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"We might need to split up," I say under my breath. "There's a girl--"<br />
Gunfire rips through the crowd, and several people near me slump to the ground. Screams pierce the air<br />
as a second round mows down another group behind us. Gale and I drop to the street, scuttle the ten yards to the<br />
shops, and take cover behind a display of spike-heeled boots outside a shoe seller's.<br />
A row of feathery footwear blocks Gale's view. "Who is it? Can you see?" he asks me. What I can see,<br />
between alternating pairs of lavender and mint green leather boots, is a street full of bodies. The little girl who<br />
was watching me kneels beside a motionless woman, screeching and trying to rouse her. Another wave of<br />
bullets slices across the chest of her yellow coat, staining it with red, knocking the girl onto her back. For a<br />
moment, looking at her tiny crumpled form, I lose my ability to form words. Gale prods me with his elbow.<br />
"Katniss?"<br />
"They're shooting from the roof above us," I tell Gale. I watch a few more rounds, see the white uniforms<br />
dropping into the snowy streets. "Trying to take out the Peacekeepers, but they're not exactly crack shots. It must<br />
be the rebels." I don't feel a rush of joy, although theoretically my allies have broken through. I am transfixed by<br />
that lemon yellow coat.<br />
"If we start shooting, that's it," Gale says. "The whole world will know it's us."<br />
It's true. We're armed only with our fabulous bows. To release an arrow would be like announcing to both<br />
sides that we're here.<br />
"No," I say forcefully. "We've got to get to Snow."<br />
"Then we better start moving before the whole block goes up," says Gale. Hugging the wall, we continue<br />
along the street. Only the wall is mostly shopwindows. A pattern of sweaty palms and gaping faces presses<br />
against the glass. I yank my scarf up higher over my cheekbones as we dart between outdoor displays. Behind a<br />
rack of framed photos of Snow, we encounter a wounded Peacekeeper propped against a strip of brick wall. He<br />
asks us for help. Gale knees him in the side of the head and takes his gun. At the intersection, he shoots a<br />
second Peacekeeper and we both have firearms.<br />
"So who are we supposed to be now?" I ask.<br />
"Desperate citizens of the Capitol," says Gale. "The Peacekeepers will think we're on their side, and<br />
hopefully the rebels have more interesting targets."<br />
I'm mulling over the wisdom of this latest role as we sprint across the intersection, but by the time we reach<br />
the next block, it no longer matters who we are. Who anyone is. Because no one is looking at faces. The rebels<br />
are here, all right. Pouring onto the avenue, taking cover in doorways, behind vehicles, guns blazing, hoarse<br />
voices shouting commands as they prepare to meet an army of Peacekeepers marching toward us. Caught in<br />
the cross fire are the refugees, unarmed, disoriented, many wounded.<br />
A pod's activated ahead of us, releasing a gush of steam that parboils everyone in its path, leaving the<br />
victims intestine-pink and very dead. After that, what little sense of order there was unravels. As the remaining<br />
curlicues of steam intertwine with the snow, visibility extends just to the end of my barrel. Peacekeeper, rebel,<br />
citizen, who knows? Everything that moves is a target. People shoot reflexively, and I'm no exception. Heart<br />
pounding, adrenaline burning through me, everyone is my enemy. Except Gale. My hunting partner, the one<br />
person who has my back. There's nothing to do but move forward, killing whoever comes into our path.<br />
Screaming people, bleeding people, dead people everywhere. As we reach the next corner, the entire block<br />
ahead of us lights up with a rich purple glow. We backpedal, hunker down in a stairwell, and squint into the light.<br />
Something's happening to those illuminated by it. They're assaulted by...what? A sound? A wave? A laser?<br />
Weapons fall from their hands, fingers clutch their faces, as blood sprays from all visible orifices--eyes, noses,<br />
mouths, ears. In less than a minute, everyone's dead and the glow vanishes. I grit my teeth and run, leaping over<br />
the bodies, feet slipping in the gore. The wind whips the snow into blinding swirls but doesn't block out the sound<br />
of another wave of boots headed our way.<br />
"Get down!" I hiss at Gale. We drop where we are. My face lands in a still-warm pool of someone's blood,<br />
but I play dead, remain motionless as the boots march over us. Some avoid the bodies. Others grind into my<br />
hand, my back, kick my head in passing. As the boots recede, I open my eyes and nod to Gale.<br />
On the next block, we encounter more terrified refugees, but few soldiers. Just when it seems we might<br />
have caught a break, there's a cracking sound, like an egg hitting the side of a bowl but magnified a thousand<br />
times. We stop, look around for the pod. There's nothing. Then I feel the tips of my boots beginning to tilt ever so<br />
slightly. "Run!" I cry to Gale. There's no time to explain, but in a few seconds the nature of the pod becomes clear<br />
to everyone. A seam has opened up down the center of the block. The two sides of the tiled street are folding<br />
down like flaps, slowly emptying the people into whatever lies beneath.