Afternoon of Alterity - Nazareth College

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Works CitedBeowulf. Trans. RM Liuzza. Peterborough, Ontario: BroadviewPress, 2000. Print.Bildhauer, Bettina and Robert Mills. “Introduction:Conceptualizing the Monstrous.” The Monstrous Middle Ages.Toronto: Toronto UP, 2003. Introduction, 1-27. Print.Butts, Richard. “The Analogical Mere: Landscape and Terror inBeowulf.” English Studies 68.2 (1987): 113. Web.Cohen, Jeffrey Jerome. “The Body in Pieces: Identity and theMonstrous in Romance.” Of Giants: Sex, Monsters, and the MiddleAges. Minneapolis: UP Minnesota, 1999. 62-95. Print.———. “Monster Culture: Seven Theses.” Monster Theory: ReadingCulture. Ed. Jeffrey Jerome Cohen. Minneapolis: UP Minnesota,1996. 3-25. Print.———. “The Ruins of Identity.” Of Giants: Sex, Monsters, and theMiddle Ages. Minneapolis: UP Minnesota, 1999. 1-28. Print.Fajardo-Acosta, Fidel. “Intemperance, Fratricide, and theElusiveness of Grendel.” English Studies 73.3 (1992): 205. Web.Harte, Jeremy. “Hell on Earth: Encountering Devils in theMedieval Landscape.” The Monstrous Middle Ages. Toronto:Toronto UP, 2003. 177-195. Print.Higgs Strickland, Debra. “Monsters and Christian Enemies.”History Today 50.2 (2000): 45. Web.Kearney, Richard. “Aliens and Others.” Strangers, Gods, andMonsters: Interpreting Otherness. New York: Routledge, 2003. 65-82. Print.Kieckhefer, Richard. “The Specific Rationality of Medieval Magic.”American Historical Review 99.3 (1994): 813. Web.Orchard, Andy. “Psychology and Physicality: The Monsters ofBeowulf.” Pride and Prodigies. Cambridge: Brewer, 1985. 28-57.Print.deanna briscoe 101
Phillips, James. “In the Company of Predators: Beowulf andthe Monstrous Descendants of Cain.” Angelaki: Journal of theTheoretical Humanities 13.3 (2008): 41-52. Web.Pluskowski, Aleks. “Apocalyptic Monsters: Animal Inspirations forthe Iconography of Medieval North European Devourers.” TheMonstrous Middle Ages. Toronto: Toronto UP, 2003. 155-176.Print.102 afternoons of alterity
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Afternoons of Alterity A Codex of t
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Table of ContentsFrom Medieval Mars
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From Medieval Marsh Monsters toFutu
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imagination, we must first attempt
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seed of monstrosity within themselv
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essence as a monster, it seems reas
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she bore two sons, one from the imp
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perhaps, anti-heroes) of the futuri
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to watch the murder and mutilation
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and modern audiences through their
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Works Cited“Bushwhacked.” Firef
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Projecting Otherness ontothe Disabl
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in any systematic structuration. An
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The idea of the monstrous’ vulner
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not us and are in the proximity of
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they want to be treated. The interv
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Monstrosity and theIrruption of Rea
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describing his fears of this place
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stained with sin” (Spearing 221).
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often and at will to show man somet
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What’s Love Got To Do With It?The
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story than as the beginning? What f
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It is textual content like this tha
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through the story as the Green Knig
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the first advocating voices for end
Page 56 and 57: “capable of seeing things objecti
Page 58 and 59: Darkness: The True Monster ofLitera
Page 60 and 61: the way they can make us feel, but
Page 62 and 63: not only closes out, extinguishes,
Page 64 and 65: and temptation, most especially for
Page 66 and 67: hours “led to the term ‘night
Page 68 and 69: specifically his relationship to da
Page 70 and 71: humanization of Grendel draws the r
Page 72 and 73: subconscious the message may be. Th
Page 74 and 75: Serial MonstrosityEmily Mastrobatti
Page 76 and 77: is clear that they are monsters and
Page 78 and 79: murderer that he once was. He has b
Page 80 and 81: of the killing, “When investigato
Page 82 and 83: ook “contains recipes from the bo
Page 84 and 85: asks Charles Manson to marry her, t
Page 86 and 87: Monstrous Mothers andObjectified Da
Page 88 and 89: and her sisters plot to kill their
Page 90 and 91: easons for “otherness.” On top
Page 92 and 93: The original ideas are still intact
Page 94 and 95: objectified creature. “Cultures o
Page 96 and 97: Works CitedAcker, P. Horror and the
Page 98 and 99: Grendel: A Manifestation ofMedieval
Page 100 and 101: ut never was his physicality hinted
Page 102 and 103: to wander in the darkness and the c
Page 104 and 105: Magic could not resurrect Grendel t
Page 108 and 109: The Monster Under the BedThe Creati
Page 110 and 111: to procreate but the accepted manif
Page 112 and 113: Cain had/killed his father’s son
Page 114 and 115: can, without a doubt, be placed int
Page 116 and 117: The vagina’s ability to function
Page 118: Ed. Barbara K. Gold, et all. Albany
Page 121 and 122: To understand precisely how states
Page 123 and 124: a strict delineation between each g
Page 125 and 126: monstrous and societal rules to fol
Page 127 and 128: Gawain is willing to accept his mis
Page 129 and 130: survive, challenge, and defeat. Esp
Page 131 and 132: governmental standards, then are we
Page 134 and 135: They Walk Among UsOccupational Viol
Page 136 and 137: sports and regard our members of th
Page 138 and 139: modern readers are not part of the
Page 140 and 141: otherness and disdain for humanity.
Page 142 and 143: are underpaid and for the most part
Page 144 and 145: Home and Spatial IdentityPhysical t
Page 146 and 147: closeness among the people that the
Page 148 and 149: Into the dark gorge I ventured; the
Page 150 and 151: the treasures that fill up their ho
Page 152 and 153: threatened by the very existence of
Page 154 and 155: and draped in damp, shaggy moss, an
Page 156 and 157:
individual. Home resides within the
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Works CitedArmitage, Simon. Sir Gaw
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Afternoon of Alterity - Nazareth College

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