reviews - Jewish Book Council
reviews - Jewish Book Council
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REVIEWS<br />
Visual Arts<br />
daring and explicit past. There is indeed some<br />
fine artwork here; G-d’s endless white beard<br />
and flowing mane depict a sense of enlightenment<br />
and mightiness, his re-construction of<br />
Noah and his arc is masterful, and Abram’s<br />
haunted sleep when the Lord tells him his seed<br />
will be scattered for 400 years is powerfully<br />
delivered with perplexing dread.<br />
Reference the back of the book for<br />
Crumb’s personal comments and observations<br />
on each chapter. EF<br />
PHOTOGRAPHING<br />
THE JEWISH<br />
NATION, PICTURES<br />
FROM S. AN-SKY’S<br />
ETHNOGRAPHIC<br />
EXPEDITIONS<br />
Eugene M. Avrutin, Valerii Dymshits, Alexander<br />
Lvov, Harriet Murav, Alla Sokolova, eds.<br />
Brandeis University Press/UPNE, 2009. 212 pp. $39.95<br />
ISBN: 978-1-58465-792-7<br />
Shlyome-Zanvl Rappoport, known by his<br />
pen-name S. An-Sky (1863–1920), was<br />
not only “the father of <strong>Jewish</strong> anthropology<br />
and folklore,” but also the uncle of <strong>Jewish</strong><br />
visual ethnography.<br />
He took his nephew, Solomon Borisovich<br />
Iudovin (1892–1954), then a young man of<br />
20, with him on his ethnographic expedition to<br />
Volynia, Podolia, and Kiev provinces as the<br />
expedition photographer. Iudovin took over<br />
2000 photographs, most of which An-Sky<br />
deposited, together with the rest of the material<br />
he collected during the three research seasons in<br />
1912–1914, in the museum of the <strong>Jewish</strong> Historical-Ethnographic<br />
Society (JHES) in St.<br />
Petersburg. However, apparently, Iudovin gave<br />
a portion of the photographs, for safe keeping,<br />
to the painter Natan Isaevich Al’tman<br />
(1889–1970). Upon his death, the theater<br />
designer Alexander Pasternak moved to his studio<br />
and there he found a trove of 350 photographs.<br />
He showed them to Alina Orlov who<br />
conducted research for a biography of Al’tman,<br />
and she, in turn, consulted with Viktor Kel’ner<br />
and Valerii Dymshits, both from Petersburg<br />
Judaica, a research center affiliated with the<br />
European University at St. Petersburg. They<br />
realized their provenence and value, acquired<br />
them for the institution and included them in<br />
a five volume collection Fotoarkhiv ekspeditsii<br />
An-skogo (St. Petersburg, 2005–2007). The 169<br />
photographs in the present volume are taken<br />
from this collection, and they are accompanied<br />
by six informative and interpretive essays by<br />
60 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />
members of the Petersburg Judaica. The photographs<br />
are of utmost importance. They include<br />
portraits, some as mug-shots for anthropological<br />
documentation, craftsmen staged at their<br />
works, teachers and children in traditional<br />
schools and views of shtetl homes and squares.<br />
An-Sky set out on his expedition to discover<br />
and recover the <strong>Jewish</strong> folk culture and traditions<br />
in order to make them available for modern<br />
<strong>Jewish</strong> artists as building blocks for the creation<br />
of modern national <strong>Jewish</strong> culture. 170<br />
photographs. BBA<br />
REINVENTING RITUAL:<br />
CONTEMPORARY ART<br />
AND DESIGN FOR<br />
JEWISH LIFE<br />
Daniel Belasco; Contributors: Arnold M. Eisen,<br />
Julie Lasky, Tamar Rubin, Danya Ruttenberg<br />
Yale University Press/The <strong>Jewish</strong> Museum, 2009.<br />
149 pp. $39.95<br />
ISBN: 978-0-300-14682-0<br />
To judge this book by its illustrated cover<br />
and contents page is a challenge: witty or<br />
provocative? The <strong>Jewish</strong> Museum exhibition<br />
organizers probably aimed for ambivalence<br />
and they succeeded, in display and in this catalog,<br />
which accompanies an exhibition traveling<br />
from New York to San Francisco’s Contemporary<br />
<strong>Jewish</strong> Museum. This book is in<br />
the tradition of “Too <strong>Jewish</strong>?”—an earlier,<br />
controversial exhibition at the Museum.<br />
Interpretation of <strong>Jewish</strong> ritual objects, espe-<br />
AHMA, 2008 (Shalom Bat Chairs); acrylic on wood<br />
cially those focused on home-based ritual, is<br />
risky when done by practitioners of outrageous<br />
art, be they <strong>Jewish</strong> or non-<strong>Jewish</strong>, female or<br />
male. The curators/writers/artists don’t deny<br />
themselves lofty references—among others,<br />
Abraham Joshua Heschel’s comment that Gd’s<br />
revelation of the Torah is always ongoing.<br />
So empowered, artists conceive of limitless<br />
Bible portions rolled into gel capsules, perhaps<br />
to be ingested, on a regular basis. An austerely<br />
designed yad (pointer) incorporates a compass,<br />
verifying East; another includes a magnifying<br />
glass, reassuring impeccable Torah reading.<br />
Combining a kitchen apron and a tallit may be<br />
another matter for reader/viewer.<br />
Certainly some objects are refreshing, others<br />
vexing to consider, nevertheless the book<br />
is tied to a serious, nearly ponderous level by<br />
its topic, ritual—always ongoing. Acknowledgements,<br />
bibliography, contributors, exhibition<br />
checklist, index, notes. ABS<br />
TOBI KAHN:<br />
SACRED SPACES FOR<br />
THE 21ST CENTURY<br />
Ena Giurescu Heller, ed.<br />
GILES in association with The Museum of Biblical<br />
Art, 2009. 110 pp. $39.95<br />
ISBN: 978-1-904832-64-5<br />
The book published to accompany the exhibition<br />
of the same name at the Museum of<br />
Biblical Art in New York City is comprised of<br />
short essays exploring themes of sacredness in<br />
abstract images and objects created by the artist<br />
Copyright: 2009 by Tobi Kahn.<br />
www.jewishbookcouncil.org