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SERGEI M EISENSTEIN

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Nesbet,Anne.SavageJunctures:SergeiEisensteinandtheShapeofThinking.London:I.B.Tauris,<br />

2003.<br />

Neuberger,Joan.“Eisenstein’sAngel.”RussianReview63.3(2004):374-406.<br />

Neuberger, Joan. “Eisenstein’s Cosmopolitan Kremlin: Drag Queens, Circus Clowns,<br />

Slugs, and Foreigners in Ivan the Terrible,” in Stephen M. Norris and Zara M. Torlone,<br />

eds., Insiders and Outsiders in Russian Cinema. Bloomington: Indiana University Press,<br />

2008,81-95.<br />

Neuberger,Joan.IvantheTerrible.London:I.B.Tauris,2003.<br />

Nizhny, Vladimir. Lessons with Eisenstein. Translated and edited by Ivor Montagu and Jay<br />

Leyda.NewYork:Hill&Wang,1992.<br />

O’Mahony,Mike.SergeiEisenstein. London:ReaktionBooks,2008.<br />

Podalsky, Laura. “Patterns of the Primitive: Sergei Eisenstein’s Que Viva México!” in John<br />

King, Ana López, and Manuel Alvarado, eds., Mediating Two Worlds: Cinematic Encounters<br />

intheAmericas.London:BFIPublishing,1993.<br />

Robertson, Robert. Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in<br />

Cinema.London:I.B.Tauris,2009.<br />

Ropars, Marie-Claire. “The Function of Metaphor in Eisenstein’s October.” Film Criticism<br />

2.2/3(1978): 10-34.<br />

Ropars, Marie-Claire. “The Overture of October.” Enclitic 2.2 (1978): 50-72, and 3.1 (1979):<br />

35-47.<br />

Rosen, P. Change Mummified: Cinema, Historicity, Theory. Minneapolis: University of MinnesotaPress,2001.<br />

Salazkina, Masha. “Addressing the Dialectics of Sexual Difference in Eisenstein's Que Viva<br />

México!”Screen48.1(2007):45-67.<br />

Salazkina, Masha. In Excess: Sergei Eisenstein’s Mexico. Chicago: University of Chicago Press,<br />

2009.<br />

Selden, Daniel L. “Vision and Violence: The Rhetoric of Potemkin.” Quarterly Review of Film<br />

Studies7.4(1982):308-29.<br />

Seton,Marie.SergeiM.Eisenstein: ABiography.London:BodleyHead,1952.<br />

Seydor, Paul. “Eisenstein's Aesthetic: A Dissenting View.” Sight and Sound 43.1 (1973-74):<br />

38-43.<br />

Somaini, Antonio. Eisenstein. Cinema, Art History, Montage. Translated by Michael Cramer.<br />

Chicago:UniversityofIllinoisPress,2016 (forthcoming)<br />

Swallow,Norman. Eisenstein:ADocumentaryPortrait.New York:E.P.Dutton, 1977.<br />

Tafuri, Manfredo. “The Dialectics of the Avantgarde: Piranesi and Eisenstein.” Oppositions:<br />

AJournalforIdeasandCriticisminArchitecture11(1977):72-110.<br />

Taylor, Richard. “Alexander Nevsky,” in Richard Taylor, Film Propaganda: Soviet Russia and<br />

NaziGermany.2ndrev.ed.London:I.B.Taurus,1998,85-99.<br />

Taylor,Richard.TheBattleshipPotemkin.London: I.B.Tauris,2000.<br />

Taylor, Richard.“Eisenstein on Hollywood.”Studies in Russianand SovietCinema 2.2 (2008):<br />

217-38.<br />

Taylor, Richard. “October,” in Richard Taylor, Film Propaganda: Soviet Russia and Nazi Germany.2ndrev.ed.London:I.B.Taurus,1998,63-74.<br />

Taylor,Richard,andIanChristie,eds.EisensteinRediscovered.London:Routledge,1993.<br />

424 bibliography

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