reviews - Jewish Book Council
reviews - Jewish Book Council
reviews - Jewish Book Council
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REVIEWS<br />
Adolf Burger<br />
Frontline <strong>Book</strong>s, 2009. 288 pp. $39.99<br />
ISBN: 978-1848325234<br />
32 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />
Autobiography and Memoir<br />
THE DEVIL’S WORK-<br />
SHOP: A MEMOIR<br />
OF THE NAZI<br />
COUNTERFEITING<br />
OPERATION<br />
Although The Devil’s Workshop is described<br />
as a memoir of the Nazi counterfeiting<br />
operation based in the Sachsenhausen concentration<br />
camp between 1942–1945, Adolf Burger’s<br />
book is much more than that. Burger was<br />
arrested by the Nazis in Slovakia and subsequently<br />
sent to Auschwitz. He describes what<br />
life was like for Jews under the government of<br />
Monsignor Joseph Tiso, a Catholic priest, and<br />
his ersatz SS group, the Hlinka guards. He gives<br />
a vivid description of life in Auschwitz, where<br />
his 22 year old wife was sent to the gas chamber.<br />
He tells how <strong>Jewish</strong> “kommandos” were<br />
assigned to rob the dead of their dignity in<br />
Birkenau—shearing their hair, extracting gold<br />
fillings from their teeth, and so on. Berger also<br />
provides a harrowing picture of the Nazi treatment<br />
of the Gypsy camp at Birkenau—all in all<br />
a searingly graphic description of Auschwitz.<br />
He tells how <strong>Jewish</strong> “kommandos” were<br />
assigned to rob the dead of their dignity in<br />
Birkenau—shearing their hair, extracting<br />
gold fillings from their teeth, and so on.<br />
The second part of the memoir deals with<br />
the Nazis’ attempt to forge millions of British<br />
pounds sterling in order to weaken the British<br />
currency. Toward that end, the Reich Security<br />
Service organized a forgery workshop in the<br />
Sachsenhausen concentration camp. The Nazi<br />
creation of this economic weapon entailed the<br />
recruitment of <strong>Jewish</strong> prisoners from selected<br />
camps such as Auschwitz, Buchenwald, Ravenbruck,<br />
Mauthausen, and Theresienstadt, who<br />
were transferred to Sachsenhausen. The criteria<br />
for those selected was that they had some experience<br />
with the printing trade, and this was<br />
how Adolf Burger was saved from eventual<br />
death in Auschwitz (the memoir never explains<br />
why <strong>Jewish</strong> prisoners alone were chosen). All<br />
told, the project included 142 <strong>Jewish</strong> inmates<br />
who were forced to forge not only British<br />
paper money but also American bank note,<br />
worth billions, as well as bonds, stamps, and<br />
other documents. Accompanying his experiences<br />
in “Project Bernhard,” named after the<br />
SS supervisor of this criminal enterprise, Burger<br />
and the publisher have provided a large<br />
assortment of primary documents, rare photos<br />
of the main participants in the operation, and<br />
of prisoners incarcerated in the various concentration<br />
camps.<br />
If “Project Bernhard” sounds familiar, it is<br />
because the book served as the basis for the<br />
award-winning film 2007 film “The Counterfeiters.”<br />
This riveting book is essential for<br />
our understanding of a relatively unknown<br />
chapter of the Holocaust. JF<br />
DEVOTION:<br />
A MEMOIR<br />
Dani Shapiro<br />
HarperCollins Publishers, 2010. 256 pp. $24.99<br />
ISBN: 978-0-162834-4<br />
Dani Shapiro lives with endless questions.<br />
Raised in an Orthodox <strong>Jewish</strong> family,<br />
she believes she has escaped that “stifling”<br />
world. Yet she finds that every time she<br />
touches something that reminds her of that<br />
world, she has the urge to cry and then experiences<br />
a disarming sense of peace. Instead of<br />
seeking further in that direction, she runs<br />
from those feelings, perceiving them to be<br />
nothing more than the comforting memories<br />
of childhood. Thus, her search continues.<br />
Neither AA meetings nor yoga and meditation<br />
yield much tranquility. Finally, a series of<br />
...her depiction of her walk<br />
through shame, guilt, pain, darkness,<br />
and light is beautifully told.<br />
losses and near losses lead Shapiro to realize<br />
that the journey is rewarding only if “...there<br />
is value in simply standing there—this too—<br />
whether the sun is shining, or the wind whipping<br />
all around.” Later she concludes that<br />
each of us is “full of longing, reaching out<br />
with our whole selves for something impossible<br />
to touch. Still, we are reaching, reaching.”<br />
While one may have wished for Shapiro to<br />
reveal a return to her roots, her depiction of<br />
her walk through shame, guilt, pain, darkness,<br />
and light is beautifully told. DS<br />
EATING ANIMALS<br />
Jonathan Safran Foer<br />
Little Brown, 2009. 352 pp. $25.99<br />
ISBN: 978-0-316-06990-8<br />
Everything about factory farming is illuminated<br />
in Foer’s first major work of nonfiction,<br />
which attempts to help us make more<br />
informed choices about what we eat. Motivated<br />
by the question of what to teach his first<br />
son about food, Foer set out on a three year<br />
journey to learn where the meat on our plate<br />
comes from. His findings are startling.<br />
The author feeds us the gory details of the<br />
lives of factory-farmed animals. His first hand<br />
descriptions are vivid and striking in their<br />
gruesomeness. But this book is about much<br />
more than the gore that surrounds our meals.<br />
Foer explores the environmental impact of factory<br />
farming (“animal agriculture...is the number<br />
one cause of climate change”), he describes<br />
the way in which large-scale health threats are<br />
linked to factory farming (H1N1 aka swine<br />
flu), he probes into the waste, the humanitarian<br />
violations, and the ethical dilemmas surrounding<br />
the process by which many of us fill<br />
our dinner plates. He also debunks the myth of<br />
“free-range” and tells us exactly what is in our<br />
chicken...and it’s not just chicken.<br />
Foer is a fiction writer and portions of the<br />
book come to life the way his novels do. Beautiful<br />
passages describe the social and even ritualistic<br />
aspects of sharing meals (Passover seders).<br />
He begins the book with a powerful story of his<br />
grandmother turning down a piece of pork<br />
even while she was starving during the war. “If<br />
nothing matters, there’s nothing to save,” she<br />
told him. He ends the book with these very<br />
words, and the chapters in between tell us<br />
what, exactly, we are choosing when we choose<br />
to eat certain meats, and why it matters.<br />
Foer uses some of his trademark literary<br />
devices in this book—long lists (chapter 3,<br />
Words/Meaning), changes in narrative voice (he<br />
uses transcripts from his interviews with farmers<br />
without indicating who is speaking). These gimmicky<br />
devices make for a disjointed and sometimes<br />
tiresome reading experience, but they are<br />
well-worth the effort. Whatever is said of this<br />
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