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REVIEWS<br />

radio documentary on the history of the opera<br />

“Brundibar” when she was invited to join the<br />

survivors of Room 28’s annual reunion in<br />

Prague. She then embarked on a ten year journey,<br />

meeting, interviewing, befriending, and<br />

being accepted by the survivors. She spent years<br />

in research, weaving the stories of those adolescents<br />

around her central character, Helga Pollak,<br />

thus memorializing all the girls who did not survive.<br />

The girls formed a close group, influenced<br />

by the brilliant and caring counselors who guided<br />

them and introduced the concept of ma’agal<br />

(circle), a court system that encouraged the girls<br />

to be caring and considerate. Brenner observes<br />

that thanks to all the intellectuals and talented<br />

people gathered in one ghetto, and because they<br />

decided that these children would be educated<br />

and prepared for their “futures” by whoever had<br />

not been deported, the children became better<br />

educated than Christian children, whose education<br />

was perverted by Nazi dogma. With Brenner’s<br />

book, the reader becomes one with those<br />

girls, sharing their uncertainties but also, from<br />

time to time, their pleasures. MWP<br />

HERE, THERE<br />

ARE NO SARAH’S:<br />

A WOMAN’S<br />

COURAGEOUS<br />

FIGHT AGAINST<br />

THE NAZIS AND<br />

HER BITTERSWEET<br />

FULFILLMENT OF THE<br />

AMERICAN DREAM<br />

Sonia Shainwald Orbuch And Fred Rosenbaum<br />

RDR <strong>Book</strong>s, 2009. 240 pp. $16.95 (pbk.)<br />

ISBN: 978-1571431301 (pbk.)<br />

The success of the film “Defiance,” the story<br />

of the Bielskis, who saved the lives of 1,200<br />

Jews in the forests of Belorussia, has ignited an<br />

interest about Jews who fought back. Critics have<br />

lamented the fact that the ranks of Jews who<br />

fought as partisans were few; they fear that the<br />

popularity of the film mitigates the real tragedy,<br />

that most Jews did not escape the murderous<br />

intentions of the Nazis to rid the world of Jews.<br />

Nevertheless, Jews did fight as partisans and<br />

the Bielskis were not the exception. This book is<br />

the story of Sonia Shainwald Orbuch, who<br />

escaped the roundup of Jews in Luboml, Poland,<br />

in the province of Volhynia, now part of<br />

Ukraine, between the two world wars. Alongside<br />

Luboml’s <strong>Jewish</strong> population were poor, uneducated<br />

Ukrainian peasants as well as a Polish<br />

minority. The town in the 1930’s had roughly<br />

7,000 people, about 4,000 of them Jews who<br />

worked mostly as artisans and merchants, and<br />

34 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />

Autobiography and Memoir<br />

the center of <strong>Jewish</strong> life was Luboml’s Great Synagogue.<br />

All of that is gone today as the Nazis,<br />

with help from some in the local population,<br />

devastated the <strong>Jewish</strong> community.<br />

Sonia and her father survived because they<br />

were able to escape in time, thanks to the heroic<br />

efforts of a Ukrainian neighbor who guided<br />

them to the nearby forest region where they were<br />

able to join a Soviet partisan band. Not all partisan<br />

Otriads who fought the Nazis welcomed<br />

Jews who tried to join them. The Polish and<br />

Ukrainian partisan groups, for example, were,<br />

for the most part, anti-Semitic and hated Jews as<br />

mush as they did the Nazis. Once part of the<br />

Soviet band, Sonia, whose given name was<br />

Sarah, was told that “Here, there are no Sarah’s,<br />

you will be called Sonia.” The author recalls that<br />

“I couldn’t object and wasn’t even sure I wanted<br />

to. I already felt like a changed person, and the<br />

new Russian name fit my new life.”<br />

Of particular interest is Sonia’s description<br />

of what life was like for women in her partisan<br />

unit. There was much sexual harassment and<br />

even rape and, as she explains, “for that reason<br />

single females did tend to pick a defender, often<br />

a brawny laborer, the sort of person with whom<br />

they would likely not have had contact before<br />

the war. Not infrequently a refined middle class<br />

<strong>Jewish</strong> girl would end up with an uneducated,<br />

hard drinking Slav.” She goes on to write that<br />

sex was commonplace, often followed by<br />

unwanted pregnancies and venereal disease.<br />

During the war, Sonia eventually lost three<br />

brothers, her mother , and two men she loved,<br />

but survived the war along with her father. She<br />

married a <strong>Jewish</strong> survivor, whom she frankly<br />

admits was not someone to whom she was readily<br />

attracted. Nevertheless, the marriage endured,<br />

and they found themselves in a displacement<br />

camp following the war, where they made<br />

money in the black market, and eventually emigrated<br />

to the U.S. This is a riveting book and a<br />

welcome addition to our understanding of how<br />

Jews who joined partisans band—at least those<br />

that welcomed Jews—survived the war. JF<br />

HOUND DOG: THE<br />

LEIBER AND STOLLER<br />

AUTOBIOGRAPHY<br />

Jerry Leiber and Mike Stoller, with David Ritz<br />

Simon & Schuster, 2009. 322 pp. $25.00<br />

ISBN: 978-1-4165-5938-2<br />

Jerry Leiber and Mike Stoller were not only<br />

two of the most creative songwriters of the<br />

20th century, but also vital figures—along<br />

with fellow American Jews such as Benny<br />

Goodman, Jerry Wexler, and the Chess<br />

brothers—in the integration of American<br />

music and popular culture. Today, they are<br />

figures of nostalgia, perhaps known best as<br />

the songwriters whose music makes up the<br />

musical “Smokey Joe’s Cafe.” Back in the<br />

1950’s and early 1960’s, however, their writing<br />

not only catapulted Elvis Presley to<br />

worldwide fame, but also helped performers<br />

such as Joe Turner, Big Mama Thornton, The<br />

Coasters, and The Drifters make their mark<br />

with colorful and entertaining songs that<br />

crossed color lines, sometimes in rather daring<br />

fashion. “Kansas City,” “Stand by Me,”<br />

“Hound Dog,” and “Jailhouse Rock” are<br />

some of the most recognizable American<br />

songs ever.<br />

This dual autobiography essentially has<br />

Leiber and Stoller trading verses, alternating<br />

as they share the stories of their lives. This is<br />

an effective technique when they are telling<br />

the same story—as in their anecdotes about<br />

Presley and his over-the-top manager Colonel<br />

Parker—but a bit confusing when they are<br />

discussing different topics. Moreover, once<br />

they get past their heyday, the narrative goes<br />

a bit flat, becoming more on the order of<br />

standard celebrity fare. The book’s certainly<br />

not a bad one, but it will not have the place<br />

in my life that their best songs do. Appendices,<br />

index. DC<br />

I CHOOSE LIFE:<br />

TWO LINKED<br />

STORIES OF<br />

HOLOCAUST<br />

SURVIVAL AND<br />

REBIRTH<br />

Jerry L. Jennings and Sol and Goldie Finkelstein,<br />

with Joseph S. Finkelstein<br />

Xlibris, 2009. 142 pp. $29.99<br />

ISBN: 978-1-4415-0306-0<br />

With this book the reader gets three stories<br />

in one—two “befores” and one<br />

“after.” First, a Sol story, and then a Goldie<br />

story, but once married, their story is a single<br />

narrative. Both maintained unusual courage<br />

and conviction that they would survive.<br />

Goldie was very pretty and remarkably selfassured.<br />

When an SS guard gave her parents a<br />

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