OTAGO MUSEUM
OtagoMuseum-1415-Annual-Report
OtagoMuseum-1415-Annual-Report
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GOAL ONE:<br />
A WORLD-CLASS COLLECTION<br />
COLLECTIONS<br />
The Collections and Research (C&R) team is<br />
now the largest it has been in the Museum’s<br />
147-year history.<br />
During the past financial year, Robert Morris<br />
(Director, Collections and Research), Nyssa<br />
Mildwaters (Conservation Manager), Kane<br />
Fleury (Collection Officer, Natural Science)<br />
and Lisa Yeats (Conservator) joined<br />
the team.<br />
Trudi Webster and Ellen Sima were both<br />
made part-time Assistant Curators in Natural<br />
Science, and Dr Carolina Loch was appointed<br />
part-time Natural Science Research Officer.<br />
Adding these new roles gives the entire C&R<br />
team increased scope for work, research and<br />
interpretation of the collection.<br />
C&R undertook a full review of the<br />
Museum’s collections and conservation<br />
policies to ensure that collection<br />
management, development and access<br />
meet international standards.<br />
The Otago Museum Collections Policy<br />
2015–2020 was approved by the Trust Board<br />
in February 2015. It ensures collection items<br />
are acquired, documented, maintained,<br />
utilised and disposed of within professional<br />
standards and that all relevant legal and<br />
ethical obligations are met.<br />
Conservation Manager Nyssa Mildwaters<br />
developed the Conservation and Collections<br />
Care Policy, which was approved by the Trust<br />
Board in June 2015. It outlines the standards<br />
and practices applied to all collection items<br />
and balances the long-term preservation<br />
of items with allowing access for research,<br />
interpretation and display.<br />
THE SECRETS OF DISPLAY<br />
Collection Officer Jamie Metzger created a<br />
complex two-case foyer exhibit, The Secrets<br />
of Display, as part of the 2015 Dunedin<br />
iD Fashion Week, and to continue supporting<br />
the Museum’s goal of sharing the collection<br />
with the public.<br />
The exhibit featured an elaborate 19th<br />
century princess line dress from the<br />
storeroom and broke down the process of<br />
preparing such a fragile object for display.<br />
The step-by-step explanation showed how<br />
a mannequin is taken from bare canvas to<br />
lavish model.<br />
It fascinated both visitors and media, and<br />
served as a visually arresting reminder of<br />
how much unseen work goes into preserving<br />
and displaying our history.<br />
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