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arrested. Then, one day, Jan meets Betka. He follows<br />

her from the metro, onto a bus, and then to the park<br />

of Divoka Sarka, where he loses track of her. After the<br />

arrest of his mother, Betka mysteriously appears at his<br />

door to return books by several dissidents that had<br />

been copied by his mother. Among them, is a copy of<br />

Jan’s Rumors, too.<br />

He is intrigued by Betka. She seems wiser than<br />

her years. She knows about things that he is ignorant<br />

of. She is beautiful in a way that he cannot express.<br />

Soon, she and Jan are discussing how to organize a<br />

campaign for his mother’s release from prison—and<br />

they decide that such a campaign has to be organized<br />

in the West, with the help of the international media.<br />

The rest of the book is the story of how Jan<br />

becomes deeply involved with other dissidents—<br />

and, eventually, Betka. He learns of the trials and<br />

tribulations of other dissidents, and develops contacts<br />

with underground circles and foreign allies.<br />

Along the way, always accompanied by Betka,<br />

Jan discovers and learns to appreciate the beauty of<br />

his city, Prague. And through Betka—whose passions<br />

are Renaissance and baroque music, and, above all, the<br />

composer Leoš Janáček—Jan also develops a love for<br />

philosophy, literature, and music. He learns to love<br />

beauty and learns to love her.<br />

The story, which encompasses the romantic<br />

and the political, the historical and the literary, is<br />

fundamentally a fascinating depiction of love and the<br />

search for the sacred. The richness of its language and<br />

the story’s tender language make it a novel of pivotal<br />

importance. Who would have thought that such a<br />

romantic and lyrical rendering of the lives of dissidents<br />

would be written by a philosopher like Scruton? On<br />

the other hand, why not? He certainly possesses the<br />

talent, the memories, and the insight.<br />

One finished this book with many thoughts—<br />

and with one overpowering feeling of love ... for<br />

Betka. How is it possible to fall in love with a literary<br />

character? To be sure, Betka is charming, strong, and<br />

fragile all at the same time. She is, in contrast to Jan,<br />

far more mature. She is wise in the ways of the world.<br />

At the same time, as Jan discovers she is not altogether<br />

open or honest with him.<br />

With all this said, I found myself asking at<br />

the very end: Would I fall in love with Betka? Yes,<br />

absolutely, I would.<br />

Roman Joch is the Executive Director of the Civic Institute in<br />

Prague. He obtained his M.D. degree from Charles University<br />

and was previously the Foreign Affairs Secretary of the Civic<br />

Democratic Party (1994-1996).<br />

FS I<br />

future symphony institute<br />

Orchestrate a renaissance.<br />

For us, classical music represents the very pinnacle of a Western art form that has no equal<br />

anywhere in time or place. The Future Symphony Institute was launched this year as a refuge<br />

and a resource of conservative thought in defense of this pillar of Western Civilisation. We are<br />

an entirely independent, non-partisan, and nonprofit think tank with a mission to formulate the<br />

strategies prerequisite for a worldwide renaissance of live classical music.<br />

Senior Fellow Roger Scruton joins others such as David Goldman (who wrote for some<br />

time under the nom de guerre of Spengler) and New Urbanist champion and architect Léon Krier<br />

to form what will be a community of the world’s best and brightest thinkers, scholars, researchers,<br />

artists, craftsmen, and business minds – all assembled to answer the political, aesthetic, and<br />

cultural challenges facing our institutions of classical music today.<br />

Please join us online where we regularly publish in-depth articles on the political and<br />

philosophical challenges facing our art form and its legacy during these culturally perilous times.<br />

www.futuresymphony.org<br />

38<br />

Summer 2015

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