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Mocking Jay

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As the room fills, I brace myself for a less congenial reception. But the only people who register any kind of<br />

negativity are Haymitch, who's always out of sorts, and a sour-faced Fulvia Cardew. Boggs wears a fleshcolored<br />

plastic mask from his upper lip to his brow--I was right about the broken nose--so his expression's hard<br />

to read. Coin and Gale are in the midst of some exchange that seems positively chummy.<br />

When Gale slides into the seat next to my wheelchair, I say, "Making new friends?"<br />

His eyes flicker to the president and back. "Well, one of us has to be accessible." He touches my temple<br />

gently. "How do you feel?"<br />

They must have served stewed garlic and squash for the breakfast vegetable. The more people who<br />

gather, the stronger the fumes are. My stomach turns and the lights suddenly seem too bright. "Kind of rocky," I<br />

say. "How are you?"<br />

"Fine. They dug out a couple of pieces of shrapnel. No big deal," he says.<br />

Coin calls the meeting to order. "Our Airtime Assault has officially launched. For any of you who missed<br />

yesterday's twenty-hundred broadcast of our first propo--or the seventeen reruns Beetee has managed to air<br />

since--we will begin by replaying it." Replaying it? So they not only got usable footage, they've already slapped<br />

together a propo and aired it repeatedly. My palms grow moist in anticipation of seeing myself on television.<br />

What if I'm still awful? What if I'm as stiff and pointless as I was in the studio and they've just given up on getting<br />

anything better? Individual screens slide up from the table, the lights dim slightly, and a hush falls over the room.<br />

At first, my screen is black. Then a tiny spark flickers in the center. It blossoms, spreads, silently eating up<br />

the blackness until the entire frame is ablaze with a fire so real and intense, I imagine I feel the heat emanating<br />

from it. The image of my mockingjay pin emerges, glowing red-gold. The deep, resonant voice that haunts my<br />

dreams begins to speak. Claudius Templesmith, the official announcer of the Hunger Games, says, "Katniss<br />

Everdeen, the girl who was on fire, burns on."<br />

Suddenly, there I am, replacing the mockingjay, standing before the real flames and smoke of District 8. "I<br />

want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a<br />

hospital full of unarmed men, women, and children. There will be no survivors." Cut to the hospital collapsing<br />

in on itself, the desperation of the onlookers as I continue in voice-over. "I want to tell people that if you think for<br />

one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know<br />

who they are and what they do." Back to me now, my hands lifting up to indicate the outrage around me. "This is<br />

what they do! And we must fight back!" Now comes a truly fantastic montage of the battle. The initial bombs<br />

falling, us running, being blown to the ground--a close-up of my wound, which looks good and bloody--scaling the<br />

roof, diving into the nests, and then some amazing shots of the rebels, Gale, and mostly me, me, me knocking<br />

those planes out of the sky. Smash-cut back to me moving in on the camera. "President Snow says he's<br />

sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to<br />

the ground, but do you see that?" We're with the camera, tracking to the planes burning on the roof of the<br />

warehouse. Tight on the Capitol seal on a wing, which melts back into the image of my face, shouting at the<br />

president. "Fire is catching! And if we burn, you burn with us!" Flames engulf the screen again. Superimposed<br />

on them in black, solid letters are the words:<br />

IF WE BURN YOU<br />

BURN WITH US<br />

The words catch fire and the whole screen burns to blackness.<br />

There's a moment of silent relish, then applause followed by demands to see it again. Coin indulgently hits<br />

the replay button, and this time, since I know what will happen, I try to pretend that I'm watching this on my<br />

television at home in the Seam. An anti-Capitol statement. There's never been anything like it on television. Not<br />

in my lifetime, anyway.<br />

By the time the screen burns to black a second time, I need to know more. "Did it play all over Panem? Did<br />

they see it in the Capitol?"<br />

"Not in the Capitol," says Plutarch. "We couldn't override their system, although Beetee's working on it. But<br />

in all the districts. We even got it on in Two, which may be more valuable than the Capitol at this point in the<br />

game."<br />

"Is Claudius Templesmith with us?" I ask.<br />

This gives Plutarch a good laugh. "Only his voice. But that's ours for the taking. We didn't even have to do<br />

any special editing. He said that actual line in your first Games." He slaps his hand on the table. "What say we

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