108GOVERNMENT REPORTINGINSURANCE<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> insurance coverage is provided by the NSW Treasury ManagedFund, a self-insurance scheme administered by GIO (which covers property, publicliability and motor vehicle) and by Allianz (which covers workers’ compensation).The property policy protects <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> assets and the properties for whichit holds long-term leases.During the year <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> had three property claims totalling $139,900.A table showing the total cost of premiums excluding GST, arriving at the cost peremployee over the past five years, is set out below.10/11$09/10$08/09$07/08$Motor vehicle 2,880 2,620 0 0 006/07$Property 579,600 707,890 662,440 661,490 406,700Public liability 372,780 381,220 382,770 370,940 342,230Workers’ comp. 924,280 928,570 702,970 842,390 1,411,974Miscellaneous 9,600 7,210 5,460 1,880 0total COST 1,889,140 2,027,510 1,753,640 1,876,700 2,160,904Total Employees 781 741 716 719 703COST PER EMPLOYEE 2,419 2,736 2,449 2,610 3,074INVESTMENT PERFORMANCE MEASUREInvestments are placed with NSW Treasury Corporation or banks at interest ratesequivalent to, or greater than, the relevant benchmark Hourglass Investment.LAND TITLE HOLDINGSSummary of Land HoldingsOwnership of <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> and its land is vested in the Minister administeringthe <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust Act 1961 (the Minister for the Arts) on behalf of theNSW Government. The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust, which is constituted as a bodycorporate under the <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust Act 1961, is responsible for the operationand maintenance of <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> and its land. The site area is 3.82527 hectaresand is located at the northern end of Circular Quay East, Bennelong Point, and as at30 June <strong>2011</strong> was valued at $111,000,000.LEGALThe <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust By-law was remade on 1 September 2010 in accordancewith the Subordinate Legislation Act 1989. The process involved internal and externalconsultation with stakeholders including the public, resident companies, <strong>Sydney</strong> <strong>Opera</strong><strong>House</strong> Trust commercial partners and relevant government departments and agencies.Based on the submissions received, the Parliamentary Counsel’s Office finalised the<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> Trust By-law, which was approved by the Minister for the Arts andthe Governor.The Statute Law (Miscellaneous Provisions) Act 2010 amended the <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong>Trust Act 1961 (“the Act”) commencing 9 July 2010. Section 11A (4) of the Act wasamended to provide that a resolution approved under subsection (1) is, subject to theby-laws [replacing “regulations”]. Section 28 of the Act was amended to provide that aby-law has no effect unless approved by the Governor, removing the need for the <strong>Sydney</strong><strong>Opera</strong> <strong>House</strong> Trust to seal every by-law itmakes with a common seal.An order under the Public SectorEmployment and Management Act 2002established a new Principal Departmentof Trade and Investment, RegionalInfrastructure and Services (DTIRIS)on 1 April <strong>2011</strong>. Communities NSW wasabolished on the same date and the <strong>Sydney</strong><strong>Opera</strong> <strong>House</strong> Trust, along with four otherNSW cultural institutions, was transferredas a division to the newly created Ministryfor Tourism, Major Events, Hospitality andthe Arts under DTIRIS.MULTICULTURAL POLICIES ANDSERVICES PLANIn support of the NSW MulticulturalPolicies and Services Plan, opportunitieswere created for artists, audiences,and visitors from a range of culturalbackgrounds to engage with <strong>Sydney</strong><strong>Opera</strong> <strong>House</strong>. Performances with a strongmulticultural theme were presented acrossa variety of artforms including music,dance, theatre and film.The music and theatre offeringincluded both large and small scalepresentations across the venues. Amongstthe highlights were:- Gaff Aff 17 to 24 October 2010 –Swiss performance duo Zimmermann& de Perrot created a world thatrevolves quite literally on a turntable.Enthralled by the minutiae of everydaylife, their productions combine music,dance and circus with humour,originality and a striking visual style.- Roby Lakatos 16 to 18 December2010 – equally comfortable performingclassical, jazz, and his nativeHungarian folk idiom, Lakatos is amusician who defies definition.- Afro Celt Sound System 14 to 15 May<strong>2011</strong> – Afro Celt Sound System cametogether through Simon Emmersoncollaborating with James McNally,Martin Russell and Irish vocalist IarlaO’Lionaird.- PINA 17 April <strong>2011</strong> – a 3D cinematicexperience by Wim Wendersdedicated to the extraordinary moderndance icon Pina Bausch, a Germanchoreographer whose incredibleimagination and vision helped exposemodern dance across the globe andacross multiple artistic platforms.
