- Page 1 and 2: Afternoons of Alterity A Codex of t
- Page 4 and 5: Table of ContentsFrom Medieval Mars
- Page 6 and 7: From Medieval Marsh Monsters toFutu
- Page 8 and 9: imagination, we must first attempt
- Page 10 and 11: seed of monstrosity within themselv
- Page 12 and 13: essence as a monster, it seems reas
- Page 14 and 15: she bore two sons, one from the imp
- Page 16 and 17: perhaps, anti-heroes) of the futuri
- Page 18 and 19: to watch the murder and mutilation
- Page 20 and 21: and modern audiences through their
- Page 22 and 23: Works Cited“Bushwhacked.” Firef
- Page 24 and 25: Projecting Otherness ontothe Disabl
- Page 26 and 27: in any systematic structuration. An
- Page 28 and 29: The idea of the monstrous’ vulner
- Page 30 and 31: not us and are in the proximity of
- Page 32: they want to be treated. The interv
- Page 36: Monstrosity and theIrruption of Rea
- Page 39 and 40: describing his fears of this place
- Page 41 and 42: stained with sin” (Spearing 221).
- Page 43: often and at will to show man somet
- Page 47 and 48: acclaimed critics to be representat
- Page 49 and 50: This is evidenced by the medieval t
- Page 51 and 52: the Green Knight, Lord Bercilak mus
- Page 53 and 54: An adherence to social convention,
- Page 55 and 56: happy and jovial disposition throug
- Page 57 and 58: Works CitedCapellanus, André, and
- Page 59 and 60: observes that “Fear of the Dark,
- Page 61 and 62: the many possibilities for things t
- Page 63 and 64: permits spirits to travel between t
- Page 65 and 66: strictly homosocial bonds” (Cohen
- Page 67 and 68: categorization, for our placement o
- Page 69 and 70: is to look at the same character, G
- Page 71 and 72: again from the womb of the grave”
- Page 73 and 74: Works CitedBildauer, Bettina and Ro
- Page 75 and 76: dichotomy between monster and hero?
- Page 77 and 78: Similar to Grendel, another medieva
- Page 79 and 80: the fascination society has with ki
- Page 81 and 82: murder. Once they are identified wi
- Page 83 and 84: world” (77). The paradigm is evid
- Page 85 and 86: Works CitedByock, Jesse L. Grettir
- Page 87 and 88: ased solely on their reproductive t
- Page 89 and 90: uncleanliness, and it is easy to se
- Page 91 and 92: these men is comical. A mother seek
- Page 93 and 94: from exerting their natural power.
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through the eyes of men and in this
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Spens, J. Spenser’s Faerie Queene
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fight until death. The Danes value
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there, and plotted and brooded upon
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dismemberment after Beowulf grips h
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what the proper religion is or can
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Phillips, James. “In the Company
- Page 109 and 110:
of religious morality, public order
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whether that is new religion, as in
- Page 113 and 114:
Characters such as Wealtheow and Hi
- Page 115 and 116:
the ‘one-seed’ theory, which st
- Page 117 and 118:
Works CitiedAcker, Paul. “Horror
- Page 120 and 121:
Monsters: A Surprising Tool ofGover
- Page 122 and 123:
how inhabitants identify themselves
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ecomes more humanistic in nature:
- Page 126 and 127:
Green Knight explains specifically
- Page 128 and 129:
also using his death to explore her
- Page 130 and 131:
As Stephen T. Asma writes in Monste
- Page 132:
Works CitedOrchard, Andy. “The Wo
- Page 135 and 136:
is obvious that some type of system
- Page 137 and 138:
ecause he liked the idea of killing
- Page 139 and 140:
and even cheers him on when he make
- Page 141 and 142:
of duty to defend those that cannot
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Work CitedCohen, J.J. Of Giants: Se
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among humanity; the home is how peo
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Grettir inhabits many different pla
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his arm. As for Bjorn and Gunnar, t
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joy, / blessedly, until one began /
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of face so fere He stightles stif i
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here at thys ones?’ ‘Ye, sir, f
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without anything but the barest ess