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Historical Collections<br />
In the Eye of the<br />
Muses<br />
Selections from the Clark<br />
Atlanta University Art<br />
Collection<br />
CLArk ATLAnTA unIversITY<br />
Introduction by richard A. Long.<br />
Text by Jerry Cullum, Tina dunkley,<br />
Cynthia oliver-ham, brenda Thompson,<br />
freddie styles.<br />
Clark atlanta University art galleries<br />
in atlanta, georgia celebrates the seventieth<br />
anniversary of the founding of<br />
its permanent collection and the sixtieth<br />
anniversary of the unveiling of the<br />
Art of the Negro murals with this commemorative<br />
volume. Initially conceived<br />
with works selected from<br />
annual exhibitions, the collection<br />
today constitutes a rare and remarkable<br />
assemblage of african-american<br />
art. In the Eye of the Muses tells the<br />
story of the atlanta University art annuals<br />
held between 1942 and 1970,<br />
from which the collection stemmed,<br />
cataloging the 887 artists who participated<br />
and crucially enhancing our understanding<br />
of art by african<br />
americans. In an accompanying essay,<br />
Hale Woodruff’s Art of the Negro<br />
mural suite is eloquently explicated by<br />
art critic Jerry Cullum. In the Eye of the<br />
Muses presents a monumental catalogue<br />
of a unique collection.<br />
978-0-615-59005-9<br />
Clth, 9 x 11 in. / 248 pgs / 160 color.<br />
U.S. $55.00 CDn $55.00<br />
June/art/african american art &<br />
Culture<br />
Behold, America!<br />
Art of the United States from<br />
Three San Diego Museums<br />
sAn dIeGo MuseuM of ArT<br />
Introduction by Amy Galpin. Text by<br />
Patrick McCaughey, Alexander nemerov,<br />
frances k. Pohl, Michael hatt,<br />
Amy Galpin, Patricia kelly.<br />
Behold, America! is an ambitious<br />
collaboration between three prominent<br />
San Diego art museums. Bringing<br />
together the best works from the<br />
american art collections of the<br />
museum of Contemporary art San<br />
Diego, the San Diego museum of art<br />
and the timken museum of art, this<br />
publication and its accompanying<br />
exhibition takes a dynamic look at<br />
three centuries of visual art created<br />
in the United States. Behold, America!<br />
(a title borrowed from Walt Whitman’s<br />
Leaves of Grass) conveys how artists<br />
have addressed colonialism, environmentalism<br />
and racial inequality<br />
over the years, and evokes the<br />
natural landscape of the United States,<br />
imperialism and some of the more<br />
infamous aspects of american culture.<br />
Whether emerging from colonialism<br />
or civil war, visual artists working<br />
in the U.S. have contributed to a<br />
national identity that continues to<br />
be renegotiated to this day.<br />
978-0-937108-49-9<br />
Clth, 9 x 12 in. / 352 pgs / 200 color.<br />
U.S. $60.00 CDn $60.00<br />
november/art<br />
exHIBItIon SCHeDULe<br />
San Diego, Ca: museum of Contemporary<br />
art San Diego, the San Diego<br />
museum of art, timken museum of<br />
art, Fall 2012<br />
Fast Forward:<br />
Modern Moments,<br />
1913–2013<br />
The MuseuM of Modern ArT,<br />
new York<br />
edited by Jodi hauptman. Text by<br />
Jodi hauptman, samantha friedman,<br />
Michael rooks.<br />
published in conjunction with an<br />
exhibition of masterworks from the<br />
museum of modern art at the High<br />
museum, atlanta, this catalogue<br />
features artwork produced during<br />
six key years between 1913 and 2013.<br />
Concentrating on groundbreaking moments<br />
when major modern movements<br />
and radical new strategies emerged,<br />
the book provides an overview of the<br />
innovations and achievements of the<br />
last century, including the new visual<br />
languages of Cubism and Futurism<br />
(1913), the convergence of Surrealism<br />
and new vision photography between<br />
the wars (1929), the large-scale abstract<br />
painting of midcentury (1950), the<br />
merging of art and life in the early<br />
1960s (1961) and the embrace of<br />
identity politics and appropriation by<br />
artists in the late 1980s (1988). a series<br />
of new commissions by three contemporary<br />
artists represents the art of the<br />
present moment. each of the six richly<br />
illustrated sections features a close<br />
reading of one major work from the<br />
period, complemented by an exploration<br />
of that year’s aesthetic zeitgeist.<br />
978-0-87070-836-7<br />
Hbk, 9 x 10.5 in. / 192 pgs / 203 color.<br />
U.S. $50.00 CDn $50.00<br />
october/art<br />
exHIBItIon SCHeDULe<br />
atlanta, ga: High museum of art,<br />
10/13/12–01/20/13<br />
The William S.<br />
Paley Collection<br />
A Taste for Modernism<br />
The MuseuM of Modern ArT,<br />
new York<br />
