Tutorials and Topics - Peabody Computer Music

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Table of ContentsVarying parameters to the filter............................................................................................240The dsp Object—Controlling and Automating MSP ....................................................................... 2418
IntroductionSignal processing in MaxMSP gives you over 170 Max objects with which to build your own synthesizers,samplers, and effects processors as software instruments that perform audio signalprocessing.A filter and delay effect processor in MSPAs you know, Max enables you to design your own programs for controlling MIDIsynthesizers, samplers, and effects processors.MIDI control with Max9
Page 1 and 2: MSPTutorials and TopicsVersion 4.5.
Page 3 and 4: Table of ContentsCopyright and Trad
Page 5 and 6: Table of ContentsExercise 3 .......
Page 10 and 11: IntroductionWith the addition of th
Page 12: IntroductionThe Max/MSP Examples fo
Page 15 and 16: How Digital Audio Works• The fluc
Page 17 and 18: How Digital Audio WorksBecause the
Page 19 and 20: How Digital Audio Worksthough, the
Page 21 and 22: How Digital Audio Worksnumbers from
Page 23 and 24: How Digital Audio Worksthreshold. A
Page 25 and 26: How Digital Audio WorksIn this case
Page 27 and 28: How Digital Audio Worksquality”)
Page 29 and 30: How Digital Audio WorksManipulating
Page 31 and 32: How MSP WorksMax patches and theMSP
Page 37 and 38: Audio I/OAudio input andoutput with
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Tutorial 1: Fundamentals—Test ton
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Tutorial 1Fundamentals:Test toneWav
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Tutorial 1Fundamentals:Test tonesou
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Tutorial 2Fundamentals:Adjustable o
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Tutorial 3Fundamentals:Wavetable os
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Tutorial 4Fundamentals:Routing sign
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Tutorial 5Fundamentals:Turning sign
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Tutorial 6A review of fundamentals1
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Tutorial 6A review of fundamentalsW
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Tutorial 6A review of fundamentalsS
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Tutorial 7Synthesis:Additive synthe
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Tutorial 7Synthesis:Additive synthe
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Multiplying signalsTutorial 8: Synt
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Tutorial 8Synthesis:Tremolo and rin
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Tutorial 9: Synthesis—Amplitude m
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Tutorial 9Synthesis:Amplitude modul
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Tutorial 10: Synthesis—Vibrato an
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Elements of FM synthesisTutorial 11
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Tutorial 11Synthesis:Frequency modu
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Tutorial 11Synthesis:Frequency modu
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Tutorial 12Synthesis:WaveshapingThe
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Tutorial 12Synthesis:Waveshaping•
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Sound input: adc~Tutorial 13: Sampl
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Tutorial 13Sampling:Recording and p
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Tutorial 13Sampling:Recording and p
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Playing samples with groove~Tutoria
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Tutorial 14Sampling:Playback with l
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Tutorial 15Sampling:Variable-length
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Tutorial 16Sampling:Record and play
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Tutorial 16Sampling:Record and play
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Tutorial 17Sampling reviewThe compu
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Tutorial 17Sampling reviewThe keyst
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Tutorial 18: MIDI control—Mapping
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Tutorial 18MIDI Control:Mapping MID
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Tutorial 18MIDI Control:Mapping MID
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Implementing standard MIDI messages
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Tutorial 19MIDI Control:Synthesizer
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Tutorial 20: MIDI control—Sampler
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Tutorial 20MIDI Control:SamplerThis
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Tutorial 20MIDI Control:SamplerNote
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Tutorial 20MIDI Control:SamplerSumm
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Tutorial 21MIDI Control:Using the p
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Panning for localization and distan
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Tutorial 22MIDI Control:PanningIn c
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Tutorial 22MIDI Control:PanningTher
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Tutorial 22MIDI Control:Panning•
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Tutorial 23Analysis:Viewing signal
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Tutorial 24: Analysis—Oscilloscop
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Tutorial 24Analysis:Oscilloscopedif
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Tutorial 25Analysis:Using the FFTAl
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Tutorial 25Analysis:Using the FFTIt
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Tutorial 25Analysis:Using the FFTAs
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Tutorial 26Frequency domain signalp
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Effects achieved with delayed signa
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Tutorial 27Processing:Delay linesEq
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Tutorial 28Processing:Delay lines w
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Tutorial 28Processing:Delay lines w
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Tutorial 29Processing:FlangeWhile t
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Tutorial 29Processing:Flangedemonst
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Tutorial 30: Processing—ChorusThe
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Tutorial 30Processing:ChorusMultipl
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Tutorial 31: Processing—Comb filt
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Tutorial 31Processing:Comb filterTh
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Tutorial 31Processing:Comb filterco
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The dsp objectControlling and autom
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Indexfeedback in a delay line......
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Index246
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