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eligion—and read various languages. Buttiglione tells<br />

me that Del Noce “was a man of enormous erudition<br />

and he sometimes presupposes in his reader a level of<br />

knowledge—especially of the history of philosophy—<br />

that goes far beyond that of an ordinary scholar”. Del<br />

Noce can quickly take the reader from Machiavelli, Kant,<br />

and Kierkegaard to Hobbes, Hegel, and Heidegger and<br />

then to Maistre, Maurras, and Péguy. Along the way,<br />

he might refer to Marsilius of Padua, Johan Huizinga,<br />

Thomas Muenzer, Karl Löwith, and Manuel García Pelayo.<br />

It’s daunting, to be sure. “Nevertheless”, Buttiglione<br />

assures me, “the reading is worth the while if you want to<br />

understand the world we live in.”<br />

Lancellotti has helpfully provided extensive and<br />

detailed explanatory notes. But even in the original Italian,<br />

Del Noce expects a lot from the reader, expressing complex<br />

ideas in a highly compressed style. As Lancellotti explains,<br />

part of this is due to Del Noce’s lifelong determination<br />

to “reconstruct intellectual genealogies” by systematically<br />

exposing the “deep metaphysical premises of social and<br />

political movements”.<br />

In his youth, Del Noce began with a study of Marx,<br />

which marked a turning point in his thinking. He realized<br />

that “all of Marx’s thought is a consistent development<br />

of the radical metaphysical principle that freedom requires selfcreation,<br />

and thus the rejection of all possible forms of<br />

dependence, especially dependence on God”. In Marxism,<br />

Del Noce saw that atheism was “not the conclusion but<br />

rather the precondition of the whole system”. And it laid<br />

the groundwork for the permissive, secularized, and<br />

technocratic society of today.<br />

Del Noce’s other early scholarship focused on<br />

the roots of fascist thought and its relationship to other<br />

ideologies. He methodically revealed the revolutionary<br />

spirit behind fascism, described its close relationship to<br />

violence, and saw it as one of several stages in the long<br />

process of Western secularization. This—combined with<br />

the permissiveness, eroticism, and what Del Noce calls<br />

the “libertine philosophy” of the sexual revolution—has<br />

brought the West to ruin. “The question of eroticism<br />

is first of all metaphysical”, he argues. And it arises in<br />

the context of a de-sacralized West, “which today has<br />

manifested itself as never before”.<br />

Tracing the origins of eroticism, Del Noce says the<br />

ideas of sexual freedom had already been fully formulated<br />

between 1920 and 1930, beginning with the antirationalist<br />

Surrealist writers and then further developed<br />

by Wilhelm Reich (1897-1957). Reich died in an American<br />

prison, “almost completely forgotten”, Del Noce notes,<br />

“after having been condemned by the still moral United<br />

States”. But the “various beat and hippie movements then<br />

rediscovered him”.<br />

Del Noce thus sees the countercultural revolution<br />

of the 1960s as the apotheosis of various long-dormant<br />

revolutionary strains. He elaborates: “The French ‘May<br />

Revolution’ was marked ... by the hybridization of Marxian<br />

themes with Freudian themes and themes inspired by de<br />

Sade.” But he also faults the global entertainment industry<br />

and the arts, as well as the media and other powerful elites,<br />

for having participated in an aggressive “campaign of de-<br />

Christianization through eroticism”.<br />

For the revolution against the transcendent to<br />

triumph, explains Lancellotti, “every meta-empirical order<br />

of truth” had to be abolished. Recreational sex replaced<br />

the truth of conjugal love. And the ideas of procreative sex<br />

and indissoluble monogamous marriage were destroyed<br />

since they presupposed, Del Noce says, “the idea of an<br />

objective order of unchangeable and permanent truths”.<br />

Del Noce was clearly a highly astute observer<br />

of societal trends. But he also sought to understand<br />

“philosophical history”—since the West had been<br />

profoundly affected by the philosophies of earlier<br />

centuries. Atheism, empiricism, historicism, materialism,<br />

rationalism, scientism, etc. had all led to the “elimination<br />

of the supernatural” and a “rejection of meta-historical<br />

truths”.<br />

But he was also a staunch critic of the modern<br />

West’s affluence, commercialism, and opulence. The loss<br />

of belief in the transcendent, he said, had produced a<br />

rootless society in which there was nothing to support<br />

beliefs in anything other than science and technology,<br />

entertainment and the erotic. And behind everything lay<br />

nihilism—and a rejection of the Incarnation itself. Thus,<br />

the crisis of modernity is really a crisis of spirituality.<br />

Del Noce applied this understanding to his analysis<br />

of political phenomena like fascism and communism<br />

and to more recent trends like consumerism and<br />

commercialism. He provides the “conceptual tools to<br />

see the world you live in [from] a completely different<br />

perspective”, Buttiglione tells me. “The only kindred spirit<br />

I can think of in recent American culture is Russell Kirk.”<br />

There can be no more powerful exhortation to read Kirk’s<br />

works today than to have Buttiglione compare him to his<br />

own mentor.<br />

Thanks to Lancellotti, we can also now read<br />

Del Noce. It’s true that at times the translation seems<br />

a bit awkward. It’s difficult to say how much is due to<br />

the difficulty of the original text or to an overly literal<br />

approach to translation. It’s almost as if the English<br />

rendition deliberately preserved the same elliptical<br />

sentence construction and parenthetical expressions that<br />

appear in the original Italian. Still, we must be grateful.<br />

This book is not for dilettantes or neophytes. But for<br />

those who are sufficiently motivated and whose interest is<br />

piqued by questions about the nature of modernity, it may<br />

be quite rewarding. Del Noce’s thinking is so advanced<br />

and his analysis so sophisticated that it will be years until<br />

he is properly appreciated by scholars.<br />

In his biography of Del Noce, Buttiglione writes<br />

that “the thought of Del Noce is a common patrimony<br />

of Italian culture”. I would suggest a slight revision to<br />

this statement: with the material that Carlo Lancellotti has<br />

made available to the English-speaking world, Del Noce<br />

is now—finally—part of the common patrimony of the<br />

West.<br />

Alvino-Mario Fantini is the editor in chief of The European<br />

Conservative. This review previously appeared in the September/<br />

October edition of The American Conservative. It appears<br />

here by permission.<br />

36<br />

Summer 2015

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