loans made to moma<br />

exhibitions, his collection was seldom<br />

seen by the public until it was left to<br />

the William S. paley Foundation for donation<br />

to the museum. originally published<br />

in 1992 for a series of traveling<br />

exhibitions organized by moma, this<br />

volume has been completely redesigned<br />

for this new edition.<br />

978-0-87070-840-4<br />

Hbk, 9.5 x 12 in. / 176 pgs / 200 color.<br />

U.S. $50.00 CDn $50.00<br />

September/art<br />

exHIBItIon SCHeDULe<br />

San Francisco, Ca: Fine arts museums<br />

of San Francisco, 09/15/12–01/15/13<br />

portland, me: portland museum of art,<br />

05/13–09/13<br />

Quebec, Canada: musee national des<br />

beaux-arts du Quebec: 10/13–01/14<br />

Bentonville, ar: Crystal Bridges museum<br />

of american art, 02/14–04/14<br />

Japanese Dream<br />

Arts of Korea: MFA Highlights<br />

MfA PubLICATIons<br />

ArT hIGhLIGhTs<br />

Text by Jane Portal, suhyung kim.<br />

Arts of Korea celebrates historical Korean art through 100 works from the collection of the museum of Fine arts, Boston.<br />

the mFa has one of the finest collections of Korean art outside of east asia, with particularly superb holdings of high-quality<br />

stoneware and lacquerware of the Koryo and Yi dynasties, Bronze age funerary objects and Buddhist paintings and sculptures.<br />

many of the objects in this book were originally intended for everyday use and tell a story not only about the people who<br />

used or collected these boxes, mirrors, jars, tiles and trays, but also about the people who made them. Set to coincide with<br />

the mFa’s long-awaited Korean gallery renovation, this is an affordable yet unique addition to any asian art library, with<br />

essays that offer an ideal introduction to the history of Korean art.<br />

978-0-87846-788-4<br />

pbk, 7 x 9 in. / 176 pgs / 130 color.<br />

U.S. $22.50 CDn $22.50<br />

november/art/asian art & Culture<br />

124 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 125<br />

hATJe CAnTz<br />

Text by Monica Maffioli.<br />

In July 1863, the photographer Felice Beato<br />

arrived at the port city of Yokohama in Japan.<br />

He was only 31 years old, but had already established<br />

himself as a pioneering figure in<br />

the then-nascent field of photography as the<br />

first ever war correspondent, and as one of<br />

the earliest chroniclers of east asia, having<br />

already documented the Indian rebellion of<br />

1857 and the Second opium War in China. If<br />

these latter works had seemed to celebrate<br />

imperial power, Beato’s Japan photographs<br />

marked a venture into another realm entirely.<br />

Beato’s portraits of geishas in magnificent kimonos,<br />

samurai, sumo wrestlers, and scenes<br />

of everyday life and landscapes portrayed the<br />

country and its people entirely without condescension.<br />

the dignity and grace of his photographic<br />

style, as well as his hand-tinting of<br />

his images, made an enormous impact on<br />

edo-era Japanese photographers, who found<br />

analogies to traditional Japanese woodblock<br />

prints in the composition of his images, and<br />

Beato established a whole school and style at<br />

the close of the nineteenth century. this marvelous<br />

and magnificently oversize volume<br />

presents an overview of this style, known as<br />

the Yokohama school, with beautifully reproduced<br />

images by Beato and many others.<br />

Japanese Dream also records the last embers<br />

of a waning culture just prior to modernity.<br />

978-3-7757-3437-0<br />

Clth, 13 x 19 in. / 136 pgs / 60 color.<br />

U.S. $150.00 CDn $150.00<br />

September/photography/asian art & Culture<br />

Beautiful hand-tinted photographs<br />

of late-nineteenth-century Japan<br />

Also Available:<br />

Arts of Japan: MfA highlights<br />

9780878467143<br />

Pbk, u.s. $24.95 Cdn $24.95<br />

MfA Publications<br />

American Painting:<br />

MfA highlights<br />

Pbk, u.s. $19.95 Cdn $19.95<br />

9780878466603<br />

MfA Publications

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