Tutorials and Topics - Peabody Computer Music

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Copyright and Trademark NoticesThis manual is copyright © 2000-2005 Cycling ’74.MSP is copyright © 1997-2005 Cycling ’74—All rights reserved. Portions of MSP arebased on Pd by Miller Puckette, © 1997 The Regents of the University of California. MSPand Pd are based on ideas in FTS, an advanced DSP platform © IRCAM.Max is copyright © 1990-2005 Cycling ’74/IRCAM, l’Institut de Récherche etCoordination Acoustique/Musique.VST is a trademark of Steinberg Soft- und Hardware GmbH.ReWire is a trademark of Propellerhead Software AS.CreditsOriginal MSP Documentation: Chris DobrianAudio I/O: David Zicarelli, Andrew Pask, Darwin GrosseMSP2 Reference: David Zicarelli, Gregory Taylor, Joshua Kit Clayton, jhno, RichardDudas, R. Luke DuBois, Andrew PaskMSP2 Manual page example patches: R. Luke DuBois, Darwin Grosse, Ben Nevile, JoshuaKit Clayton, David ZicarelliCover Design: Lilli Wessling HartGraphic Design: Gregory Taylor2
Table of ContentsCopyright and Trademark Notices........................................................................................... 2Credits ............................................................................................................................................ 2Introduction .................................................................................................................................9Signal processing in Max............................................................................................................ 9How To Use This Manual ........................................................................................................11Reading the manual online ......................................................................................................11Other Resources for MSP Users..............................................................................................11How Digital Audio Works ..................................................................................................... 13Sound............................................................................................................................................13Simple harmonic motion...................................................................................................13Complex tones .....................................................................................................................15Harmonic tones...................................................................................................................17Inharmonic tones and noise .............................................................................................19Amplitude envelope............................................................................................................19Amplitude and loudness....................................................................................................20Digital representation of sound ..............................................................................................21Sampling and quantizing a sound wave .........................................................................21Limitations of digital audio......................................................................................................23Sampling rate and Nyquist rate........................................................................................23Precision of quantization...................................................................................................25Memory and storage...........................................................................................................27Clipping.................................................................................................................................27Advantages of digital audio......................................................................................................28Synthesizing digital audio..................................................................................................28Manipulating digital signals..............................................................................................29How MSP Works: Max Patches and the MSP Signal Network ............................................................. 30Introduction................................................................................................................................30Audio rate and control rate......................................................................................................31The link between Max and MSP .............................................................................................32Limitations of MSP....................................................................................................................33Advantages of MSP....................................................................................................................35Audio I/O: Audio input and output with MSP................................................................................... 36The DSP Status Window ..........................................................................................................36About Logical Input and Output Channels..........................................................................43Using Core Audio on Macintosh............................................................................................46Using MME Audio and DirectSound on Windows............................................................48Using MME and DirectSound Drivers on with MSP on Windows..........................49Input and Output Devices.................................................................................................51Thread Priority and Latency Settings..............................................................................51Using ReWire with MSP...........................................................................................................513
Page 1: MSPTutorials and TopicsVersion 4.5.
Page 5 and 6: Table of ContentsExercise 3 .......
Page 8 and 9: Table of ContentsVarying parameters
Page 10 and 11: IntroductionWith the addition of th
Page 12: IntroductionThe Max/MSP Examples fo
Page 15 and 16: How Digital Audio Works• The fluc
Page 17 and 18: How Digital Audio WorksBecause the
Page 19 and 20: How Digital Audio Worksthough, the
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Page 23 and 24: How Digital Audio Worksthreshold. A
Page 25 and 26: How Digital Audio WorksIn this case
Page 27 and 28: How Digital Audio Worksquality”)
Page 29 and 30: How Digital Audio WorksManipulating
Page 31 and 32: How MSP WorksMax patches and theMSP
Page 37 and 38: Audio I/OAudio input andoutput with
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Audio I/OAudio input andoutput with
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Audio I/OAudio input andoutput with
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Tutorial 1: Fundamentals—Test ton
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Tutorial 1Fundamentals:Test toneWav
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Tutorial 1Fundamentals:Test tonesou
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Tutorial 2Fundamentals:Adjustable o
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Tutorial 3Fundamentals:Wavetable os
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Tutorial 4Fundamentals:Routing sign
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Tutorial 5Fundamentals:Turning sign
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Tutorial 6A review of fundamentals1
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Tutorial 6A review of fundamentalsW
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Tutorial 7Synthesis:Additive synthe
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Tutorial 7Synthesis:Additive synthe
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Multiplying signalsTutorial 8: Synt
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Tutorial 8Synthesis:Tremolo and rin
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Tutorial 9: Synthesis—Amplitude m
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Tutorial 9Synthesis:Amplitude modul
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Tutorial 10: Synthesis—Vibrato an
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Elements of FM synthesisTutorial 11
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Tutorial 11Synthesis:Frequency modu
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Tutorial 11Synthesis:Frequency modu
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Tutorial 12Synthesis:WaveshapingThe
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Tutorial 12Synthesis:Waveshaping•
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Sound input: adc~Tutorial 13: Sampl
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Tutorial 13Sampling:Recording and p
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Tutorial 13Sampling:Recording and p
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Playing samples with groove~Tutoria
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Tutorial 14Sampling:Playback with l
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Tutorial 15Sampling:Variable-length
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Tutorial 16Sampling:Record and play
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Tutorial 16Sampling:Record and play
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Tutorial 17Sampling reviewThe compu
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Tutorial 17Sampling reviewThe keyst
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Tutorial 18: MIDI control—Mapping
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Tutorial 18MIDI Control:Mapping MID
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Tutorial 18MIDI Control:Mapping MID
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Implementing standard MIDI messages
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Tutorial 19MIDI Control:Synthesizer
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Tutorial 20: MIDI control—Sampler
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Tutorial 20MIDI Control:SamplerThis
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Tutorial 20MIDI Control:SamplerNote
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Tutorial 20MIDI Control:SamplerSumm
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Tutorial 21MIDI Control:Using the p
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Panning for localization and distan
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Tutorial 22MIDI Control:PanningIn c
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Tutorial 22MIDI Control:PanningTher
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Tutorial 22MIDI Control:Panning•
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Tutorial 23Analysis:Viewing signal
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Tutorial 24: Analysis—Oscilloscop
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Tutorial 24Analysis:Oscilloscopedif
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Tutorial 25Analysis:Using the FFTAl
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Tutorial 25Analysis:Using the FFTIt
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Tutorial 25Analysis:Using the FFTAs
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Tutorial 26Frequency domain signalp
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Effects achieved with delayed signa
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Tutorial 27Processing:Delay linesEq
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Tutorial 28Processing:Delay lines w
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Tutorial 28Processing:Delay lines w
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Tutorial 29Processing:FlangeWhile t
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Tutorial 29Processing:Flangedemonst
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Tutorial 30: Processing—ChorusThe
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Tutorial 30Processing:ChorusMultipl
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Tutorial 31: Processing—Comb filt
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Tutorial 31Processing:Comb filterTh
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Tutorial 31Processing:Comb filterco
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The dsp objectControlling and autom
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Indexfeedback in a delay line......
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Index246
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Tutorials and Topics - Peabody Computer Music

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