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REVIEWS<br />

Adolf Burger<br />

Frontline <strong>Book</strong>s, 2009. 288 pp. $39.99<br />

ISBN: 978-1848325234<br />

32 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />

Autobiography and Memoir<br />

THE DEVIL’S WORK-<br />

SHOP: A MEMOIR<br />

OF THE NAZI<br />

COUNTERFEITING<br />

OPERATION<br />

Although The Devil’s Workshop is described<br />

as a memoir of the Nazi counterfeiting<br />

operation based in the Sachsenhausen concentration<br />

camp between 1942–1945, Adolf Burger’s<br />

book is much more than that. Burger was<br />

arrested by the Nazis in Slovakia and subsequently<br />

sent to Auschwitz. He describes what<br />

life was like for Jews under the government of<br />

Monsignor Joseph Tiso, a Catholic priest, and<br />

his ersatz SS group, the Hlinka guards. He gives<br />

a vivid description of life in Auschwitz, where<br />

his 22 year old wife was sent to the gas chamber.<br />

He tells how <strong>Jewish</strong> “kommandos” were<br />

assigned to rob the dead of their dignity in<br />

Birkenau—shearing their hair, extracting gold<br />

fillings from their teeth, and so on. Berger also<br />

provides a harrowing picture of the Nazi treatment<br />

of the Gypsy camp at Birkenau—all in all<br />

a searingly graphic description of Auschwitz.<br />

He tells how <strong>Jewish</strong> “kommandos” were<br />

assigned to rob the dead of their dignity in<br />

Birkenau—shearing their hair, extracting<br />

gold fillings from their teeth, and so on.<br />

The second part of the memoir deals with<br />

the Nazis’ attempt to forge millions of British<br />

pounds sterling in order to weaken the British<br />

currency. Toward that end, the Reich Security<br />

Service organized a forgery workshop in the<br />

Sachsenhausen concentration camp. The Nazi<br />

creation of this economic weapon entailed the<br />

recruitment of <strong>Jewish</strong> prisoners from selected<br />

camps such as Auschwitz, Buchenwald, Ravenbruck,<br />

Mauthausen, and Theresienstadt, who<br />

were transferred to Sachsenhausen. The criteria<br />

for those selected was that they had some experience<br />

with the printing trade, and this was<br />

how Adolf Burger was saved from eventual<br />

death in Auschwitz (the memoir never explains<br />

why <strong>Jewish</strong> prisoners alone were chosen). All<br />

told, the project included 142 <strong>Jewish</strong> inmates<br />

who were forced to forge not only British<br />

paper money but also American bank note,<br />

worth billions, as well as bonds, stamps, and<br />

other documents. Accompanying his experiences<br />

in “Project Bernhard,” named after the<br />

SS supervisor of this criminal enterprise, Burger<br />

and the publisher have provided a large<br />

assortment of primary documents, rare photos<br />

of the main participants in the operation, and<br />

of prisoners incarcerated in the various concentration<br />

camps.<br />

If “Project Bernhard” sounds familiar, it is<br />

because the book served as the basis for the<br />

award-winning film 2007 film “The Counterfeiters.”<br />

This riveting book is essential for<br />

our understanding of a relatively unknown<br />

chapter of the Holocaust. JF<br />

DEVOTION:<br />

A MEMOIR<br />

Dani Shapiro<br />

HarperCollins Publishers, 2010. 256 pp. $24.99<br />

ISBN: 978-0-162834-4<br />

Dani Shapiro lives with endless questions.<br />

Raised in an Orthodox <strong>Jewish</strong> family,<br />

she believes she has escaped that “stifling”<br />

world. Yet she finds that every time she<br />

touches something that reminds her of that<br />

world, she has the urge to cry and then experiences<br />

a disarming sense of peace. Instead of<br />

seeking further in that direction, she runs<br />

from those feelings, perceiving them to be<br />

nothing more than the comforting memories<br />

of childhood. Thus, her search continues.<br />

Neither AA meetings nor yoga and meditation<br />

yield much tranquility. Finally, a series of<br />

...her depiction of her walk<br />

through shame, guilt, pain, darkness,<br />

and light is beautifully told.<br />

losses and near losses lead Shapiro to realize<br />

that the journey is rewarding only if “...there<br />

is value in simply standing there—this too—<br />

whether the sun is shining, or the wind whipping<br />

all around.” Later she concludes that<br />

each of us is “full of longing, reaching out<br />

with our whole selves for something impossible<br />

to touch. Still, we are reaching, reaching.”<br />

While one may have wished for Shapiro to<br />

reveal a return to her roots, her depiction of<br />

her walk through shame, guilt, pain, darkness,<br />

and light is beautifully told. DS<br />

EATING ANIMALS<br />

Jonathan Safran Foer<br />

Little Brown, 2009. 352 pp. $25.99<br />

ISBN: 978-0-316-06990-8<br />

Everything about factory farming is illuminated<br />

in Foer’s first major work of nonfiction,<br />

which attempts to help us make more<br />

informed choices about what we eat. Motivated<br />

by the question of what to teach his first<br />

son about food, Foer set out on a three year<br />

journey to learn where the meat on our plate<br />

comes from. His findings are startling.<br />

The author feeds us the gory details of the<br />

lives of factory-farmed animals. His first hand<br />

descriptions are vivid and striking in their<br />

gruesomeness. But this book is about much<br />

more than the gore that surrounds our meals.<br />

Foer explores the environmental impact of factory<br />

farming (“animal agriculture...is the number<br />

one cause of climate change”), he describes<br />

the way in which large-scale health threats are<br />

linked to factory farming (H1N1 aka swine<br />

flu), he probes into the waste, the humanitarian<br />

violations, and the ethical dilemmas surrounding<br />

the process by which many of us fill<br />

our dinner plates. He also debunks the myth of<br />

“free-range” and tells us exactly what is in our<br />

chicken...and it’s not just chicken.<br />

Foer is a fiction writer and portions of the<br />

book come to life the way his novels do. Beautiful<br />

passages describe the social and even ritualistic<br />

aspects of sharing meals (Passover seders).<br />

He begins the book with a powerful story of his<br />

grandmother turning down a piece of pork<br />

even while she was starving during the war. “If<br />

nothing matters, there’s nothing to save,” she<br />

told him. He ends the book with these very<br />

words, and the chapters in between tell us<br />

what, exactly, we are choosing when we choose<br />

to eat certain meats, and why it matters.<br />

Foer uses some of his trademark literary<br />

devices in this book—long lists (chapter 3,<br />

Words/Meaning), changes in narrative voice (he<br />

uses transcripts from his interviews with farmers<br />

without indicating who is speaking). These gimmicky<br />

devices make for a disjointed and sometimes<br />

tiresome reading experience, but they are<br />

well-worth the effort. Whatever is said of this<br />

www.jewishbookcouncil.org

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