reviews - Jewish Book Council
reviews - Jewish Book Council
reviews - Jewish Book Council
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59 TH NATIONAL JEWISH BOOK AWARDS<br />
THE KOREN SACKS SIDDUR:<br />
A HEBREW/ENGLISH PRAYERBOOK<br />
Chief Rabbi Lord Sacks<br />
Koren Publishers<br />
The Koren Siddur is a landmark<br />
achievement for Chief Rabbi Lord<br />
Jonathan Sacks, Eliyahu Koren, and the<br />
Orthodox Union.<br />
This new Orthodox, Ashkenazic rite<br />
prayerbook features:<br />
• Koren’s beautiful, clear fonts<br />
for prayers and Bible texts<br />
• innovative Hebrew-English pagination (with the book<br />
open, Hebrew appears on the left, English on the right,<br />
and both texts flow outward from the center)<br />
• passages of Hebrew and English text laid out in meaningful<br />
phrases<br />
• special symbols for grammatical vocalization (sh’va na,<br />
meteg, kamatz katan)<br />
• instructions for women’s Zimmun at Grace After<br />
Meals, Ceremony of Zeved HaBat (celebrating the birth<br />
of a daughter)<br />
• explanatory notes accompanying the text<br />
• a useful appendix of month-by-month practices and<br />
customs<br />
• a table of variant texts “endorsed by practice or noted<br />
halakhic authorities”<br />
• an English translation which is consistently faithful,<br />
original, engaging, and clear<br />
• Rabbi Sacks’ superb introductory essay, “Understanding<br />
<strong>Jewish</strong> Prayer”<br />
But this prayerbook is much more than the sum of its parts. It integrates<br />
perfectly the finest esthetic elements of book-craft with a rich national<br />
heritage and personal engagement in <strong>Jewish</strong> prayer.<br />
As Dr. Moshe Sokolow, one of the contributors to<br />
this project, said, “The siddur actually functions as a<br />
kind of liturgical time machine, transporting one<br />
from ordinary weekdays to Shabbat” and to other<br />
special days and occasions.<br />
What other book does that?<br />
POETRY<br />
Winner:<br />
THE BOOK OF SEVENTY<br />
Alicia Suskin Ostriker<br />
University of Pittsburgh Press<br />
Alicia Ostriker is one of the finest<br />
poets writing today in America.<br />
She is known for her commentary on<br />
<strong>Jewish</strong> women writers and <strong>Jewish</strong><br />
women of the Bible as well as for her<br />
poetry. In one of her poems, “West 4th Street,” she calls herself a “fool for beauty”—but<br />
she is also a fool for wisdom.<br />
<strong>Book</strong> by book, she grows better and bet-<br />
16 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />
ter; she has had to shed many skins to get here, but<br />
she is—finally—here. She has humour, scholarship,<br />
knowledge, and the courage of a woman at the<br />
height of her power looking lovingly and quizzically<br />
at the world.<br />
Finalists:<br />
EZEKIEL’S WHEELS<br />
Shirley Kaufman<br />
Copper Canyon Press<br />
Passionate and breathtakingly direct, Shirley Kaufman maps the<br />
territory of aging and blindness with clarity and courage:<br />
“Nobody’s story but my own/coming to an end.” There is no self-pity<br />
and nothing trivial in these stark, wise, beautiful lyrics. Kaufman’s<br />
questing spirit interrogates everything, tasting life with undiminished<br />
appetite. A poet who has been writing and publishing for decades,<br />
Kaufman wastes no time and no words. Lucid, truthful, pared down<br />
to powerful understatement, these are poems to read over and over.<br />
DOOR TO A NOISY<br />
ROOM<br />
Peter Waldor<br />
Alice James <strong>Book</strong>s<br />
The insurance industry now has poet<br />
Peter Waldor to add to its ranks along<br />
with Wallace Stevens. This first book is<br />
spare and yet bountiful and delicious, ending<br />
with “Warmth”:<br />
“The ones I love/<br />
strip shirts,...<br />
I lift the old<br />
clothes/... to feel the<br />
warmth/ still in<br />
them./<br />
Who will tell me/ to<br />
put them down?”<br />
STUPID HOPE:<br />
POEMS<br />
Jason Shinder<br />
Graywolf Press<br />
Stupid Hope is Jason Shinder’s last<br />
book, published after his untimely<br />
death in 2008, at the height of his lyric<br />
power. These poems from a life shortened<br />
by illness are startlingly open and emotionally<br />
daring. Unsparing<br />
with himself, facing<br />
the loneliness of his fears<br />
and failures with clarity and an undertone of wry wit,<br />
Shinder is fully alive and still willing to risk desire.<br />
The poignancy of “stupid hope”—for life, for love—<br />
is that these poems are filled with both.<br />
www.jewishbookcouncil.org<br />
J.P. Ostriker<br />
Brad Fowler