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Contemporary Drawing & Artist’s Books ArT hIGhLIGhTs Raymond Pettibon: Whuytuyp JrP|rInGIer edited and with text by Lynn kost. Whuytuyp compiles work by raymond pettibon (born 1957) done over the past five years, from artist’s books and prints to animations and installations. Since 2001, several changes in pettibon’s style have been increasingly evident, most notably in his use of broader brushes, even more expressive brushstrokes and a shift towards bolder color. these developments became consolidated around 2006, in the earliest drawings included in this volume. also apparent throughout Whuytuyp is a more philosophical tone to the language used, and more overt social commentary—as well as an expansion of the range of references to include film, illustration and cartoons. What continues to characterize pettibon’s art is its ability to break and recombine discourses, liberating those sidelined, repressed and taboo aspects of american culture and creating his unique visual-linguistic polyphony. 978-3-03764-290-0 Hbk, 8 x 11.25 in. / 64 pgs / 40 color. U.S. $35.00 CDn $35.00 September/art exHIBItIon SCHeDULe Luzern, Switzerland: museum of art Luzern, 03/24/12–07/22/12 Laylah Ali: The Greenheads Series wILLIAMs CoLLeGe MuseuM of ArT edited by deborah rothschild. Introduction by katy kline. Text by Julia bryan-wilson, kevin Young. Interview by deborah rothschild. this book is the first complete documentation of the Greenheads series by Laylah ali (born 1968), created between 1996 and 2005. Consisting of over 80 works, ali’s exquisitely rendered gouache-on-paper paintings chronicle the dystopian world of her enigmatic green-headed figures. this provocative imagery is open-ended, darkly humorous and triggers a range of associations through their references to the media, historical events and racial and gender tropes. the catalogue allows viewers to examine the evolution of the critically acclaimed series, from the early paintings, which focus on charged exchanges between groups of figures, to the later works, where the events and figures are radically and starkly pared down. The Greenheads Series includes texts by art historian and critic Julia Bryan-Wilson and poet Kevin Young, as well as an interview with the artist by curator Deborah rothschild. 978-0-913697-30-6 Flexi, 9.25 x 11 in. / 128 pgs / 100 color. U.S. $20.00 CDn $20.00 august/art/african american art & Culture exHIBItIon SCHeDULe Williamstown, ma: Williams College museum of art, 08/18/12–11/25/12 minneapolis, mn: Frederick r. Weisman art museum, University of minnesota, 03/02/13–06/30/13 Ithaca, nY: Herbert F. Johnson museum, Cornell University, 09/07/13–12/22/13 Thom deVita: de- Vita Unauthorized hArdY MArks PubLICATIons edited by nick bubash. foreword by don ed hardy. Text by nick bubash, don ed hardy, scott harrison, Michael Malone. Afterword by Teddy varndell. as a youth, thom devita (born 1932) mingled with famous new York School painters at the Cedar tavern, and exhibited his paintings at open-air art fairs in Washington Square park. In the 1960s he began tattooing, not long after it was declared illegal in new York (the ban was overturned in 1997). Devita’s eccentric style and sophistication significantly influenced the emergence of tattooing as an art from the 1970s on, and today he is something of a legend in this community. But alongside his 40-year underground career in tattooing, devita has produced drawings and montages using acetate stencils, as well as constructions. these works, gathered in this volume, combine the energy and visual diffusion of a Larry rivers painting with the street mayhem of tattoo iconography. DeVita Unauthorized reproduces a loose-leaf portfolio issued in a unique limited edition in 2002. 