reviews - Jewish Book Council
reviews - Jewish Book Council
reviews - Jewish Book Council
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BOOK PROFILE<br />
JEWISH SOUTH AFRICA IN FICTION<br />
Two novels set 50 years apart explore discomforting nuances of class, power, and<br />
money for Jews in South Africa.<br />
IN A PALE BLUE LIGHT<br />
Lily Poritz Miller<br />
Sumach Press, 2009. 240 pp. $24.95<br />
ISBN: 978-1-8945-4983-7<br />
Lily Poritz Miller is a South African born playwright who co-edited a book of letters<br />
that were written by family and friends in Lithuania and abroad in the first<br />
part of the 20th century. A Thousand Threads, published in 2005, gave her a keen<br />
insight into the turmoil experienced by Lithuanian emigrants, and likely led her to the<br />
subject matter of her first novel, In A Pale Blue Light.<br />
The book tells of a family of Lithuanian immigrants to Cape Town, South Africa in<br />
the early 1900’s, drawing on Miller’s own childhood memories of the city. The story is<br />
about the hardships encountered by Sara, a recent widow, and her five children as<br />
they try to settle in a new country where apartheid is rife and the white people<br />
around them are either anti-Semitic Boers or new <strong>Jewish</strong> immigrants like themselves.<br />
Unlike themselves, though, many of the Jews around them are happy with segregated<br />
South Africa. Moreover, they’re social climbers and prone to interfere in and gossip<br />
about the misfortunes of others.<br />
It’s potentially great fodder for a story, but unfortunately Miller’s characters are<br />
insufficiently developed and don’t spring to life. Part of the problem is the words<br />
that come out of their mouths. They don’t feel a natural fit with the characters and<br />
their respective ages—primarily the teenager Lieba, whose thoughts are reflected in<br />
a discourse that’s totally out of line with her age.<br />
This makes A Pale Blue Light a difficult read, though for anyone who lived in<br />
Author of nearly 30 novels (perhaps most<br />
famously Interview with the Vampire), Rice<br />
consistently serves up dazzling, elegant prose<br />
and thrilling plots. Dwelling on issues of<br />
faithfulness, altruism, and devotion, the novel<br />
is told predominantly from the first-person<br />
perspective of 28-year-old Toby O’Dare, a<br />
cruel and desperate hitman. Known to his<br />
mysterious boss as “Lucky the Fox,” Toby, a<br />
lapsed Catholic, soon finds himself traveling<br />
through time to 13 th century England.<br />
Malchiah, an angel who has always watched<br />
out for Toby, gives him a chance to turn his<br />
life of crime around. Malchiah reminds Toby<br />
that he had once enjoyed a budding career as<br />
a talented musician, until tragic events dashed<br />
Toby’s hopes for going to a college conservatory,<br />
or for anything resembling a normal life.<br />
Malchiah offers Toby a chance to atone for<br />
46 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />
his crimes by moving to an alternate world,<br />
where Meir and Fluria, a <strong>Jewish</strong> couple, have<br />
been wrongfully accused of ritually killing<br />
their daughter. While the country approaches<br />
mass violence against the Jews, Rice expertly<br />
interweaves a portrait of <strong>Jewish</strong> life in medieval<br />
England with Toby’s attempts to help. The<br />
novel is particularly brilliant in the many chapters<br />
narrated by Fluria, who tells a timeless tale<br />
of romantic love against the backdrop of societal<br />
unrest. Both Fluria’s life story and Toby’s<br />
actions as he moves metaphysically through<br />
“angel time” have profound reverberations for<br />
Toby’s 21 st century life, which stands in limbo<br />
while his saga unfolds. Throughout, Rice is<br />
wholly unafraid to illustrate life’s suffering,<br />
while also illuminating those moments when<br />
the human spirit triumphs over oppression,<br />
hatred, and despair. PS<br />
South Africa, and particularly those readers of Lithuanian stock, it offers some interesting<br />
insights into the challenges experienced by their recent ancestors. LK<br />
THE SERVANT’S QUARTERS<br />
Lynn Freed<br />
Houghton Mifflin Harcourt, 2009. 216 pp. $24.00<br />
ISBN: 978-0-15-101288-6<br />
The law of unintended consequences comes to mind when reading The Servant’s<br />
Quarters, for in this novel readers encounter a group of characters who are continually<br />
met with situations in which actions have unanticipated effects.<br />
In the main, the novel is the coming of age story of Cressida, an impetuous, but<br />
clever and inquisitive nine-year-old <strong>Jewish</strong> girl growing up in the 1950’s in South Africa.<br />
She is eager to learn and experience life, but is riddled with social insecurities caused,<br />
in part, by a self-absorbed, supercilious mother and a comatose father. Despite her<br />
dysfunctional family environment, Cressida’s actions indicate her desire to become a<br />
responsible, reliable, and productive member of society. Yet, she cannot negotiate this<br />
space because, by her own admission, she “forgets to consider the consequences of<br />
anything” and ultimately decides that “considering the consequences of something<br />
before you actually [do] it...doom[s] [one] to failure right from the start.”<br />
The invisible hand of unintended consequences is also evident when readers<br />
learn that both Cressida and her sister, Miranda, are haunted by nightmares about the<br />
Holocaust that “come alive for someone who hadn’t been born until it was over.” In<br />
Miranda’s case, these thoughts translate into debilitating nightmares; in Cressida’s<br />
case, the nightmares fuel her need to know her personal history.<br />
The Servants’ Quarters is a multilayered novel in which Freed not only tells a<br />
love story, but also addresses social class, economic necessities, perceptions of normalcy,<br />
and subservience. Still, the psychological and philosophical undertones are<br />
what make this novel intriguing. MDE<br />
THE BIG KAHN<br />
Neil Kleid and Nicolas Cinquegrani<br />
ComicsLit, 2009. 176 pp. $13.95 (pbk.)<br />
ISBN: 978-1-56163-561-0 (pbk.)<br />
Like ripples on a pond after a stone is<br />
thrown, the consequences of a lie continue<br />
to spread until everyone is affected. In the case<br />
of Rabbi David Kahn, his 40 year masquerade<br />
as a Jew has detrimental effects on his wife, three<br />
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