Text by william rubin, Matthew<br />
Armstrong.<br />
William S. paley, founder of CBS, Inc.,<br />
and a towering figure in the modern<br />
entertainment, communication and<br />
news industries, was also an enthusiastic<br />
collector of twentieth-century art<br />
and a committed supporter of the museum<br />
of modern art. this volume presents<br />
his extraordinary collection of 84<br />
paintings, sculptures, prints and drawings<br />
by some of the most important figures<br />
of modern art, including paul<br />
Cézanne, andré Derain, paul gauguin,<br />
Henri matisse and pablo picasso, bequeathed<br />
to the museum in one of the<br />
most significant transfers of a private<br />
collection to a public institution at the<br />
time. aside from loans made to moma<br />
exhibitions, his collection was seldom<br />
seen by the public until it was left to<br />
the William S. paley Foundation for donation<br />
to the museum. originally published<br />
in 1992 for a series of traveling<br />
exhibitions organized by moma, this<br />
volume has been completely redesigned<br />
for this new edition.<br />
978-0-87070-840-4<br />
Hbk, 9.5 x 12 in. / 176 pgs / 200 color.<br />
U.S. $50.00 CDn $50.00<br />
September/art<br />
exHIBItIon SCHeDULe<br />
San Francisco, Ca: Fine arts museums<br />
of San Francisco, 09/15/12–01/15/13<br />
portland, me: portland museum of art,<br />
05/13–09/13<br />
Quebec, Canada: musee national des<br />
beaux-arts du Quebec: 10/13–01/14<br />
Bentonville, ar: Crystal Bridges museum<br />
of american art, 02/14–04/14<br />
Japanese Dream<br />
Arts of Korea: MFA Highlights<br />
MfA PubLICATIons<br />
ArT hIGhLIGhTs<br />
Text by Jane Portal, suhyung kim.<br />
Arts of Korea celebrates historical Korean art through 100 works from the collection of the museum of Fine arts, Boston.<br />
the mFa has one of the finest collections of Korean art outside of east asia, with particularly superb holdings of high-quality<br />
stoneware and lacquerware of the Koryo and Yi dynasties, Bronze age funerary objects and Buddhist paintings and sculptures.<br />
many of the objects in this book were originally intended for everyday use and tell a story not only about the people who<br />
used or collected these boxes, mirrors, jars, tiles and trays, but also about the people who made them. Set to coincide with<br />
the mFa’s long-awaited Korean gallery renovation, this is an affordable yet unique addition to any asian art library, with<br />
essays that offer an ideal introduction to the history of Korean art.<br />
978-0-87846-788-4<br />
pbk, 7 x 9 in. / 176 pgs / 130 color.<br />
U.S. $22.50 CDn $22.50<br />
november/art/asian art & Culture<br />
124 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 125<br />
hATJe CAnTz<br />
Text by Monica Maffioli.<br />
In July 1863, the photographer Felice Beato<br />
arrived at the port city of Yokohama in Japan.<br />
He was only 31 years old, but had already established<br />
himself as a pioneering figure in<br />
the then-nascent field of photography as the<br />
first ever war correspondent, and as one of<br />
the earliest chroniclers of east asia, having<br />
already documented the Indian rebellion of<br />
1857 and the Second opium War in China. If<br />
these latter works had seemed to celebrate<br />
imperial power, Beato’s Japan photographs<br />
marked a venture into another realm entirely.<br />
Beato’s portraits of geishas in magnificent kimonos,<br />
samurai, sumo wrestlers, and scenes<br />
of everyday life and landscapes portrayed the<br />
country and its people entirely without condescension.<br />
the dignity and grace of his photographic<br />
style, as well as his hand-tinting of<br />
his images, made an enormous impact on<br />
edo-era Japanese photographers, who found<br />
analogies to traditional Japanese woodblock<br />
prints in the composition of his images, and<br />
Beato established a whole school and style at<br />
the close of the nineteenth century. this marvelous<br />
and magnificently oversize volume<br />
presents an overview of this style, known as<br />
the Yokohama school, with beautifully reproduced<br />
images by Beato and many others.<br />
Japanese Dream also records the last embers<br />
of a waning culture just prior to modernity.<br />
978-3-7757-3437-0<br />
Clth, 13 x 19 in. / 136 pgs / 60 color.<br />
U.S. $150.00 CDn $150.00<br />
September/photography/asian art & Culture<br />
Beautiful hand-tinted photographs<br />
of late-nineteenth-century Japan<br />
Also Available:<br />
Arts of Japan: MfA highlights<br />
9780878467143<br />
Pbk, u.s. $24.95 Cdn $24.95<br />
MfA Publications<br />
American Painting:<br />
MfA highlights<br />
Pbk, u.s. $19.95 Cdn $19.95<br />
9780878466603<br />
MfA Publications