978-0-945367-80-2 Hbk, 10.75 x 16 in. / 48 pgs / 48 color. U.S. $30.00 CDn $30.00 July/art The Art of Team Macho: The Merlin Years nArwhAL ProJeCTs Text by Maggie Macdonald, Ann Marie Peña, A. James bradley. Comprised of nicholas aoki, Stephen appleby-Barr, Christopher Buchan, Lauchie reid and Jacob Whibley, the Canadian collective team macho spans the worlds of both fine art and illustration, producing work for both audiences. team macho’s surreal, colorful and cartoonish drawings, paintings and installations playfully juxtapose styles and motifs with a strongly DIY flavor. the group’s idiosyncratic approach to collaboration cultivates both competitiveness and cooperation, as they celebrate, thwart and subvert each other’s contributions. needless to say, this approach results in often humorous, jarring conjunctions: two aliens dancing over an otherwise Hopperesque scene of houses in twilight; nuns mutilating monsters; a painting of some unspecified, hairy psychedelic lump with the caption “and thus life became awesome.” The Art of Team Macho: The Merlin Years compiles the group’s output of the past five years, and includes texts and interviews. 978-0-9783568-5-9 pbk, 8 x 10 in. / 180 pgs / 150 color. U.S. $29.95 CDn $29.95 July/art Sarah Crowner: Format PrIMArY InforMATIon the paintings of new York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by max Bill, ellsworth Kelly, agnes martin and elizabeth murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws. 978-0-9851364-0-6 pbk, 8 x 10 in. / 64 pgs / 21 color / 43 b&w. U.S. $20.00 CDn $20.00 September/art Ghost Knigi By Benjamin Sommerhalder. nIeves this adorable, limited-edition children’s book written and illustrated by the editor and publisher of the super-cool artist book/zine publisher, nieves, follows a young ghost named Knigi on his quest to learn to read. readers of this ideal gift book will not be able to decide which is more endearing: the story—of the ghost’s frustrations when his first book will not reveal its secrets, and later his wonder when “a miraculous explosion of colors and shapes leapt out from the pages!”; or Sommerhalder’s spot-on illustrations, which are clear, humorous and true in the manner of a modern-day Leo Lionni or Bruno munari. 978-3-905999-05-1 Clth, 7.75 x 10 in. / 20 pgs / 3 color / 7 b&w. U.S. $24.00 CDn $24.00 July/artists' Books/Children’s Previously Announced. Jake & Dinos Chapman: Bedtime Tales for Sleepless Nights fueL PubLIshInG edited by damon Murray, stephen sorrell. In Bedtime Tales for Sleepless Nights, the Chapman Brothers reconceive the victorian morality tale for less sanctimonious (and more misanthropic) times. Bearing on its cover the motto “Sticks and stones may break thy bones but words will surely maim you,” this volume offers fans and younger readers alike a darker take on the children’s bedtime book, with gruesomely illustrated rhymes that stray far from the saccharine-coated songs typical of the genre: “this hideous armature/ that hides and seeks/Will outlast the flesh/Its turn to reek/Hung out for death/on spiny barb/Your birthday suit/now an ill-fitting garb.” the etchings and stories have been made by the artists specifically for this project and are reproduced exclusively in this volume. 978-0-9558620-9-0 Clth, 9.5 x 12.5 in. / 32 pgs / 12 color. U.S. $34.95 CDn $34.95 June/art Also Available: Jake Chapman: The Marriage of reason & squalor 9780955862007 Pbk, u.s. $32.95 Cdn $32.95 fueL Publishing David Shrigley: Pass the Spoon A Sort-Of Opera About Cookery hAYwArd PubLIshInG foreword by david shrigley, david fennessy, nicholas bone. Pass the Spoon is the libretto for David Shrigley’s wildly popular “sort-of opera.” Here, Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two tv chefs (June Spoon and philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. this publication accompanies the artist’s first major retrospective at Yerba Buena Center in San Francisco, and the opera’s first performance in London. 978-1-85332-307-2 pbk, 4.25 x 7.25 in. / 96 pgs / 10 b&w. U.S. $12.50 CDn $12.50 may/art exHIBItIon SCHeDULe San Francisco, Ca: Yerba Buena Center for the arts, 06/22/12–09/22/12 Also Available: david shrigley: brain Activity 9781853322976 hbk, u.s. $40.00 Cdn $40.00 hayward Publishing 116 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 117
