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Mocking Jay

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give another round of applause to Cressida, her amazing team, and, of course, our on-camera talent!"<br />

I clap, too, until I realize I'm the on-camera talent and maybe it's obnoxious that I'm applauding for myself,<br />

but no one's paying attention. I can't help noticing the strain on Fulvia's face, though. I think how hard this must be<br />

for her, watching Haymitch's idea succeed under Cressida's direction, when Fulvia's studio approach was such<br />

a flop.<br />

Coin seems to have reached the end of her tolerance for self-congratulation. "Yes, well deserved. The<br />

result is more than we had hoped for. But I do have to question the wide margin of risk that you were willing to<br />

operate within. I know the raid was unforeseen. However, given the circumstances, I think we should discuss the<br />

decision to send Katniss into actual combat."<br />

The decision? To send me into combat? Then she doesn't know that I flagrantly disregarded orders, ripped<br />

out my earpiece, and gave my bodyguards the slip? What else have they kept from her?<br />

"It was a tough call," says Plutarch, furrowing his brow. "But the general consensus was that we weren't<br />

going to get anything worth using if we locked her in a bunker somewhere every time a gun went off."<br />

"And you're all right with that?" asks the president.<br />

Gale has to kick me under the table before I realize that she's talking to me. "Oh! Yeah, I'm completely all<br />

right with that. It felt good. Doing something for a change."<br />

"Well, let's be just a little more judicious with her exposure. Especially now that the Capitol knows what she<br />

can do," says Coin. There's a rumble of assent from around the table.<br />

No one has ratted out Gale and me. Not Plutarch, whose authority we ignored. Not Boggs with his broken<br />

nose. Not the insects we led into fire. Not Haymitch--no, wait a minute. Haymitch is giving me a deadly smile and<br />

saying sweetly, "Yeah, we wouldn't want to lose our little <strong>Mocking</strong>jay when she's finally begun to sing." I make a<br />

note to myself not to end up alone in a room with him, because he's clearly having vengeful thoughts over that<br />

stupid earpiece.<br />

"So, what else do you have planned?" asks the president.<br />

Plutarch nods to Cressida, who consults a clipboard. "We have some terrific footage of Katniss at the<br />

hospital in Eight. There should be another propo in that with the theme 'Because you know who they are and<br />

what they do.' We'll focus on Katniss interacting with the patients, particularly the children, the bombing of the<br />

hospital, and the wreckage. Messalla's cutting that together. We're also thinking about a <strong>Mocking</strong>jay piece.<br />

Highlight some of Katniss's best moments intercut with scenes of rebel uprisings and war footage. We call that<br />

one 'Fire is catching.' And then Fulvia came up with a really brilliant idea."<br />

Fulvia's mouthful-of-sour-grapes expression is startled right off her face, but she recovers. "Well, I don't<br />

know how brilliant it is, but I was thinking we could do a series of propos called We Remember. In each one, we<br />

would feature one of the dead tributes. Little Rue from Eleven or old Mags from Four. The idea being that we<br />

could target each district with a very personal piece."<br />

"A tribute to your tributes, as it were," says Plutarch.<br />

"That is brilliant, Fulvia," I say sincerely. "It's the perfect way to remind people why they're fighting."<br />

"I think it could work," she says. "I thought we might use Finnick to intro and narrate the spots. If there was<br />

interest in them."<br />

"Frankly, I don't see how we could have too many We Remember propos," says Coin. "Can you start<br />

producing them today?"<br />

"Of course," says Fulvia, obviously mollified by the response to her idea.<br />

Cressida has smoothed everything over in the creative department with her gesture. Praised Fulvia for<br />

what is, in fact, a really good idea, and cleared the way to continue her own on-air depiction of the <strong>Mocking</strong>jay.<br />

What's interesting is that Plutarch seems to have no need to share in the credit. All he wants is for the Airtime<br />

Assault to work. I remember that Plutarch is a Head Gamemaker, not a member of the crew. Not a piece in the<br />

Games. Therefore, his worth is not defined by a single element, but by the overall success of the production. If<br />

we win the war, that's when Plutarch will take his bow. And expect his reward.<br />

The president sends everyone off to get to work, so Gale wheels me back to the hospital. We laugh a little<br />

about the cover-up. Gale says no one wanted to look bad by admitting they couldn't control us. I'm kinder, saying<br />

they probably didn't want to jeopardize the chance of taking us out again now that they've gotten some decent<br />

footage. Both things are probably true. Gale has to go meet Beetee down in Special Weaponry, so I doze off.<br />

It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch<br />

sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clock is right. I think about hollering

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