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2008-09 - MSU College of Music - Michigan State University

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egional meetings <strong>of</strong> the <strong>College</strong> <strong>Music</strong> Society and Society for <strong>Music</strong> Theory, and has publications in theSoutheastern Journal <strong>of</strong> <strong>Music</strong> Education and Journal <strong>of</strong> <strong>Music</strong> Theory Pedagogy.Office: 204 <strong>Music</strong> Practice BuildingPhone: 517-353-8988Email: taggartb@msu.eduWebsite: http://www.msu.edu/~taggartb/Leigh VanHandel, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Music</strong> TheoryLeigh VanHandel received a Bachelor <strong>of</strong> <strong>Music</strong> from the Ohio <strong>State</strong> <strong>University</strong>, a Master <strong>of</strong> <strong>Music</strong> fromSUNY Stony Brook, and a Doctor <strong>of</strong> Philosophy from Stanford <strong>University</strong>. Her dissertation was titled"Setting a Menu to <strong>Music</strong>: Prosody and Melody in 19th-century Art Song," and was a quantitative study<strong>of</strong> the relationship between speech intonation and rhythm patterns in spoken German and French and themelody and rhythm <strong>of</strong> art songs written to texts in those languages. She previously taught at the<strong>University</strong> <strong>of</strong> Oregon and the <strong>University</strong> <strong>of</strong> Illinois at Urbana-Champaign.Office: 507 <strong>Music</strong> PracticePhone: (517) 353-2943Email: lvh@msu.eduWebsite: http://www.msu.edu/~lvh/<strong>Music</strong> TherapyRoger Smeltekop, Associate Pr<strong>of</strong>essor <strong>of</strong> <strong>Music</strong> Therapy<strong>Music</strong> Therapist-Board Certified, Roger Smeltekop received a Master <strong>of</strong> <strong>Music</strong> from <strong>MSU</strong>. He is Chair <strong>of</strong>the Board <strong>of</strong> Directors <strong>of</strong> the Certification Board for <strong>Music</strong> Therapists (CBMT). Smeltekop is a former<strong>Music</strong> Therapist at the Ypsilanti <strong>State</strong> Hospital and the <strong>University</strong> <strong>of</strong> <strong>Michigan</strong> (Ann Arbor) Hospital. Heis an active presenter <strong>of</strong> music therapy lectures and workshops to both lay and pr<strong>of</strong>essional audiences.Office: 215 <strong>Music</strong> Practice BuildingPhone: 517-355-6753Email: smeltek3@msu.eduWebsite: http://www.msu.edu/~smeltek3/Frederick Tims, Pr<strong>of</strong>essor and Chair <strong>of</strong> the <strong>Music</strong> Therapy AreaFrederick Tims received a Bachelor <strong>of</strong> <strong>Music</strong> in Piano Performance at Hendrix <strong>College</strong>, a Bachelor <strong>of</strong><strong>Music</strong> in <strong>Music</strong> Therapy from <strong>Michigan</strong> <strong>State</strong> <strong>University</strong>, a Master <strong>of</strong> Arts from the <strong>University</strong> <strong>of</strong> Iowa,and a Doctor <strong>of</strong> Philosophy from the <strong>University</strong> <strong>of</strong> Kansas. Tims has done clinical work atGemeinschaftskrankenhaus in Herdecke, Germany, the <strong>University</strong> <strong>of</strong> <strong>Michigan</strong> Hospitals, and in privatemusic psychotherapy practice. He has taught at the <strong>University</strong> <strong>of</strong> Kansas, Colorado <strong>State</strong> <strong>University</strong>, andthe <strong>University</strong> <strong>of</strong> Miami.Office: 201 <strong>Music</strong> Practice BuildingPhone: 517-353-9856Email: tims@msu.edu<strong>Music</strong>ologyKevin Bartig, Assistant Pr<strong>of</strong>essor <strong>of</strong> Historical <strong>Music</strong>ologyKevin Bartig holds M.A. and Ph.D. degrees in musicology from the <strong>University</strong> <strong>of</strong> North Carolina atChapel Hill and a bachelor’s degree in music and performance from the <strong>University</strong> <strong>of</strong> Wisconsin-EauClaire. He is the recipient <strong>of</strong> the Andrew Mellon/American Council <strong>of</strong> Learned Societies DissertationFellowship and is a contributing author to Prok<strong>of</strong>iev and His World, forthcoming from Princeton<strong>University</strong> Press. He is active as a collaborative pianist and teacher <strong>of</strong> piano.Office: 506 <strong>Music</strong> Practice BuildingDale Bonge, Associate Pr<strong>of</strong>essor <strong>of</strong> Historical <strong>Music</strong>ologyDale Bonge received a doctor <strong>of</strong> philosophy from the <strong>University</strong> <strong>of</strong> <strong>Michigan</strong>. Bonge's research dealswith aspects <strong>of</strong> performance practices and music theory <strong>of</strong> the Middle Ages and Renaissance as well asthe connections between music and other aspects <strong>of</strong> arts and culture. A particular focus <strong>of</strong> his work istempo in early music. He has presented papers at meetings <strong>of</strong> the American <strong>Music</strong>ological Society, The19

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