109- A Gospel Celebration 25 April <strong>2011</strong>– revered living legends of gospeland blues The Blind Boys of Alabamajoin rhythm and blues and soul iconAaron Neville with soul-diva MavisStaples and her band to complete apower-house line-up for a uniqueperformance in the Concert Hall.- Cafe Rebetika! 3 to 8 May <strong>2011</strong> – apassionate and uplifting theatreproduction told against the backdropof 1930s urban Greek slums that mapsthe rise of rebetika, the ’Greek blues’.- Magpie Blues: Ursula Yovich 13 to15 May <strong>2011</strong> – a soulful one-womancabaret show presented as part of theMessage Sticks Festival. This movingmusical account of growing up in theNorthern Territory with a mother fromArnhem Land and a Serbian fatherfeatures a mix of Yovich’s own newsongs and musical influences from herpast, directed by Wesley Enoch.- Random 16 to 22 May <strong>2011</strong> – a onewoman play by the black Britishwriter Debbie Tucker Green. Writtenentirely in imperfect verse withCaribbean accent.- Superbien Lighting of Sails 27 Mayto 5 June <strong>2011</strong> – a multi-disciplined,multi-talented art and designcollective from France. They becamethe centrepiece during the Vivid LIVE<strong>2011</strong> festival transforming the <strong>Sydney</strong><strong>Opera</strong> <strong>House</strong> sails into 3D animationwith their sumptuous environments ofanimation.- Odd Future 1 to 3 June <strong>2011</strong> – makingtheir Australian debut at the VividLIVE festival, Odd Future are a10-strong LA hip-hop collective ofrappers, producers, filmmakers anddesigners led by the African-Americanurban artist Tyler The Creator.- Sonny Rollins 2 June <strong>2011</strong> – thisGrammy award-winning African-American tenor saxophonist is widelyrecognised as one of the 20th century’smost important musicians.- Hypnotic Brass Ensemble 4 June <strong>2011</strong>– this hip-hop driven nine-piece brassAfrican-American band from Chicagowere a highlight of the Vivid LIVE<strong>2011</strong> festival.- Havana Rakatan 6 to 19 June <strong>2011</strong> –Salsa, mambo, jazz, bolero, son,cha-cha-cha and rumba all camealive in a dazzling dance displayof Cuban passion.The <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> danceprogram Spring Dance, continuedto create opportunities for new andestablished artists:- Echoa 11 to 19 July 2010 – anelectrifying performance of dance andpercussion from France.- Los Van Van 14 to 15 August 2010 –the iconic and quintessential sound ofCuba ignited in the Concert Hall withtheir hot fusion of Cuban rhythms.- Bare Soundz 29 August to 6September 2010 – only in his 30s,African-American Savion Glover iswidely hailed as America’s greatestliving tap dancer.- Transports Exceptionnels 6 to 13September 2010 – a short but movingfree performance on the Forecourt,French performer Philippe Priassotook on a dance partner with adifference: a giant earthmover.- Singular Sensation 13 September 2010– marked the welcome Australian debutof Israeli choreographer Yasmeen Godder.- Sutra 5 to 30 September 2010 –17 Chinese warrior monks and oneextraordinary Belgian contemporarydancer-choreographer.- Asphalte 20 to 26 September 2010– this riveting production wascreated with five dancers whoPierre Rigal plucked from theobscurity of the streets of Paris.<strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> and the St JamesEthics Centre presented the Festival ofDangerous Ideas:- If You Want Peace Forget Justice2 October 2010 – discussion rangedacross some of the thorniest issues andmost intractable conflicts throughoutthe world - Ireland, Timor, Cyprus, theMiddle East.- Why the Religious Will Inherit theEarth 3 October 2010 – drawingon extensive demographic research,and considering questions ofmulticulturalism and terrorism, EricKaufmann examined the implicationsof the decline in liberal secularismas religious conservatism rises – andwhat this means for the future ofwestern modernity.- No One is Above the Law 3 October2010 – Geoffrey Robertson mappeda vision of what for despots and warcriminals around the world is the mostdangerous idea of all - that no one isabove the law.- What We Can Learn from Terrorists3 October 2010 – a writer, filmmakerand occasional broadcaster, TariqAli drew a parallel with the currentgeopolitical situation and thatof the Western world in the late19th century.- After The Flotilla 3 October 2010– prominent Australian foreigncorrespondent, Paul McGeoughquestioned whether recent events havechanged control of the conflict story inthe Middle East and what this couldmean for Israel.Other significant events during theyear with notable multicultural contentincluded:- Ayaan Hirsi Ali 27 July 2010 –Dutch Somali feminist, activist, writerand politician.- Pavan Sukhdev Talk 3 August 2010– head of the UN Green EconomyInitiative, Sukhdev explained whysaving nature saves money, and whatAustralia needs to do to balance theenvironmental books.- When His Watch Stopped 20 to28 August 2010 – presented aspart of Kids at the <strong>House</strong> program,this program was performed byKorea’s world-renowned SadariTheatre Company.- David Suzuki Talk 24 October 2010– Canadian-born Japanese Suzuki isone of the world’s leading authoritieson climate change, sustainability, andclean energy, and talked about his bookThe Legacy.Services and information to meet the needsof visitors and customers from diversecultural backgrounds continue to beprovided through public tours in Japanese,Korean, Mandarin, French and German.In addition, website pages, informationbrochures and other printed collateral areproduced in all tour languages.Next year <strong>Sydney</strong> <strong>Opera</strong> <strong>House</strong> willcontinue to:- provide tours in English, Japanese,Korean and Mandarin, French andGerman;- communicate via a range of translatedmaterial and interpreters; and- present a number of opportunities toa range of artists, audiences and thecommunity through events, servicesand consultation.