Afternoon of Alterity - Nazareth College

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Table of ContentsFrom Medieval Marsh Monsters to Futuristic Space FiendsMaura Whitman .................................................................................1Projecting Otherness onto the DisabledSancia S. Huffman ............................................................................19Monstrosity and the Irruption of RealityJaime Griffith ....................................................................................31What’s Love Got To Do With It?Andrew Bellush .................................................................................41Darkness: The True Monster of Literature and SocietyLauren Apt ........................................................................................53Serial MonstrosityEmily Mastrobattisto .........................................................................69Monstrous Mothers and Objectified DaughtersSara Cruz ..........................................................................................81Grendel: A Manifestation of Medieval FearsDeanna Briscoe .................................................................................93
The Monster Under the BedAnna Iuppa .....................................................................................103Monsters: A Surprising Tool of Governments Past and PresentCaitlin Garvey ................................................................................115They Walk Among UsDavid Buisch ...................................................................................129Home and Spatial IdentityLaura Lucyshyn ...............................................................................139
Page 1 and 2: Afternoons of Alterity A Codex of t
Page 6 and 7: From Medieval Marsh Monsters toFutu
Page 8 and 9: imagination, we must first attempt
Page 10 and 11: seed of monstrosity within themselv
Page 12 and 13: essence as a monster, it seems reas
Page 14 and 15: she bore two sons, one from the imp
Page 16 and 17: perhaps, anti-heroes) of the futuri
Page 18 and 19: to watch the murder and mutilation
Page 20 and 21: and modern audiences through their
Page 22 and 23: Works Cited“Bushwhacked.” Firef
Page 24 and 25: Projecting Otherness ontothe Disabl
Page 26 and 27: in any systematic structuration. An
Page 28 and 29: The idea of the monstrous’ vulner
Page 30 and 31: not us and are in the proximity of
Page 32: they want to be treated. The interv
Page 36: Monstrosity and theIrruption of Rea
Page 39 and 40: describing his fears of this place
Page 41 and 42: stained with sin” (Spearing 221).
Page 43: often and at will to show man somet
Page 46 and 47: What’s Love Got To Do With It?The
Page 48 and 49: story than as the beginning? What f
Page 50 and 51: It is textual content like this tha
Page 52 and 53: through the story as the Green Knig
Page 54 and 55:
the first advocating voices for end
Page 56 and 57:
“capable of seeing things objecti
Page 58 and 59:
Darkness: The True Monster ofLitera
Page 60 and 61:
the way they can make us feel, but
Page 62 and 63:
not only closes out, extinguishes,
Page 64 and 65:
and temptation, most especially for
Page 66 and 67:
hours “led to the term ‘night
Page 68 and 69:
specifically his relationship to da
Page 70 and 71:
humanization of Grendel draws the r
Page 72 and 73:
subconscious the message may be. Th
Page 74 and 75:
Serial MonstrosityEmily Mastrobatti
Page 76 and 77:
is clear that they are monsters and
Page 78 and 79:
murderer that he once was. He has b
Page 80 and 81:
of the killing, “When investigato
Page 82 and 83:
ook “contains recipes from the bo
Page 84 and 85:
asks Charles Manson to marry her, t
Page 86 and 87:
Monstrous Mothers andObjectified Da
Page 88 and 89:
and her sisters plot to kill their
Page 90 and 91:
easons for “otherness.” On top
Page 92 and 93:
The original ideas are still intact
Page 94 and 95:
objectified creature. “Cultures o
Page 96 and 97:
Works CitedAcker, P. Horror and the
Page 98 and 99:
Grendel: A Manifestation ofMedieval
Page 100 and 101:
ut never was his physicality hinted
Page 102 and 103:
to wander in the darkness and the c
Page 104 and 105:
Magic could not resurrect Grendel t
Page 106 and 107:
Works CitedBeowulf. Trans. RM Liuzz
Page 108 and 109:
The Monster Under the BedThe Creati
Page 110 and 111:
to procreate but the accepted manif
Page 112 and 113:
Cain had/killed his father’s son
Page 114 and 115:
can, without a doubt, be placed int
Page 116 and 117:
The vagina’s ability to function
Page 118:
Ed. Barbara K. Gold, et all. Albany
Page 121 and 122:
To understand precisely how states
Page 123 and 124:
a strict delineation between each g
Page 125 and 126:
monstrous and societal rules to fol
Page 127 and 128:
Gawain is willing to accept his mis
Page 129 and 130:
survive, challenge, and defeat. Esp
Page 131 and 132:
governmental standards, then are we
Page 134 and 135:
They Walk Among UsOccupational Viol
Page 136 and 137:
sports and regard our members of th
Page 138 and 139:
modern readers are not part of the
Page 140 and 141:
otherness and disdain for humanity.
Page 142 and 143:
are underpaid and for the most part
Page 144 and 145:
Home and Spatial IdentityPhysical t
Page 146 and 147:
closeness among the people that the
Page 148 and 149:
Into the dark gorge I ventured; the
Page 150 and 151:
the treasures that fill up their ho
Page 152 and 153:
threatened by the very existence of
Page 154 and 155:
and draped in damp, shaggy moss, an
Page 156 and 157:
individual. Home resides within the
Page 158:
Works CitedArmitage, Simon. Sir Gaw
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Afternoon of Alterity - Nazareth College

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