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always with his hands up, are so apt that I usurp them here in a partial quotation:<br />

“...Never, never, never was pity so twinned with outrage, or visionary image-making<br />

so united with unforgiving historical fact...In Bak’s work there is absolute knowledge; I<br />

think he must understand that his eye and his hand are anointed.” List of Bak<br />

exhibits, galleries, museums and films.<br />

Operation Last Chance—Simon Wiesenthal is gone, but Efraim Zuroff carries on<br />

his work, described here truthfully but with a novelist’s ability to employ drama,<br />

characterizations, and description so that this account communicates the frustration<br />

and occasional triumphs of tracking down Nazi murderers, many of whom now live in<br />

empire, but the facts end there. NYU professor<br />

Zvi Ben-Dor Benite traces the unfolding<br />

of the rest of the story in legend. Post-Biblical<br />

Apocrypha, especially 2 Esdras, envisioned<br />

the Ten Tribes hidden behind mountains and<br />

a miraculous river and living proud, strong,<br />

free, and independent lives. That enviable<br />

state contrasted with the all too visible dispersion<br />

and desperation of the Jews of the Southern<br />

Kingdom after the destruction of the two<br />

Temples, and gave them hope and comfort.<br />

Where exactly were these pure, distant,<br />

hidden Jews? They were always imagined to be<br />

at the edge of the known world. As conquerors<br />

and explorers extended the boundaries<br />

of what was known, the lost tribes receded<br />

to those far horizons. Travelers in the<br />

Middle Ages, some credulous (like Benjamin<br />

of Tudela) and some deceiving (like David<br />

Reuveni), brought back stories of the tribes<br />

that suggested they were scattered from India<br />

to Ethiopia. After the European encounter<br />

with the New World, there were legends about<br />

hidden Jews in the jungles of South America,<br />

as well as speculation that native North Americans<br />

were descendants of the lost tribes.<br />

...weaves the religious, legendary,<br />

and scientific history of this idea<br />

into a colorful and enchanting story.<br />

Sometimes a purported connection to the<br />

Tribes supported claims of privilege, as with<br />

British theories of Ten Tribes ancestry. More<br />

often, though, the belief in the persistence of<br />

the Ten Tribes resembles the Shiite faith in<br />

the occluded Twelfth Imam or the Czech<br />

national story of the Hussite warriors hidden<br />

in Mt. Blánik. Just as the Hussites are said to<br />

stand ready to aid the Czech people in their<br />

time of need, and the Twelfth Imam is to<br />

emerge to bring salvation as Mahdi, the Ten<br />

Tribes were imagined to have a large army<br />

ready to defend the Jews. They offered the<br />

consolations of strength in the face of loss,<br />

eventual triumph following defeat, succor<br />

amid distress. Zvi Ben-Dor Benite weaves the<br />

religious, legendary, and scientific history of<br />

www.jewishbookcouncil.org<br />

this idea into a colorful and enchanting story,<br />

told in scholarly detail with a deft personal<br />

touch. Bibliography, index, notes. BG<br />

URANIUM WARS:<br />

THE SCIENTIFIC<br />

RIVALRY THAT<br />

CREATED THE<br />

NUCLEAR AGE<br />

Amir D. Aczel<br />

Palgrave Macmillan, 2009. 256 pp. $27.00<br />

ISBN: 978-0-230-61374-4<br />

Despite the intimidating title, Uranium<br />

Wars is, above all, a story about people.<br />

The author introduces us to the key players in<br />

the discovery of uranium and the history of<br />

nuclear arms, bringing us into the lives and<br />

struggles of the scientists, with brief interludes<br />

to explain some of the science (in<br />

remarkably easy and accessible language). He<br />

shows us Marie Curie (among many others)<br />

as a student searching for a Ph.D. thesis and<br />

graduating with what was the start of Nobelwinning<br />

research. He details the rivalry<br />

between Curie’s daughter, Nobel Laureate<br />

Irene Joliot-Curie, and Lise Meitner, two<br />

women racing to explain how a nucleus splits<br />

at a time when very few women dominated<br />

any scientific discipline.<br />

The relationships among the scientists<br />

bring history to life and the sections about<br />

the role of the Nazis in the arms race are gripping.<br />

Aczel ends with a look at the U.S.’s own<br />

questionable decision to drop the bomb—the<br />

final product of the scientists’ research—onto<br />

Hiroshima and Nagasaki. Some of the most<br />

memorable chapters show Aczel, and the rest<br />

of the world, struggling to understand what<br />

the scientists knew and didn’t know about<br />

the intended use of their efforts, and what<br />

their feelings were when it happened.<br />

Endnotes, illustrations, insert, references. AB<br />

BOOK PROFILE<br />

comfort and luxury. It reads like fiction, but unlike fiction, it is sadly truthful and<br />

describes frustrating failures, mostly due to lack of cooperation by the governments<br />

in question, as well as successes. Just by targeting them, flushing them out from their<br />

covers, Zuroff achieves a certain level of victory, even if they are not ultimately<br />

imprisoned. Zuroff may not carry a spear or a shield, but he is a true warrior searching<br />

for justice and retribution.<br />

Marcia Weiss Posner, Ph.D., is a librarian and program director at the Holocaust<br />

Memorial and Tolerance Center of Nassau County<br />

HOLOCAUST STUDIES<br />

ARNOLD DAGHANI’S<br />

MEMORIES OF<br />

MIKHAILOWKA: THE<br />

ILLUSTRATED DIARY<br />

OF A SLAVE LABOUR<br />

CAMP SURVIVOR<br />

Deborah Schultz and Edward Timms, eds.<br />

Vallentine Mitchell, 2009. 243 pp. $32.50 (pbk.)<br />

ISBN: 978-0853036395 (pbk.)<br />

The history of the publication of Daghani’s<br />

diary is almost as depressing as the diary<br />

itself which, after a brief introduction, is the first<br />

part of this fascinating study. Entitled “The<br />

Grave is in the Cherry Orchard” the history<br />

describes in terse yet poetic detail life in the slave<br />

labor camp of Mikhailowka during 1942 and<br />

1943, where the Romanian artist and his wife,<br />

Anisoara, whom he calls Nanino, are sent from<br />

their home in Czernowitz to build a strategic<br />

road for the Germans. During that year, besides<br />

the unbearable hardships they endured, Daghani,<br />

who had brought his paints and brushes with<br />

him (at the suggestion of the arresting officer),<br />

records both in English shorthand and, visually,<br />

in genre-like paintings, cruelty, occasional kindnesses,<br />

as well as portraits and interior scenes<br />

commissioned by his captors. Making their<br />

escape in 1943, the Daghanis carried the works<br />

above their heads as they waded across the Bug<br />

river and managed to get to a ghetto in Transnistria<br />

where they survived until the end of the war.<br />

The saga of the publication of this dual testament<br />

then begins. Though written in English, it was<br />

first published in Romanian in 1947. The<br />

Daghanis were then living in Bucharest. It was<br />

not until 1961 that the journal Adam: International<br />

Review published it in England in its original<br />

English. (The year before, it had been turned<br />

down by a literary agent whose comment was<br />

“good, but too few atrocities!”) Daghani’s paintings<br />

and writings would be concerned through-<br />

Spring 5770/2010 <strong>Jewish</strong> <strong>Book</strong> World 53

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