Blackout_ Remembering the Things I Drank to Forget - Sarah Hepola
I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight. Like swirling the ocean in the palm of my hand.
I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a
restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will
pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks
between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight.
Like swirling the ocean in the palm of my hand.
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we’ll never know long enough <strong>to</strong> let down.<br />
Often <strong>the</strong>y said: I was like you once. I used <strong>to</strong> think that program was bullshit, <strong>to</strong>o. And hearing<br />
<strong>the</strong>y were wrong made me suspect I was wrong, <strong>to</strong>o.<br />
AA was a humble program. A program of suggestions, never rules. It was a place of s<strong>to</strong>rytelling,<br />
which operated on <strong>the</strong> same principle as great literature: Through your s<strong>to</strong>ry, I hear my own.<br />
I was also beginning <strong>to</strong> realize that getting sober wasn’t some giant leap in<strong>to</strong> sunlight. It was a<br />
series of small steps in <strong>the</strong> same direction. You say “I’ll do this <strong>to</strong>day,” and <strong>the</strong>n you say <strong>the</strong> same<br />
thing <strong>the</strong> next day, and you keep going, one foot in front of <strong>the</strong> o<strong>the</strong>r, until you make it out of <strong>the</strong><br />
woods.<br />
I can’t believe I’d once thought <strong>the</strong> only interesting part of a s<strong>to</strong>ry was when <strong>the</strong> heroine was<br />
drinking. Because those can be some of <strong>the</strong> most mind-numbing s<strong>to</strong>ries in <strong>the</strong> world. Is <strong>the</strong>re any more<br />
obnoxious hero than a dead-eyed drunk, repeating herself? I was stuck in those reruns for years—<strong>the</strong><br />
same conversations, <strong>the</strong> same humiliations, <strong>the</strong> same remorse, and <strong>the</strong>re’s no narrative tension <strong>the</strong>re,<br />
believe me. It was one big cycle of Same Old Shit.<br />
Sobriety wasn’t <strong>the</strong> boring part. Sobriety was <strong>the</strong> plot twist.