2008-09 - MSU College of Music - Michigan State University

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egional meetings of the College Music Society and Society for Music Theory, and has publications in theSoutheastern Journal of Music Education and Journal of Music Theory Pedagogy.Office: 204 Music Practice BuildingPhone: 517-353-8988Email: taggartb@msu.eduWebsite: http://www.msu.edu/~taggartb/Leigh VanHandel, Assistant Professor of Music TheoryLeigh VanHandel received a Bachelor of Music from the Ohio State University, a Master of Music fromSUNY Stony Brook, and a Doctor of Philosophy from Stanford University. Her dissertation was titled"Setting a Menu to Music: Prosody and Melody in 19th-century Art Song," and was a quantitative studyof the relationship between speech intonation and rhythm patterns in spoken German and French and themelody and rhythm of art songs written to texts in those languages. She previously taught at theUniversity of Oregon and the University of Illinois at Urbana-Champaign.Office: 507 Music PracticePhone: (517) 353-2943Email: lvh@msu.eduWebsite: http://www.msu.edu/~lvh/Music TherapyRoger Smeltekop, Associate Professor of Music TherapyMusic Therapist-Board Certified, Roger Smeltekop received a Master of Music from MSU. He is Chair ofthe Board of Directors of the Certification Board for Music Therapists (CBMT). Smeltekop is a formerMusic Therapist at the Ypsilanti State Hospital and the University of Michigan (Ann Arbor) Hospital. Heis an active presenter of music therapy lectures and workshops to both lay and professional audiences.Office: 215 Music Practice BuildingPhone: 517-355-6753Email: smeltek3@msu.eduWebsite: http://www.msu.edu/~smeltek3/Frederick Tims, Professor and Chair of the Music Therapy AreaFrederick Tims received a Bachelor of Music in Piano Performance at Hendrix College, a Bachelor ofMusic in Music Therapy from Michigan State University, a Master of Arts from the University of Iowa,and a Doctor of Philosophy from the University of Kansas. Tims has done clinical work atGemeinschaftskrankenhaus in Herdecke, Germany, the University of Michigan Hospitals, and in privatemusic psychotherapy practice. He has taught at the University of Kansas, Colorado State University, andthe University of Miami.Office: 201 Music Practice BuildingPhone: 517-353-9856Email: tims@msu.eduMusicologyKevin Bartig, Assistant Professor of Historical MusicologyKevin Bartig holds M.A. and Ph.D. degrees in musicology from the University of North Carolina atChapel Hill and a bachelor’s degree in music and performance from the University of Wisconsin-EauClaire. He is the recipient of the Andrew Mellon/American Council of Learned Societies DissertationFellowship and is a contributing author to Prokofiev and His World, forthcoming from PrincetonUniversity Press. He is active as a collaborative pianist and teacher of piano.Office: 506 Music Practice BuildingDale Bonge, Associate Professor of Historical MusicologyDale Bonge received a doctor of philosophy from the University of Michigan. Bonge's research dealswith aspects of performance practices and music theory of the Middle Ages and Renaissance as well asthe connections between music and other aspects of arts and culture. A particular focus of his work istempo in early music. He has presented papers at meetings of the American Musicological Society, The19
Michigan Academy, and the International Medieval conference held annually in Kalamazoo, Michigan.Bonge has published in Pro Musica, Notes, Centennial Review, Michigan Academician, MusicaDisciplina, and Studi Musicali.Office: 505 Music Practice BuildingPhone: 517-353-9127Email: bonge@msu.eduJoanna Bosse, Assistant Professor of EthnomusicologyJoanna Bosse earned her Ph.D. from the University of Illinois at Urbana-Champaign. Her researchinvolves the ethnomusicological study of Latin dance music in the US, and particularly she is interested inwhat the popularity of genres like salsa, rumba, and tango among non-Latinos can tell us about hownotions of ethnicity, race, and class are shaped through music and dance. She conducted fieldwork indancehalls in the midwestern United States. She considers the dancehall as an important site for crossculturalencounters and the construction of identity. Boss was previously an assistant professor of musicat Bowdoin College in Brunswick, Maine.Carol Hess, Professor of Historical MusicologyCarol Hess received her Ph.D. in musicology from the University of California, Davis. She specializes inmusic of Spain and the Americas, and has received grants from the Spanish Ministry of Culture, theNational Endowment for the Humanities, the Committee for Cultural Cooperation Between AmericanUniversities and Spain's Ministry Of Culture, and the Institut d'Estudis Catalans (Barcelona). Her book,Manuel de Falla and Modernism in Spain, 1898-1936 (University of Chicago, 2001), received fourprizes, including the ASCAP-Deems Taylor Award and the Robert M. Stevenson prize for outstandingscholarship in Iberian music. Her most recent book, Sacred Passions: The Life and Music of Manuel deFalla (Oxford University Press, 2004) is a biography of Manuel de Falla.Office: 314 Music Practice BuildingPhone: 517-355-0367Email: hessc@msu.eduMark Johnson, Professor of MusicMark Johnson received a Master of Music from the University of Illinois. He is Timpanist with theLansing Symphony Orchestra and the Santa Fe Opera. He is a former member of the San AntonioSymphony, and has performed as percussionist and conductor for various radio and television broadcasts,including several productions of the WKAR-TV (East Lansing, Michigan) "Artistry of . . ." series and"Music from Michigan State," as well as radio and television broadcasts on BBC-TV, WNET, andWFMT, and PBS "Great Performances" series. Johnson is the author and editor of "Marimba Solos andEtudes."Office: 210 Music BuildingPhone: 517-355-2389Email: johnso73@msu.eduMichael Largey, Associate Professor of Ethnomusicology and Area ChairMichael Largey received a Bachelor of Arts degree in history and music at Bowdoin College, and Master ofArts and Doctor of Philosophy degrees in Folklore and Ethnomusicology from Indiana University. Largeyis a specialist in Caribbean music, especially Haitian classical and religious music and is author of VodouNation: Haitian Art Music and Cultural Nationalism (University of Chicago Press, 2006) and is a co-authorof the revised and expanded second edition of Caribbean Currents: Caribbean Music from Rumba toReggae (Temple University Press, second edition, 2006). He was awarded the MSU Teacher Scholar Awardfor outstanding research and teaching in 1998, and was a Lilly Teaching Fellow in 1996-97.Office: 313 Music Practice BuildingPhone: 517-353-9013Email: largey@msu.eduKathryn Lowerre, Assistant Professor of Historical MusicologyKathryn Lowerre graduated from Bryn Mawr College (Pennsylvania) and earned her Ph.D. in musicology20
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VI. 2008-2009 Academic CalendarFall
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2008-09 - MSU College of Music - Michigan State University

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