to wander in the darkness and the cold, would be a fate worse thandeath. Exacerbating the problem further, “the life <strong>of</strong> a Christian…was a life <strong>of</strong> conflict with unseen, malevolent spirits” (Kieckhefer817). Thus, to battle Grendel was to live a Christian life and purifyone’s soul. Conversely, to fall into darkness like Grendel was a loss<strong>of</strong> one’s faith, and a condemnation to Hell.Life in medieval Denmark would have entailed a struggle forsurvival not just as a Christian against pagan worship, but alsoagainst many other factions: weather, availability <strong>of</strong> food, andwarring bands <strong>of</strong> other thanes. To complicate matters further,Grendel strikes the fear <strong>of</strong> being devoured while alive into thehearts <strong>of</strong> the Danish people. His cannibalistic tendencies andthirst for human flesh make his monstrosity all the more ghastlyand appalling. This is a very real fear for the Danes, who haveseen loved ones and noble men torn limb from limb and eaten “ingobbets” (Beowulf 743).Bildhauer and Mills argue that, “stories <strong>of</strong> cannibalismare related to medieval preoccupations with bodily integrity”(Bildhauer and Mills 11). The inherent fear <strong>of</strong> cannibalism alsolies in the incorporation <strong>of</strong> one body into another for sustenance(Cohen, “Ruins <strong>of</strong> Identity” 2), wherein one becomes part <strong>of</strong>the other without being distinguishable from the outside <strong>of</strong> thebody. This image is quite the opposite <strong>of</strong> the fear <strong>of</strong> the birthingprocess, wherein a whole body is extracted from another wholebody, but the principle remains the same. Two bodies existingsimultaneously within one another via ingestion or impregnationare fearful prospects.The actual process <strong>of</strong> being devoured is also made horrifyinglyreal, and preys upon the very concrete human fear <strong>of</strong> being injuredor fatally wounded. The fear <strong>of</strong> still being alive while being ingested isone which is disconcerting to contemplate, but it is a very real threat.Ironically, Grendel experiences this fear <strong>of</strong> prolonged death afterdeanna briscoe 97
dismemberment after Beowulf grips his arm so tightly that “a gapingwound opened / in his shoulder-joint, his sinews sprang apart, /his joints burst asunder” (Beowulf 816-818). Grendel flees, bleedingpr<strong>of</strong>usely and howling in pain, until his lethal wound causes him tocollapse and die.In addition, Grendel’s mother leaves behind Aeschere’s head as ataunt to the warriors who pursue her. It causes the men great distress:…To all the Danes,The men <strong>of</strong> the Scyldings, many a thane,It was a sore pain to every earl, when on the seacliffThey came upon the head <strong>of</strong> Aeschere. (Beowulf 1417-1421)They had just seen Aeschere alive and well, speaking with the headthat is now dismembered, and is gazing at them lifelessly. The headis now an object, not a part <strong>of</strong> a person who was once whole. Cohenelaborates that, “The head is the seat <strong>of</strong> the soul, the biologicaland allegorical ruler <strong>of</strong> the lower limbs. In its absence, the body(social or personal) is acephalic, undifferentiated” (Cohen, “Body inPieces” 85). Without a head, a body is nothing, and vice versa. Uponhis decapitation, Aeschere was transformed from a person into acorporeal segment <strong>of</strong> a previous concrete entity. Although Grendelhimself does not perform this act, his mother does so in an attemptto avenge her son. She extends his reign <strong>of</strong> terror through her ownmurderous means.When Beowulf decapitates the corpse <strong>of</strong> Grendel in the sea-cave,he is banishing the fear that the monster imposes upon the Danes.It is possible for Grendel, through magic or some other device, toreturn to life and continue to plague Heorot. But without a head,Grendel can do nothing. He cannot devour or function, andtherefore by decapitation his death becomes permanent. Likewise,Beowulf’s victory becomes indelibly imprinted onto Danish history.98 afternoons <strong>of</strong> alterity
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Afternoons of Alterity A Codex of t
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Table of ContentsFrom Medieval Mars
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From Medieval Marsh Monsters toFutu
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imagination, we must first attempt
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seed of monstrosity within themselv
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essence as a monster, it seems reas
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she bore two sons, one from the imp
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perhaps, anti-heroes) of the futuri
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to watch the murder and mutilation
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and modern audiences through their
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Works Cited“Bushwhacked.” Firef
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Projecting Otherness ontothe Disabl
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in any systematic structuration. An
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The idea of the monstrous’ vulner
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not us and are in the proximity of
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they want to be treated. The interv
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Monstrosity and theIrruption of Rea
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describing his fears of this place
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stained with sin” (Spearing 221).
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often and at will to show man somet
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What’s Love Got To Do With It?The
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story than as the beginning? What f
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It is textual content like this tha
- Page 52 and 53: through the story as the Green Knig
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- Page 58 and 59: Darkness: The True Monster ofLitera
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- Page 62 and 63: not only closes out, extinguishes,
- Page 64 and 65: and temptation, most especially for
- Page 66 and 67: hours “led to the term ‘night
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- Page 70 and 71: humanization of Grendel draws the r
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- Page 74 and 75: Serial MonstrosityEmily Mastrobatti
- Page 76 and 77: is clear that they are monsters and
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- Page 86 and 87: Monstrous Mothers andObjectified Da
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- Page 96 and 97: Works CitedAcker, P. Horror and the
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- Page 106 and 107: Works CitedBeowulf. Trans. RM Liuzz
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- Page 134 and 135: They Walk Among UsOccupational Viol
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threatened by the very existence of
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and draped in damp, shaggy moss, an
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individual. Home resides within the
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Works CitedArmitage, Simon. Sir Gaw