Tutorials and Topics - Peabody Computer Music

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Tutorial 21MIDI Control:Using the poly~ objectIn this example subpatcher, pairs of incoming MIDI pitches <strong>and</strong> velocities are used tosynthesize a sine tone. When a list is received, the subpatcher sends a bang to thispoly~,causing it to output the instance or voice number. In the example below, the voicenumber is sent out an outlet so you can watch it from the parent patch.In the parent patch the poly object assigns voice numbers to MIDI pitch/velocity pairsoutput by makenote. The voice number from the poly object is sent to poly~ with the targetmessage prepended to it, telling poly~ to send subsequent data to the instance of thetargetbeep~ subpatcher specified by poly~. When a new note is generated, the target willchange. Since poly keeps track of note-offs, it should recycle voices properly. The secondoutlet of poly~ reports the voice that last received a message—it should be the same as thevoice number output by poly, since we're using poly to specify a specific target.174
Tutorial 21MIDI Control:Using the poly~ objectThe thispoly~ object can be used to specify parameters to specific instances of a poly~subpatcher. By connecting a loadbang object to thispoly~, we can use the voice number tocontrol the center frequency of a filter:The littlefilter~ subpatcher, shown here uses the voice number from thispoly~ <strong>and</strong>multiplies it by the base frequency received in the second inlet. The incoming signal isfiltered by all sixteen instances simultaneously, with the output amplitude of eachinstance being controlled by an integer coming into the first inlet.175
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MSPTutorials and TopicsVersion 4.5.
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Table of ContentsCopyright and Trad
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Table of ContentsExercise 3 .......
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Table of ContentsVarying parameters
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IntroductionWith the addition of th
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IntroductionThe Max/MSP Examples fo
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How Digital Audio Works• The fluc
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How Digital Audio WorksBecause the
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How Digital Audio Worksthough, the
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How Digital Audio Worksnumbers from
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How Digital Audio Worksthreshold. A
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How Digital Audio WorksIn this case
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How Digital Audio Worksquality”)
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How Digital Audio WorksManipulating
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How MSP WorksMax patches and theMSP
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Audio I/OAudio input andoutput with
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Tutorial 1: Fundamentals—Test ton
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Tutorial 1Fundamentals:Test toneWav
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Tutorial 1Fundamentals:Test tonesou
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Tutorial 2Fundamentals:Adjustable o
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Tutorial 3Fundamentals:Wavetable os
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Tutorial 4Fundamentals:Routing sign
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Tutorial 5Fundamentals:Turning sign
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Tutorial 6A review of fundamentals1
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Tutorial 6A review of fundamentalsW
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Tutorial 6A review of fundamentalsS
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Tutorial 7Synthesis:Additive synthe
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Tutorial 7Synthesis:Additive synthe
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Multiplying signalsTutorial 8: Synt
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Tutorial 8Synthesis:Tremolo and rin
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Tutorial 9: Synthesis—Amplitude m
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Tutorial 9Synthesis:Amplitude modul
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Tutorial 10: Synthesis—Vibrato an
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Elements of FM synthesisTutorial 11
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Tutorial 11Synthesis:Frequency modu
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Tutorial 11Synthesis:Frequency modu
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Tutorial 12Synthesis:WaveshapingThe
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Tutorial 12Synthesis:Waveshaping•
Page 124 and 125: Sound input: adc~Tutorial 13: Sampl
Page 126 and 127: Tutorial 13Sampling:Recording and p
Page 128 and 129: Tutorial 13Sampling:Recording and p
Page 130 and 131: Playing samples with groove~Tutoria
Page 132 and 133: Tutorial 14Sampling:Playback with l
Page 134 and 135: Tutorial 15Sampling:Variable-length
Page 140 and 141: Tutorial 16Sampling:Record and play
Page 142 and 143: Tutorial 16Sampling:Record and play
Page 144 and 145: Tutorial 17Sampling reviewThe compu
Page 146 and 147: Tutorial 17Sampling reviewThe keyst
Page 148 and 149: Tutorial 18: MIDI control—Mapping
Page 150 and 151: Tutorial 18MIDI Control:Mapping MID
Page 152 and 153: Tutorial 18MIDI Control:Mapping MID
Page 154 and 155: Implementing standard MIDI messages
Page 156 and 157: Tutorial 19MIDI Control:Synthesizer
Page 162 and 163: Tutorial 20: MIDI control—Sampler
Page 164 and 165: Tutorial 20MIDI Control:SamplerThis
Page 166 and 167: Tutorial 20MIDI Control:SamplerNote
Page 168 and 169: Tutorial 20MIDI Control:SamplerSumm
Page 170 and 171: Tutorial 21MIDI Control:Using the p
Page 178 and 179: Panning for localization and distan
Page 180 and 181: Tutorial 22MIDI Control:PanningIn c
Page 182 and 183: Tutorial 22MIDI Control:PanningTher
Page 184 and 185: Tutorial 22MIDI Control:Panning•
Page 186 and 187: Tutorial 23Analysis:Viewing signal
Page 192 and 193: Tutorial 24: Analysis—Oscilloscop
Page 194 and 195: Tutorial 24Analysis:Oscilloscopedif
Page 196 and 197: Tutorial 25Analysis:Using the FFTAl
Page 198 and 199: Tutorial 25Analysis:Using the FFTIt
Page 200 and 201: Tutorial 25Analysis:Using the FFTAs
Page 202 and 203: Tutorial 26Frequency domain signalp
Page 220 and 221: Effects achieved with delayed signa
Page 222 and 223: Tutorial 27Processing:Delay linesEq
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Tutorial 28Processing:Delay lines w
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Tutorial 28Processing:Delay lines w
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Tutorial 29Processing:FlangeWhile t
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Tutorial 29Processing:Flangedemonst
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Tutorial 30: Processing—ChorusThe
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Tutorial 30Processing:ChorusMultipl
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Tutorial 31: Processing—Comb filt
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Tutorial 31Processing:Comb filterTh
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Tutorial 31Processing:Comb filterco
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The dsp objectControlling and autom
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Indexfeedback in a delay line......
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Index246
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Tutorials and Topics - Peabody Computer Music

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