ecomes more humanistic in nature: “Then there is an island inthe Red Sea where there is a race <strong>of</strong> people” who “know all humanspeech. When they see someone from a foreign country, they namehim and his kinsmen with the names <strong>of</strong> acquaintances” (“Wonders”197). By the end <strong>of</strong> the text, the description seems to capture a holyman declaring his sins: “I am dead not unjustly, but rightly… God’sjudgment stands against me… For that reason am I dead, and for thisam I brought to the midst <strong>of</strong> the kingdom <strong>of</strong> hell” (“Wonders” 203).There is an obvious progression from the early text to the latter. Atthe beginning, the focus is on the oddities in appearance and manner<strong>of</strong> these peoples, while towards the middle, the text moves to a groupcapable <strong>of</strong> human speech. By the end, there is a clear belief systempresent, justifying the actions against, and the treatment <strong>of</strong>, a sinneragainst God. Essentially, as Austin asserts, this hierarchy shows a“gradual movement up the scale <strong>of</strong> humans towards groups withincreased social and linguistic organization” (Austin 31). Specifically,this can be seen through the gradual change in food, manners, socialgroupings, and religious associations. As Bildhauer and Mills discussin The Monstrous Middle Ages:Monsters [ ] also defined the ‘right’ choice <strong>of</strong> food and tablemanners, which had an important function in demarcatingsocial groups and decorous behaviour. Similarly monstersshowed deficiencies and oddities in other areas importantto the definition <strong>of</strong> conduct, such as clothing, speech, andweapons. Here, the monstrous other helped to identify thevery concept <strong>of</strong> courtliness (11).It would then seem that Wonders is built upon the notion <strong>of</strong>salvation, an institutional body, meant to protect, preserve, andfurther the peoples <strong>of</strong> the East by <strong>of</strong>fering them a path away fromthe monstrous. There are clear descriptions <strong>of</strong> what are more or lesscaitlin garvey 119
monstrous and societal rules to follow in order to ensure salvation.As Austin continues, Wonders desired “to represent… the order anddiversity <strong>of</strong> those to whom God <strong>of</strong>fers his salvific grace,” the text asa whole “reflect[ing] a grand scheme <strong>of</strong> salvation” (43, 48). Thus, thecultural abnormalities defined within this text, combined with thehierarchy <strong>of</strong> humanity, create salvation as a means <strong>of</strong> preservation<strong>of</strong> the status quo. By convincing readers <strong>of</strong> the time that Godwould allow all beings a chance at forgiveness, salvation functionedto maintain order and conformity; it was a guideline to behavior,and ultimately suggested that a threatening being was not forcedto remain a monster. They, instead, could use salvation as a means<strong>of</strong> overcoming their otherness. Salvation, therefore, championedconformity by demarcating the good from the evil, providing a meansthrough which the East could easily label, and essentially, destroy themonsters who threatened their cultural normality.Like Wonders, Sir Gawain and the Green Knight also has a clearfunctioning governmental body: Arthur’s court and their code <strong>of</strong>chivalry. At the beginning <strong>of</strong> the poem, it is clear that Arthur’scourt and peoples are sophisticated in comparison to other worldinhabitants, the text describing them as “the most chivalrous andcourteous knights known to Christendom; / the most wonderfulwomen to have walked in this world; / the handsomest king to becrowned at court (The most kyd knyghtes under Krystes selven,/ And the lovelokkest ladies that ever lif haden, / And he thecomlokest kyng that the court haldes)” (lines 51-53). The court andits guidelines <strong>of</strong> chivalry provide the members <strong>of</strong> the society veryapparent expectations for their actions. The state institutions, orthe court and the code, are, therefore, able to strive for conformity,and ultimately, preserve, protect, and assert their reputation in themedieval world. The ability <strong>of</strong> this court and code to succeed is seenwithin the poem, specifically at the end when it becomes apparentthat Gawain has accidently violated his societal expectations. The120 afternoons <strong>of</strong> alterity
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Afternoons of Alterity A Codex of t
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Table of ContentsFrom Medieval Mars
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From Medieval Marsh Monsters toFutu
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imagination, we must first attempt
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seed of monstrosity within themselv
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essence as a monster, it seems reas
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she bore two sons, one from the imp
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perhaps, anti-heroes) of the futuri
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to watch the murder and mutilation
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and modern audiences through their
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Works Cited“Bushwhacked.” Firef
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Projecting Otherness ontothe Disabl
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in any systematic structuration. An
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The idea of the monstrous’ vulner
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not us and are in the proximity of
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they want to be treated. The interv
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Monstrosity and theIrruption of Rea
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describing his fears of this place
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stained with sin” (Spearing 221).
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often and at will to show man somet
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What’s Love Got To Do With It?The
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story than as the beginning? What f
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It is textual content like this tha
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through the story as the Green Knig
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the first advocating voices for end
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“capable of seeing things objecti
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Darkness: The True Monster ofLitera
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the way they can make us feel, but
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not only closes out, extinguishes,
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and temptation, most especially for
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hours “led to the term ‘night
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specifically his relationship to da
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humanization of Grendel draws the r
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subconscious the message may be. Th
- Page 74 and 75: Serial MonstrosityEmily Mastrobatti
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- Page 158: Works CitedArmitage, Simon. Sir Gaw