Group Exhibitions Previously Announced American Exuberance rubeLL fAMILY CoLLeCTIon With this volume and its accompanying exhibition, the rubell Family Collection set out to generate a portrait of what they call “american exuberance.” the 64 artists selected, all citizens or residents of the United States, are or were particularly keen observers of american culture, economy and politics, regardless of their country of origin. out of 190 total works, 40 were made in 2011, many specifically for this exhibition. participating artists include matthew Barney, maurizio Cattelan, Felix gonzáles-torres, Wade guyton, Keith Haring, mike Kelley, Jeff Koons, Barbara Kruger, glenn Ligon, elizabeth peyton, richard prince, ryan trecartin, andy Warhol and Lisa Yuskavage. a number of the participating artists were asked to comment on the idea of american exuberance for the catalogue. their responses took many forms, from nate Lowman’s handwritten missive about Coca-Cola to rashid Johnson’s statement in the form of a personal ad. 978-0-9821195-7-0 pbk, 8.5 x 11 in. / 244 pgs / illustrated throughout. U.S. $49.95 CDn $49.95 available/art exHIBItIon SCHeDULe miami, FL: rubell Family Collection, 11/30/11–07/27/12 Previously Announced Blind Cut MArLborouGh GALLerY, InC. edited by Jonah freeman and vera neykov. Spanning several generations, from Dada to the present, Blind Cut explores notions surrounding the themes of fiction and deception. Questions regarding identity, authorship, originality and reality are posed in a range of methodologies, including depictions of fictional places, imagined personas, inaccurate histories and invented language. this book documents marlborough Chelsea’s 2012 exhibition of the same name and expands upon its core themes with ancillary texts and ephemera, including interviews and other written works by alex Waterman, J.g. Ballard, richard prince, James Frey, pierre Huyge and philippe parreno, the John Fare estate, the anabel vale archive, J.t. Leroy / Laura albert, Kurt Schwitters, François aubart, raimundas malasauskas, and mark Flood. also featured are works by over 50 artists, including marcel Broodthaers, guy de Cointet, anne Collier, Der Dada, ryan gander, mario garcia torres, george grosz, Lothar Hempel, elmyr de Hory, asger Jorn, mike Kelley,robert Lazzarini, adam mcewen, Francis picabia, eileen Quinlan, ed ruscha, Cindy Sherman, Superstudio and Jeffrey vallance. 978-0-89797-430-1 pbk, 7 x 8.75 in. / 144 pgs / 69 color / 50 b&w. U.S. $45.00 CDn $45.00 available/art It Is What It Is. Or Is It? ConTeMPorArY ArTs MuseuM housTon edited by Alhena katsof, karen kelly, barbara schroeder. foreword by bill Arning. Text by dean daderko, Claire fontaine, et al. In 1914, marcel Duchamp purchased a bottle rack, called it a sculpture, put his name to it and the “readymade” artwork was born. It Is What It Is. Or Is It? considers the legacy of the readymade in contemporary artistic practice as the form approaches its 100th anniversary and attempts to recuperate the radicality of Duchamp’s foundational gesture. taking stock of the readymade’s simple materiality and its economy of means, this catalogue includes work by 18 artists working in a variety of media from sculpture to photography, painting, video and installationbased works. It Is What It Is. Or Is It? includes works by ellen altfest, Fayçal Baghriche, Bill Bollinger, William Cordova, Latifa echakhch, Daphne Fitzpatrick, Claire Fontaine, Felix gonzalez-torres, rachel Hecker, Jamie Isenstein, Luis Jacob, patrick Killoran, Jirí Kovanda, Klara Lidén, Catherine murphy and pratchaya phinthong. 