Blackout_ Remembering the Things I Drank to Forget - Sarah Hepola
I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight. Like swirling the ocean in the palm of my hand.
I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a
restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will
pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks
between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight.
Like swirling the ocean in the palm of my hand.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
like you should not be crying,” he says, and puts out his hand for me <strong>to</strong> take. I’m not sure what <strong>to</strong> do,<br />
but I walk over <strong>to</strong> him, as if on au<strong>to</strong>pilot, and let my hand hang limply against his fingertips. “You are<br />
very beautiful,” he says.<br />
I blink and brea<strong>the</strong> deeply through my nostrils. Fucking Christ. It is a compliment that makes me<br />
want <strong>to</strong> wi<strong>the</strong>r away. I have spent years chasing after compliments, with <strong>the</strong> ridiculous hope that<br />
every man in <strong>the</strong> universe would find me beautiful. And now a man arrives at 3:30 am <strong>to</strong> tell me I<br />
have succeeded in my pa<strong>the</strong>tic, girlish hopes and dreams, and I want <strong>to</strong> crush him. I want <strong>to</strong> scream.<br />
“Thanks,” I say.<br />
“I saw you Saturday night when you came in,” he says. I stare at <strong>the</strong> floor, wondering how <strong>to</strong> get<br />
my hand back. I’m not sure what makes me angrier: that he will not leave, or that I will not ask him <strong>to</strong>.<br />
For <strong>the</strong> millionth time, I’m enraged by a man’s inability <strong>to</strong> read my mind. Look at how I’m standing<br />
here. Can’t you see how revolting I find you?<br />
“I’m glad I could take care of you,” he says, and he brings my hand <strong>to</strong> his lips.<br />
“Johnson, I’m really tired,” I say. “It’s been a really long day.” I want him <strong>to</strong> leave so badly my<br />
s<strong>to</strong>mach aches.<br />
I think: If tell him <strong>to</strong> go, he’ll probably stand up politely and walk out of <strong>the</strong> room without<br />
saying more than a few words. So why don’t I? Do I feel I owe him something? That I can’t turn him<br />
away? That he’ll be mad at me? What do I feel?<br />
He pulls me <strong>to</strong>ward him, and we kiss.<br />
The kiss is nei<strong>the</strong>r bad nor good. I consider it a necessary penance. I can’t explain it. How little I<br />
care. Zapping back <strong>to</strong> my life in <strong>the</strong> middle of sex with a stranger seems <strong>to</strong> have raised <strong>the</strong> bar on<br />
what I can and cannot allow. All I keep thinking is: This doesn’t matter. All I keep thinking is: It will<br />
be easier this way.<br />
He tugs me <strong>to</strong>ward <strong>the</strong> bed, and my body moves before my brain tells it differently. I let him run<br />
his hands along me, and he strokes my hair. He kisses my nose, now wet with tears he does not ask<br />
about. He moves his large, rough hands over <strong>the</strong> steep slope of my fleshy sides, up along my breast,<br />
nudging down my <strong>to</strong>p and gently sucking on my nipple.<br />
And <strong>the</strong> confounding part is how good this feels. It shouldn’t feel this way. My skin should be all<br />
bugs and sli<strong>the</strong>ring worms. But <strong>the</strong> truth is I like being held. I like not being alone anymore. None of<br />
this makes sense in my mind, because I don’t want <strong>to</strong> be here, but I can’t seem <strong>to</strong> leave. I don’t<br />
understand it. What accumulation of grief and loneliness could bring me <strong>to</strong> this place, where I could<br />
surrender myself <strong>to</strong> <strong>the</strong> hands of a stranger? Who is this person in <strong>the</strong> hotel room? And I don’t mean<br />
Johnson. I mean me.<br />
We lie in <strong>the</strong> bed, and he strokes my face, my body. I can feel him hard against me, but he never<br />
asks for more.<br />
At 4 am, I push Johnson out <strong>the</strong> door. I climb in<strong>to</strong> my bed and cry. Huge howling sobs, and I feel a<br />
small amount of comfort knowing <strong>the</strong> s<strong>to</strong>ry exists only in my memory bank and that I do not need <strong>to</strong><br />
deposit it in anyone else’s. This whole episode can stay a secret.<br />
REAL DRUNKS WAIT and watch for <strong>the</strong> moment <strong>the</strong>y hit bot<strong>to</strong>m. Your face is forever hurtling <strong>to</strong>ward a<br />
brick wall, but you hope that you can smash against it and still walk away. That you will be scared<br />
but not destroyed. It’s a gamble. How many chances do you want <strong>to</strong> take? How many near misses are