06.12.2012 Views

reviews - Jewish Book Council

reviews - Jewish Book Council

reviews - Jewish Book Council

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

REVIEWS<br />

Visual Arts<br />

daring and explicit past. There is indeed some<br />

fine artwork here; G-d’s endless white beard<br />

and flowing mane depict a sense of enlightenment<br />

and mightiness, his re-construction of<br />

Noah and his arc is masterful, and Abram’s<br />

haunted sleep when the Lord tells him his seed<br />

will be scattered for 400 years is powerfully<br />

delivered with perplexing dread.<br />

Reference the back of the book for<br />

Crumb’s personal comments and observations<br />

on each chapter. EF<br />

PHOTOGRAPHING<br />

THE JEWISH<br />

NATION, PICTURES<br />

FROM S. AN-SKY’S<br />

ETHNOGRAPHIC<br />

EXPEDITIONS<br />

Eugene M. Avrutin, Valerii Dymshits, Alexander<br />

Lvov, Harriet Murav, Alla Sokolova, eds.<br />

Brandeis University Press/UPNE, 2009. 212 pp. $39.95<br />

ISBN: 978-1-58465-792-7<br />

Shlyome-Zanvl Rappoport, known by his<br />

pen-name S. An-Sky (1863–1920), was<br />

not only “the father of <strong>Jewish</strong> anthropology<br />

and folklore,” but also the uncle of <strong>Jewish</strong><br />

visual ethnography.<br />

He took his nephew, Solomon Borisovich<br />

Iudovin (1892–1954), then a young man of<br />

20, with him on his ethnographic expedition to<br />

Volynia, Podolia, and Kiev provinces as the<br />

expedition photographer. Iudovin took over<br />

2000 photographs, most of which An-Sky<br />

deposited, together with the rest of the material<br />

he collected during the three research seasons in<br />

1912–1914, in the museum of the <strong>Jewish</strong> Historical-Ethnographic<br />

Society (JHES) in St.<br />

Petersburg. However, apparently, Iudovin gave<br />

a portion of the photographs, for safe keeping,<br />

to the painter Natan Isaevich Al’tman<br />

(1889–1970). Upon his death, the theater<br />

designer Alexander Pasternak moved to his studio<br />

and there he found a trove of 350 photographs.<br />

He showed them to Alina Orlov who<br />

conducted research for a biography of Al’tman,<br />

and she, in turn, consulted with Viktor Kel’ner<br />

and Valerii Dymshits, both from Petersburg<br />

Judaica, a research center affiliated with the<br />

European University at St. Petersburg. They<br />

realized their provenence and value, acquired<br />

them for the institution and included them in<br />

a five volume collection Fotoarkhiv ekspeditsii<br />

An-skogo (St. Petersburg, 2005–2007). The 169<br />

photographs in the present volume are taken<br />

from this collection, and they are accompanied<br />

by six informative and interpretive essays by<br />

60 <strong>Jewish</strong> <strong>Book</strong> World Spring 5770/2010<br />

members of the Petersburg Judaica. The photographs<br />

are of utmost importance. They include<br />

portraits, some as mug-shots for anthropological<br />

documentation, craftsmen staged at their<br />

works, teachers and children in traditional<br />

schools and views of shtetl homes and squares.<br />

An-Sky set out on his expedition to discover<br />

and recover the <strong>Jewish</strong> folk culture and traditions<br />

in order to make them available for modern<br />

<strong>Jewish</strong> artists as building blocks for the creation<br />

of modern national <strong>Jewish</strong> culture. 170<br />

photographs. BBA<br />

REINVENTING RITUAL:<br />

CONTEMPORARY ART<br />

AND DESIGN FOR<br />

JEWISH LIFE<br />

Daniel Belasco; Contributors: Arnold M. Eisen,<br />

Julie Lasky, Tamar Rubin, Danya Ruttenberg<br />

Yale University Press/The <strong>Jewish</strong> Museum, 2009.<br />

149 pp. $39.95<br />

ISBN: 978-0-300-14682-0<br />

To judge this book by its illustrated cover<br />

and contents page is a challenge: witty or<br />

provocative? The <strong>Jewish</strong> Museum exhibition<br />

organizers probably aimed for ambivalence<br />

and they succeeded, in display and in this catalog,<br />

which accompanies an exhibition traveling<br />

from New York to San Francisco’s Contemporary<br />

<strong>Jewish</strong> Museum. This book is in<br />

the tradition of “Too <strong>Jewish</strong>?”—an earlier,<br />

controversial exhibition at the Museum.<br />

Interpretation of <strong>Jewish</strong> ritual objects, espe-<br />

AHMA, 2008 (Shalom Bat Chairs); acrylic on wood<br />

cially those focused on home-based ritual, is<br />

risky when done by practitioners of outrageous<br />

art, be they <strong>Jewish</strong> or non-<strong>Jewish</strong>, female or<br />

male. The curators/writers/artists don’t deny<br />

themselves lofty references—among others,<br />

Abraham Joshua Heschel’s comment that Gd’s<br />

revelation of the Torah is always ongoing.<br />

So empowered, artists conceive of limitless<br />

Bible portions rolled into gel capsules, perhaps<br />

to be ingested, on a regular basis. An austerely<br />

designed yad (pointer) incorporates a compass,<br />

verifying East; another includes a magnifying<br />

glass, reassuring impeccable Torah reading.<br />

Combining a kitchen apron and a tallit may be<br />

another matter for reader/viewer.<br />

Certainly some objects are refreshing, others<br />

vexing to consider, nevertheless the book<br />

is tied to a serious, nearly ponderous level by<br />

its topic, ritual—always ongoing. Acknowledgements,<br />

bibliography, contributors, exhibition<br />

checklist, index, notes. ABS<br />

TOBI KAHN:<br />

SACRED SPACES FOR<br />

THE 21ST CENTURY<br />

Ena Giurescu Heller, ed.<br />

GILES in association with The Museum of Biblical<br />

Art, 2009. 110 pp. $39.95<br />

ISBN: 978-1-904832-64-5<br />

The book published to accompany the exhibition<br />

of the same name at the Museum of<br />

Biblical Art in New York City is comprised of<br />

short essays exploring themes of sacredness in<br />

abstract images and objects created by the artist<br />

Copyright: 2009 by Tobi Kahn.<br />

www.jewishbookcouncil.org

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!