978-1-933619-37-8 pbk, 7.5 x 10 in. / 104 pgs / 44 color / 10 b&w. U.S. $26.95 CDn $26.95 July/art exHIBItIon SCHeDULe Houston, tx: Contemporary arts museum Houston, 05/11/12–07/29/12 Skyscraper Art and Architecture Against Gravity MuseuM of ConTeMPorArY ArT ChICAGo foreword by Madeleine Grynsztejn. Text by Michael darling, Joanna szupinska, owen hatherley. gathering a wide range of art from around the world, Skyscraper: Art and Architecture Against Gravity explores the enduring human desire to build farther and farther into the sky. examined here are themes such as verticality, personification, urban critique, improvisation and the vulnerability of landmark buildings. Skyscraper features the work of about 50 artists, including Francis alÿs, Ziad antar, Fikret atay, erica Bohm, Jennifer Bolande, marie Bovo, roe ethridge, Hans-peter Feldmann, Cyprien gaillard, Jakob Kolding, vera Lutter, Claes oldenburg, gabriel orozco, thomas ruff, andy Warhol, peter Wegner, Wesley Willis, Catherine Yass, Yin xiuzhen and Shizuka Yokomizo. Skyscraper also features documentation of artist monika Sosnowska’s process of creating new work commissioned for the exhibition this catalogue accompanies. 978-0-933856-94-3 Hbk, 8.25 x 13.25 in. / 96 pgs / illustrated throughout. U.S. $35.00 CDn $35.00 august/art exHIBItIon SCHeDULe Chicago, IL: museum of Contemporary art Chicago, 06/30/12–09/23/12 The Fertile Crescent Gender, Art, and Society ruTGers unIversITY InsTITuTe for woMen And ArT edited and with text by Judith k. brodsky, ferris olin. Text by Margot badran, kelly baum, Gilane Tawardros. The Fertile Crescent examines the work of 24 women artists of middle east heritage: negar ahkami (Iranian), Shiva ahmadi (Iranian), Jananne al-ani (Iraqi), Fatima and monira al Qadiri (Kuwaiti), ghada amer (egyptian), Zeina Barakeh (Lebanese), ofri Cnaani (Israeli), nezaket ekici (turkish), Diana el Jeiroudi (Syrian), parastou Forouhar (Iranian), ayana Friedman (Israeli), Shadi ghadirian (Iranian), mona Hatoum (palestinian), Hayv Kahraman (Iraqi), efrat Kedem (Israeli), Sigalit Landau (Israeli), ariane Littman (Israeli), Shirin neshat (Iranian), ebru Özseçen (turkish), Laila Shawa (palestinian), Shahzia Sikander (pakistani), Fatimah tuggar (nigerian) and nil Yalter (turkish). these artists all explore matters of gender, homeland, geopolitics, theology and the environment. the authors in this volume address transnationalism and the interaction between muslim culture and Jewish, Christian and euro-american cultures, resulting in U.S. and european relationships that are sometimes congenial and at other times problematic. the book also addresses the middle east’s cultural diaspora in black africa and South asia. The Fertile Crescent is published in conjunction with a fall 2012 multi-venue exhibition at rutgers and princeton Universities and the arts Council of princeton/paul robeson Center for the arts. 978-0-9790497-9-8 Hbk, 8.5 x 11 in. / 256 pgs / 180 color. U.S. $45.00 CDn $45.00 october/art/middle eastern art & Culture exHIBItIon SCHeDULe princeton, nJ: princeton University art museum, 08/18/12–01/13/13 princeton, nJ: Bernstein gallery, Woodrow Wilson School, 08/27/12–10/11/12 princeton, nJ: arts Council of princeton/paul robeson gallery, 10/04/12–11/21/12 new Brunswick, nJ: mason gross galleries, rutgers University, 08/13/12–09/09/12 new Brunswick, nJ: Dana Women artists Series galleries, rutgers University, 08/29/12–12/17/12 Also Available: Ghada Amer 9780980024203 hbk, u.s. $70.00 Cdn $70.00 Gregory r. Miller & Co. ArT hIGhLIGhTs 118 artBooK | D.a.p. 1.800.338.2665 orders@dapinc.com artBooK.Com 119 shirin neshat 9788881583607 Pbk, u.s. $31.95 Cdn $31.95 Charta
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